Actors
Persons of Interest
Rose Byrne Hits the Mother Lode
Between her new film, “If I Had Legs I’d Kick You,” and her Apple TV+ series “Platonic,” the actress has created a diptych of stressed-out moms.
Under Review
“Clint” Highlights the Artistic Modernity of an Old-School Man
Shawn Levy’s biography of Clint Eastwood explores revelatory connections between the filmmaker’s methods and his deep-rooted world view.
Persons of Interest
How Eva Victor Reimagined the Trauma Plot
In her new film, the actor, writer, and director charts the nonlinear course of a young woman’s recovery from assault.
Video Dept.
An Anatomy of Tom Cruise’s “Mission: Impossible” Stunts
The New Yorker’s Tyler Foggatt on how the actor’s death-defying physical performances are essential to the success of the series.
The Weekend Essay
Why Tom Cruise Will Never Die
When we watch the actor’s stunts, we are watching someone defy death, over and over again. It’s impossible to look away.
Postscript
Gene Hackman’s Dangerous Smile
The mystery surrounding the great actor’s death belies the solidity of his presence.
Critic’s Notebook
Blake Lively, Justin Baldoni, and the Collapse of the Hollywood #MeToo Era
The reportage that thrived in the late twenty-tens cannot break through on today’s volatile Internet, where information is misinformation and victims are offenders.
The New Yorker Interview
The Liberated Life of Colman Domingo
The actor discusses the West Philly musicians that inspired his style; the rejection that nearly made him quit show business; and the experience of making “Sing Sing” with former members of a prison theatre troupe.
Postscript
The Era of Richard Foreman
Remembering the avant-garde theatre director and beloved emperor of downtown.
The Current Cinema
Who and What Should Be Nominated for the 2025 Oscars
Critics don’t vote for the Academy Awards—but here’s how one critic would fill out his imaginary ballot.
2024 in Review
The Best Performances of 2024
A middle-aged, murderous Tom Ripley; a boozy, stagestruck Mary Todd Lincoln; an unlikely pair of singers at the Grammys—these were the acts that broke through the noise of this fractious, tumultuous year.
The New Yorker Radio Hour
Audra McDonald on Stephen Sondheim, “Gypsy,” and Being Black on Broadway
The actress stars as Rose in a Broadway revival of “Gypsy.” She shares that, throughout her career, some people have been upset when she plays characters conceived for white actors.
The New Yorker Interview
Daniel Craig’s Masculine Constructs
The actor discusses making the new movie “Queer” and breaking out of his Bondian image.
The New Yorker Interview
Jesse Eisenberg Has a Few Questions
The multihyphenate discusses his new film, “A Real Pain”; grappling with what it means to be good; and the scripts, songs, and jokes that “never see the light of day.”
The New Yorker Interview
Rachel Bloom Has a Funny Song About Death
In her new Netflix special, the comedian turns a tragic life episode into a riotous study of motherhood, mortality, and the meaning of pet heaven.
Postscript
The Exhilarating Brilliance of Maggie Smith
Success came early for the late British actor, who throughout her career continued to captivate audiences with her edgy, glinting gifts.
The Pictures
Sebastian Stan’s Crash Course in Becoming Trump
After a long tour of duty in the Marvel universe, the Romanian-born actor is conquering the festival circuit, with starring roles in “The Apprentice” and “A Different Man.”
Postscript
James Earl Jones’s Voice Was Something More
For the actor, speaking was synonymous with character.
Frequent Fliers Dept.
Natasha Rothwell Wants You to Consider the T.S.A. Screener
The “Insecure” and “White Lotus” actor heads to J.F.K. to explain why she set her new show, “How to Die Alone,” in an airport.