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Conor Maynard mocks Charlotte Chilton's 'fake tears' as bitter paternity feud continues

Conor Maynard took a brutal jibe at Charlotte Chilton after the Traitors star doubled down on her claims that the Can't Say No singer is the father to her daughter

Charlotte Chilton has been mocked by Conor Maynard for her 'fake tears' after she insisted he was the father of her daughter. Though two tests said the musician was not the father of Charlotte's baby, she is adamant he is the dad.


Charlotte's daughter was born in October 2024 and a DNA test was carried out in March 2025, which confirmed the singer did not father the child. Another was done in August, which gave the same result.


However, in a recent interview, Charlotte said the results are wrong and that Conor is the father. "I have researched and researched trying to find the answers because I know for a fact that the only person who can be my daughter's father is Conor Maynard," she said.


"After speaking to experts I have found out that what might have happened is I could have been carrying twins but lost one very early. Then strange genetics come into play which means that twin could have taken certain DNA so her father could never show up on a paternity test. It is something called chimerism."

Conor has since fired back after Charlotte's teary interview in a post on social media. In the clip, he played a clip of Charlotte getting teary in the interview, before he appeared on screen and held a box of tissues.


"Here's an invisible tissue for your invisible tears," he said, before playing a clip of his song with the lyrics: "Why you keep on talking baby, won’t you stop / Ain’t nobody listening cause you talk too much, please shut up with a cherry on top."

Alongside the post, he simply wrote: "My response to the most recent news...", with the comments flooded with support for Conor including his brother Jack who called it "absolute cinema".


Conor previously exclusively told The Mirror how he was still suffering following the scandal. He told us: "I've pretty much always poured what I'm going through into my music, the good, the bad, and the ugly. Since this was a pretty intense situation to go through over the last year and a half, it made sense to continue my usual process of putting it into my music."

He added: "Obviously, a lot of the lyrics of the song are said somewhat in jest, but I think they mainly point to how this entire situation could have been avoided.

"I was always of the opinion that the whole thing could and should have been dealt with quietly and privately, especially since none of it had even been proven before it reached the court of public opinion.

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"It had zero benefit from being so publicly carried out, but obviously, it's too late for that now; what's done is done. So I think that lyric kind of points to the fact that maybe it's sometimes better to deal with things properly before shouting them from the rooftops."

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