A satisfyingly supernatural back story for the all-too-real final war of the Roman Republic.
Titans of Roman history grapple for control of an empire with the aid of a mystical weapon in this debut historical fantasy novel from Livingston.
After the assassination of Julius Caesar, two groups attempted to seize control of his domain: his adopted son, Octavian; and Mark Antony, whose lover, Cleopatra, is mother to Caesar’s biological child, Caesarion. Woven into this very real historical conflict is a dose of fantasy: Juba, Octavian’s adopted brother, has recently discovered a magical artifact. Known by many names, including Poseidon’s Trident and the Staff of Moses, its provenance is unclear but its powers are unquestionable—it can move objects, shred a man to pieces, and manipulate the waters of the sea—and its strength seems to originate from a jet-black stone at its heart. Juba is searching for another artifact—scrolls said to hold the secrets of the gods—but Octavian’s blood lust and cruelty are hampering his efforts. Meanwhile, as Cleopatra’s children and their tutor attempt to evade Octavian in the sprawling, bustling city of Alexandria, the truth of the origin of the Trident—and its sister artifact, the Ark—is coming to light. Meanwhile, armed with the Trident, Octavian and his army are bearing down on them. Bloody battles are waged, unoriginal but relevant theological questions are laid before the sprawling cast of characters and their shifting alliances, and while the outcome of history is fixed in time, the question of how these events came to be is given new life. Readers with an interest in this era will be captivated by the weaving of fiction with the reality of the past and the weaving of the reality of the past with the magic of the unseen world, even if the religious inquiries of the text aren’t especially fresh.
A satisfyingly supernatural back story for the all-too-real final war of the Roman Republic.Pub Date: Nov. 17, 2015
ISBN: 978-0-7653-8031-9
Page Count: 416
Publisher: Tor
Review Posted Online: Sept. 2, 2015
Kirkus Reviews Issue: Sept. 15, 2015
BOOK REVIEW
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
BOOK REVIEW
BOOK REVIEW
Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.
Self-assured, entertaining debut novel that blends genres and crosses continents in quest of magic.
The world’s not big enough for two wizards, as Tolkien taught us—even if that world is the shiny, modern one of the late 19th century, with its streetcars and electric lights and newfangled horseless carriages. Yet, as first-time novelist Morgenstern imagines it, two wizards there are, if likely possessed of more legerdemain than true conjuring powers, and these two are jealous of their turf. It stands to reason, the laws of the universe working thus, that their children would meet and, rather than continue the feud into a new generation, would instead fall in love. Call it Romeo and Juliet for the Gilded Age, save that Morgenstern has her eye on a different Shakespearean text, The Tempest; says a fellow called Prospero to young magician Celia of the name her mother gave her, “She should have named you Miranda...I suppose she was not clever enough to think of it.” Celia is clever, however, a born magician, and eventually a big hit at the Circus of Dreams, which operates, naturally, only at night and has a slightly sinister air about it. But what would you expect of a yarn one of whose chief setting-things-into-action characters is known as “the man in the grey suit”? Morgenstern treads into Harry Potter territory, but though the chief audience for both Rowling and this tale will probably comprise of teenage girls, there are only superficial genre similarities. True, Celia’s magical powers grow, and the ordinary presto-change-o stuff gains potency—and, happily, surrealistic value. Finally, though, all the magic has deadly consequence, and it is then that the tale begins to take on the contours of a dark thriller, all told in a confident voice that is often quite poetic, as when the man in the grey suit tells us, “There’s magic in that. It’s in the listener, and for each and every ear it will be different, and it will affect them in ways they can never predict.”
Generous in its vision and fun to read. Likely to be a big book—and, soon, a big movie, with all the franchise trimmings.Pub Date: Sept. 13, 2011
ISBN: 978-0-385-53463-5
Page Count: 384
Publisher: Doubleday
Review Posted Online: April 5, 2011
Kirkus Reviews Issue: April 15, 2011
BOOK REVIEW
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