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Filmmaker Toolkit

‘Bugonia’ Goes Big in the Basement: Why Yorgos Lanthimos Reached for a Barely Functioning VistaVision Camera

The quieter Wilcam 11 VistaVision camera was too cumbersome and unreliable for “One Battle After Another,” but Lanthimos explains why he felt it was necessary.

Screen Talk

How This Year’s Gotham Nominees and AFI Fest Impact the Oscar Race

The answer? Not much. We parse the latest development in the awards season on IndieWire's "Screen Talk" podcast.

FRANKENSTEIN, from left: director Guillermo del Toro, Oscar Isaac, on set, 2025. ph: Ken Woroner / © Netflix / courtesy Everett Collection

Screen Talk

When Andrew Garfield Left ‘Frankenstein,’ the Producers Had to React Quickly to Bring in Jacob Elordi

On this week's “Screen Talk” podcast, Anne Thompson talks to "Frankenstein" producer J. Miles Dale about the production challenges for the Oscar contender. Meanwhile, we also preview AFI Fest and look back at the Middleburg Film Festival.

Filmmaker Toolkit

Inside the ‘Task’ Finale: Mark Ruffalo’s Speech, That Last Shot, and Not Ending the Series After Explosive Penultimate Episode

Creator Brad Ingelsby breaks down to IndieWire the five keys to understanding how the emotional episode came together.

Channing Tatum and Kirsten Dunst star in Paramount Pictures' "ROOFMAN."

Screen Talk

‘Roofman’ Balances Derek Cianfrance Indie with Earnest Aughts-Style Studio Picture

"Roofman" producer Jamie Patricof joins IndieWire's Screen Talk podcast to talk Cianfrance's movie starring Channing Tatum and Kirsten Dunst. Plus, we debate "Is This Thing On?"

ROOFMAN, director Derek Cianfrance, on set, 2025. ph: Davi Russo /© Paramount Pictures /Courtesy Everett Collection

Filmmaker Toolkit

Why Derek Cianfrance Lightened Up After ‘Blue Valentine’ and More for the Mainstream Comedy ‘Roofman’

The director of heavy dramas like "Blue Valentine" and "The Place Beyond the Pines" tells IndieWire about finding his lighter side on the entertaining new comedy.

Anne Thompson, Daniel Battsek, Ryan Lattanzio

Screen Talk

Daniel Battsek Joins Screen Talk for a Candid Chat About NYFF, 2025 Movies, His Olden Days at Miramax with ‘There Will Be Blood’ and ‘No Country’

Now the president of Lincoln Center, Battsek has a history as a producer and acquisitions executive, as well as being the former chairman of Film4.

Filmmaker Toolkit

Inside ‘The Lost Bus’ Fire: Why Paul Greengrass Ditched LED Virtual Stages and Lit His Own

Greengrass thought he saw the answer at U2’s immersive Sphere concert, but then “The Lost Bus” production took a detour to New Mexico.

ANEMONE, from left: Daniel Day-Lewis, Sean Bean, 2025. © Focus Features / courtesy Everett Collection

Screen Talk

‘Anemone,’ ‘After the Hunt’ Shake Up New York Film Festival as ‘One Battle’ Heads Into Second Weekend — Screen Talk

IndieWire's "Screen Talk" podcast hosts Anne Thompson and Ryan Lattanzio debate and discuss the latest New York Film Festival premieres, and parse what the hell is going on with one Tilly Norwood.

Sebastian Carr (Hothead), Director Shane Black, Cinematographer Philippe Rousselot and Rupert Raineri (Beckler) on set of PLAY DIRTY. Photo Credit: Jasin Boland/Prime © Amazon Content Services LLC

Filmmaker Toolkit

What Turns Filmmaker Shane Black on About Today’s Action Landscape? The ‘Competence Porn’ of ‘Play Dirty’

The creator of "Lethal Weapon" and "The Nice Guys" talks to IndieWire about his latest directorial effort, an adaptation of Donald Westlake's "Parker" novels that breathes new life into the crime comedy while respecting its traditions.

ONE BATTLE AFTER ANOTHER, Chase Infiniti, 2025. © Warner Bros. / Courtesy Everett Collection

Screen Talk

‘One Battle After Another’ Box Office, What to See at NYFF, and the Latest with Jimmy Kimmel — Screen Talk

On this week's "Screen Talk" podcast, Anne Thompson and Ryan Lattanzio share their under-the-radar NYFF picks and thoughts on box office hopes for "One Battle After Another."

(from left) Horned Fanatic (Maurice Greene) and Cam (Tyriq Withers) in HIM, directed by Justin Tipping.

Filmmaker toolkit

Finding the Horror in Sports: Justin Tipping on ‘Him’

The director of Monkeypaw's latest horror provocation tells IndieWire's Filmmaker Toolkit podcast how he found his visual language by combining Kubrick, Lynch, and Nike commercials.

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