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Ryan Lattanzio

Executive Editor

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Latest by Ryan Lattanzio

Sundance

Sundance Sets Tributes to Park City and Robert Redford — Plus ‘Saw,’ ‘Little Miss Sunshine,’ and More Restorations — for Utah Farewell

Select talks will take place at the Egyptian Theatre, previously said to be sitting out the final Park City Sundance.

Channing Tatum and Kirsten Dunst star in Paramount Pictures' "ROOFMAN."

Screen Talk

‘Roofman’ Balances Derek Cianfrance Indie with Earnest Aughts-Style Studio Picture

"Roofman" producer Jamie Patricof joins IndieWire's Screen Talk podcast to talk Cianfrance's movie starring Channing Tatum and Kirsten Dunst. Plus, we debate "Is This Thing On?"

A still from Zodiac Killer Project by Charlie Shackleton, an official selection of the 2025 Sundance Film Festival. Courtesy of Sundance Institute.

Exclusive

‘Zodiac Killer Project’ Trailer: A True Crime Movie That Never Was Gets Its Wry, Unsettling Due in Charlie Shackleton’s Documentary

Exclusive: Shackleton recreates for audiences a documentary about the 1970s Bay Area serial killer he was ultimately not commissioned to make.

NewFest

‘Blue Film’ Review: A Disturbing Look at Pedophilia and Gay Shame Is Independent Cinema at Its Most Provocative

NewFest: Elliot Tuttle pits an adult camboy against the middle-school teacher who once desired him in a searing movie that deserves your attention, even as most audiences will want to look away.

Film Review

‘The Mastermind’ Review: Josh O’Connor Is an Art Thief Hijacked by His Own Heist in Kelly Reichardt’s Jazzy 1970s Throwback

Reichardt's purest genre exercise since 2013's "Night Moves" retains her patient bent toward long, lonely takes while also delivering on a few sophisticated heisty thrills.

IDFA

IDFA Reveals 250 Documentaries Headed for Amsterdam — Many Will Shape the International Doc Conversation for the Next Year

Isabel Arrate Fernandez takes over as artistic director for the International Documentary Film Festival Amsterdam, running November 13-23 with titles from 76 countries.

Film Review

‘Frankenstein’ Review: Jacob Elordi Is the Soul of a Gorgeous Guillermo del Toro Monster Movie Missing Its Maker’s Madness

Del Toro’s second Netflix movie is bolted to the Earth by hands-on production design and crafty period detail. While it may be too reverently faithful to Mary Shelley’s source material to end up as a GDT all-timer, Jacob Elordi gives poignant life to the most emotionally complex Frankenstein monster since Boris Karloff.

Diane Keaton at the Ralph Lauren Spring 2024 Ready To Wear Fashion Show at the Brooklyn Navy Yard on September 8, 2023 in Brooklyn, New York. (Photo by Gilbert Flores/WWD via Getty Images)

Obituary

Diane Keaton, Oscar-Winning Film Icon and ‘Annie Hall’ Star, Dead at 79

A spokesperson confirmed the news to People on Saturday, October 11. We remember what made her iconic (and iconoclastic) career so singular.

NYFF

‘Is This Thing On?’ Review: Bradley Cooper’s ‘Marriage Story’ Midlife Crisis Standup Movie Could Use More Crisis of Its Own

NYFF: Cooper's third film behind the camera, and it's one he is literally operating this time, features captivating turns from Will Arnett and Laura Dern but is overlong and self-indulgent.

Anne Thompson, Daniel Battsek, Ryan Lattanzio

Screen Talk

Daniel Battsek Joins Screen Talk for a Candid Chat About NYFF, 2025 Movies, His Olden Days at Miramax with ‘There Will Be Blood’ and ‘No Country’

Now the president of Lincoln Center, Battsek has a history as a producer and acquisitions executive, as well as being the former chairman of Film4.

Future of Filmmaking

Filmmakers in Georgia: The Trilith Institute Wants to Give You Money to Make a Movie in Your Home State

Applications are now open for a creative residency grant that will provide filmmakers with $100,000 in funding, plus a living stipend and mentorship.

AFTER THE HUNT, Julia Roberts, 2025. ph: Yannis Drakoulidis /© Amazon MGM Studios / Courtesy Everett Collection

Film Review

‘After the Hunt’ Review: Luca Guadagnino’s Tricky Post-#MeToo Thriller Boasts a Stirring Julia Roberts and an Underwhelming Script

Guadagnino directs a script from Nora Garrett that untwists an academic's unraveling amid a sexual assault scandal. The ideas here feel ripped from another era, transposed onto our own with indecision about what they want to say.