Noir

Noir fiction is a name given to a mode of crime fiction which can be regarded as a subset of the hardboiled style.

In this sub-genre, the protagonist is usually not a detective, but instead either a victim, a suspect, or a perpetrator. He is someone tied directly to the crime, not an outsider called to solve or fix the situation.


See also pulp noir.
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All the Sinners Bleed
A Gambling Man (Archer, #2)
Hildur (Hildur, #1)
Shadow Ticket
Small Mercies
Las madres (Elena Blanco, #4)
A Killing on the Hill
La bestia
Wolf Hour
Venetian Vespers
Killing Moon (Harry Hole, #13)
The Mysterious Case of the Missing Crime Writer
The Girl with Ice in Her Veins (Millennium #8)
El Dorado Drive
The Savage, Noble Death of Babs Dionne
The Big Sleep (Philip Marlowe, #1)
The Maltese Falcon
The Postman Always Rings Twice
The Long Goodbye (Philip Marlowe, #6)
Farewell, My Lovely (Philip Marlowe, #2)
The Black Dahlia (L.A. Quartet, #1)
Double Indemnity (Vintage Crime/Black Lizard)
The Thin Man
Red Harvest (The Continental Op #1)
The Lady in the Lake (Philip Marlowe, #4)
L.A. Confidential (L.A. Quartet, #3)
The Killer Inside Me
The High Window (Philip Marlowe, #3)
The Little Sister (Philip Marlowe, #5)
In a Lonely Place

Raymond Chandler
He was a guy who talked with commas, like a heavy novel. Over the phone anyway.
Raymond Chandler, The Long Goodbye

Behcet Kaya
Look. I’m very sorry to hear about your predicament, but let’s get a few things clear. I’m a PI. I solve crimes after there’s foul play. You’re saying your father-in-law is trying to kill you. That’s police business. I don’t provide bodyguard service. Really, this is not a job for me. Sorry.
Behcet Kaya, Murder in Buckhead

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Tags

Tags contributing to this page include: noir, mystery-noir, and noir-mystery