Showing posts with label Boxcar. Show all posts
Showing posts with label Boxcar. Show all posts

28 September 2024

Week commencing 28 September 1992

Before we take a look at this week in 1992's new entries peaking outside the top 100, I have updated the following earlier posts:
 
* 3 April 1989 - with a new bubbling WAY down under entry from Chris de Burgh;
* 6 November 1989 - with a new bubbling WAY down under entry from Chris de Burgh;
* 25 June 1990 - with a new bubbling WAY down under entry from Chris de Burgh.
 
Toto: once big in Africa, they were now struggling to scrape into the Australian top 200 in 1992.
 
Top 150 debuts:
 
Number 122 "Tell It Like It T-I-Is!" by The B-52's
Peak: number 120
Peak date: 19 October 1992
Weeks in top 150: 6 weeks
Chart run: 122-126-132-120-130-146
Weeks on chart: 6 weeks

We last saw American band The B-52's in 1989.

"Tell It Like It T-I-Is!" was the second single lifted from the band's sixth studio album Good Stuff (number 36, July 1992), following the title title track "Good Stuff" (number 56, July 1992).  Since their 1989-90 comeback success with the Cosmic Thing (number 1 for three weeks in January 1990) album, band member Cindy Wilson took a break from the group, and would not re-join them until 1996.  Good Stuff was the only B-52's album to be recorded without Cindy.

Internationally, "Tell It Like It T-I-Is!" peaked at number 61 in the UK in September 1992.  The track also reached number 13 on the meaningless US Billboard Alternative Airplay chart in September 1992.

Locally, "Tell It Like It T-I-Is!" performed strongest in Queensland, where it reached number 91 on the state chart.

I recall hearing this one at the time, but not seeing the music video, which is somewhat boring by The B-52's usual standards.

We'll next see The B-52's in 1993.
 
 
 
Number 123 "Uh Huh Oh Yeh" by Paul Weller
Peak: number 121
Peak date: 19 October 1992
Weeks in top 150: 6 weeks
Top 150 chart run: 123-122-124-121-136-148

English singer-songwriter Paul Weller came to fame as the front man of the band The Jam, who placed five singles on the Australian top 100 chart between 1981 and 1983, with "Town Called Malice"/"Precious" (number 15, May 1982) being the biggest of those.  Following The Jam's demise in 1982, Paul then formed and fronted The Style Council, whom we saw bubble under in 1989.  The Style Council landed ten Australian top 100 singles between 1983 and 1988, with "Shout to the Top" (number 8, February 1985) being the biggest of those.  The group split in 1989, and Paul then went solo.

"Uh Huh Oh Yeh" was Paul's debut solo single in Australia, although he released "Into Tomorrow" as The Paul Weller Movement in Europe in 1991.  Paul's debut album, Paul Weller (number 108, October 1992), followed suit.

Internationally, "Uh Huh Oh Yeh" peaked at number 18 in the UK in August 1992.

We shall next see Paul in 1995.



Number 132 "Felt Like a Kiss" by Honeymen
Peak: number 113
Peak date: 19 October 1992
Weeks in top 150: 6 weeks
Top 150 chart run: 132-136-137-113-126-141
 
Honeymen were an Australian group, led by Sean Sennett.  "Felt Like a Kiss" was featured in the Australian soap opera E Street, which I did not watch.  Unlike other E Street spin-off/promoted acts Melissa Tkautz, Euphoria, Teen Queens, Radio Freedom and Toni Pearen, Honeymen were not able to translate the exposure from the show into a hit single, and "Felt Like a Kiss" fell short of the ARIA top 100.  It would be the group's only top 150 entry.  They released another single, "Motorbike of Love", in October 1994.


 
Number 136 "Give U My Heart" by Babyface (featuring Toni Braxton)
Peak: number 110
Peak date: 5 October 1992
Weeks in top 150: 6 weeks
Top 150 chart run: 136-110-113-118-119-130
Weeks on chart: 12 weeks

We last saw American singer-songwriter and producer Babyface in 1990.
 
For this single, Babyface teamed up with Toni Braxton, whom I was not aware of until her first major solo hit in Australia, "Breathe Again" (number 2, April 1994).  "Give U My Heart" was recorded for the Boomerang soundtrack (number 29, October 1992), which also contained Boyz II Men's "End of the Road" (number 1 for four weeks in November-December 1992) and P.M. Dawn's "I'd Die Without You" (number 42, February 1993).
 
Overseas, "Give U My Heart" peaked at number 29 on the US Billboard Hot 100 in September 1992, and number 41 in New Zealand in October 1992.  The single also registered on several pointless Billboard genre-specific charts, reaching number 23 on the Hot R&B/Hip-Hop Singles Sales chart in August 1992, number 2 on the Hot R&B/Hip-Hop Songs chart in August 1992, number 29 on the Radio Songs chart in September 1992, number 8 on the Hip-Hop Airplay chart in September 1992, and number 32 on the Rhythmic Airplay chart in October 1992.
 
Locally, "Give U My Heart" was most popular in Western Australia, where it reached number 61.  The single performed stronger nationally on the Australian Music Report singles chart, where it peaked at number 82.
 
It's quite possible I heard this one on the American Top 40 radio program at the time, but if so, I have no recollection of it.

We'll next see Babyface in 1993.  While we won't see Toni bubble under with any of her solo singles, her first solo charting release in Australia, "Another Sad Love Song", initially entered the chart at number 221 at the end of August 1993, more than six months before its eventual peak of number 57 in March 1994, just as "Breathe Again" was taking off.  Toni had a couple of later low-charting singles in Australia, with "Hurt You" (number 918, September 2013) - on which Babyface also appears - and "Have Yourself a Merry Little Christmas" (number 937, December 2013).  Toni also had a sting of albums that missed the top 100 locally, including Snowflakes (number 382, December 2001), More Than a Woman (number 157, February 2003), Ultimate Toni Braxton (number 207, November 2003), The Essential Toni Braxton (number 346, April 2007), Breathe Again: The Best of Toni Braxton (number 764, August 2009), Pulse (number 228, May 2010), Love, Marriage & Divorce (number 440, February 2014), and Spell My Name (number 466, September 2020).  Phew!



Number 139 "Friends & Lovers" by Clive Young
Peak: number 123
Peak date: 12 October 1992
Weeks in top 150: 4 weeks
Known chart run: 178-139-140-123-140
Weeks on chart: 6 weeks

We last saw Australian singer-songwriter Clive Young in 1991.
 
"Friends & Lovers" was lifted from Clive's only commercially-released solo album  (I have since learnt that that there was a shelved album in 1989, Naturally, which had a promotional release) When the World Goes 'Round (released September 1992, did not chart).  As with Clive's previous three singles, "Friends & Lovers" was most popular in Victoria/Tasmania, where it reached number 96 on the state chart.

I remember this song received some airplay in Melbourne - not that it helped its chart placing much.  This would be Clive's final chart entry.
 

 
Number 141 "Through an Open Window" by Cliffs of Dooneen
Peak: number 123
Peak date: 5 October 1992
Weeks in top 150: 5 weeks
Top 150 chart run: 141-123-129-132-141
 
I can't tell you much about Cliffs of Dooneen, other than they appear to hail from Boston.  This track appeared on their 1991 album The Dog Went East, and God Went West (released in Australia in October 1992, missed the top 150), and was their only release to dent the top 150 in Australia.  I cannot find evidence of this single charting elsewhere.
 

 
Bubbling WAY down under:
 
Number 172 "Hit & Run" by Boxcar
Peak: number 172
Peak date: 28 September 1992
Weeks on chart: 5 weeks
 
Aussie electronic band Boxcar last graced our presence in 1991.
 
The original version of "Hit & Run" appeared on the band's debut album Vertigo (number 118, February 1991).  The track was remixed and released as a single to promote their remix album Revision: The Vertigo Mixes +1 (number 154, November 1992).
 
On the state charts, "Hit & Run" was most popular in New South Wales/Australian Capital Territory, where it reached number 162.  I don't recall hearing this one before - I like it, though prefer the original album version to the 'Euphoric Mix' embedded below, which was the lead track on the CD single.
 
We'll next see Boxcar in the second half of 1993.  Before then, we’ll see a side project from two of the band’s members.
 

 
Number 203 "Look to the Future" by Fortran 5 featuring Larry Graham
Peak: number 203
Peak date: 28 September 1992
Weeks on chart: 3 weeks

Fortran 5 were David Baker and Simon Leonard, who started out as I Start Counting, formed in London in 1982.  As their music evolved to become more dance-orientated, the duo changed their name to Fortran 5.

"Look to the Future" originally appeared on the debut Fortran 5 album Blues, which does not appear to have been released in Australia, in 1991, in quite a different form, with vocals by Nigel Butler.  The track was re-recorded with Larry Graham, who sang and played bass in Sly and The Family Stone, for its single release.

"Look to the Future" peaked at number 104 in the UK in August 1992.  Locally, the single performed strongest in South Australia/Northern Territory, where it reached number 160.
 
This would be the only Fortran 5 release to chart in Australia.



Number 216 "Making the Perfect Man" by Chris de Burgh
Peak: number 208
Peak date: 9 November 1992
Weeks on chart: 3 weeks

We last saw Chris de Burgh in June 1992.

"Making the Perfect Man" was issued as the second single in Australia from Chris' tenth studio album Power of Ten (number 81, June 1992).  This single missed the UK top 75, peaking at number 87 there in August 1992.

Domestically, "Making the Perfect Man" performed strongest in Western Australia, where it reached number 175.

We shall see Chris again on one more occasion, in 1994.



Number 217 "Don't Chain My Heart" by Toto
Peak: number 173
Peak date: 4 January 1993
Weeks on chart: 8 weeks

American rock band Toto formed in Los Angeles in 1977.  Between 1979 and 1985, they placed eight singles on the Australian top 100, with "Africa" (number 5, February 1983) being the biggest of those.  I have a distinct early childhood memory of "Africa" playing on the radio in the taxi on the way to being page boy (which I hated...) at my uncle's wedding in early 1983, when I was four years old.
 
"Don't Chain My Heart" was issued as the lead single from Toto's eighth studio album Kingdom of Desire, which was released in Australia in September 1992 but missed the top 150.  The group had a compilation album that bubbled under in 1990, however, with Past to Present 1977-1990 (number 142, July 1990). 

Internationally, "Don't Chain My Heart" peaked at number 9 in Sweden in September 1992, number 8 in Norway, number 12 in the Netherlands in September 1992, number 38 in Switzerland in October 1992, and number 35 in France in January 1993.

Locally, "Don't Chain My Heart" performed strongest in Queensland, where it reached number 156.  This would be Toto's final single to chart in Australia, although Weezer's rendition of "Africa" would peak at number 602 in June 2018.

I have no recollection of hearing "Don't Chain My Heart" at the time.  I do recall learning of the death of Toto's drummer Jeff Porcaro in August 1992, aged 38, around this time, however, as it was announced on the American Top 40 radio show.
 

 
Next week (5 October): Three top 150 entries and five bubbling WAY down under debuts.
 

03 June 2022

Week commencing 3 June 1991

There isn't a common theme binding this week in 1991's new top 150 debuts together that I can identify, so let's dive straight in.  But before we do, I have updated an earlier post with the following:
  • 23 April 1990 - a new bubbling WAY down under entry from Dina Carroll.
 
Ya Kid K wasn't the one on the Australian charts with her solo releases.
 
Top 150 debuts:
 
Number 120 "The Simple Truth" by Chris de Burgh
Peak: number 120
Peak date: 3 June 1991
Weeks in top 150: 4 weeks
Top 150 chart run: 120-128-128-132
 
The simple truth is that Argentina-born British-Irish (make of that what you will) singer Chris de Burgh placed seven singles on the Australian top 100 between 1983 and 1989.  The simple truth is that "The Lady in Red" (number 2, December 1986) was the biggest one of those.  The simple truth is that I secretly like that song, along with Chris's other Australian top ten hit "Don't Pay the Ferryman" (number 5, April 1983).  The simple truth is that these two songs were Chris's only top 40 hits in Australia!  We last saw Chris in 1990.
 
"The Simple Truth" was originally released in 1987, titled "The Simple Truth (A Child Is Born)", as an in-between albums single.  The single was re-released in 1991 to raise funds for Kurdish refugees.

"The Simple Truth (A Child Is Born)" originally peaked at number 31 in Germany in December 1987, number 55 in the UK in January 1988, and number 10 in Ireland.  The 1991 re-issue peaked at number 36 in the UK in May 1991, and number 50 in the Netherlands in June 1991.

I wasn't expecting to know this song, but the chorus was familiar to me.  I cannot place where I heard the song, however.  Perhaps some of the video below, showing footage of Kurdish refugees, was used as a TV commercial?

We will see Chris again in 1992.
 

 
Number 140 "Get It Together" by Redhead Kingpin and The F.B.I.
Peak: number 140
Peak date: 3 June 1991
Weeks in top 150: 3 weeks 
Top 150 chart run: 140-148-145
 
American hip-hop/new jack swing group Redhead Kingpin and The F.B.I. landed two singles that peaked in the 50's in Australia in 1990: "Pump It Hottie" (number 58, March 1990) and "Do the Right Thing" (number 56, July 1990).  Their debut album A Shade of Red peaked at number 102 on the ARIA albums chart in July 1990.

"Get It Together" was released as the first single in Australia from the second, and final, Redhead Kingpin and The F.B.I. album titled The Album with No Name (number 141, June 1991).  Internationally, "Get It Together" peaked at number 34 in New Zealand in June 1991.
 
The group split in 1993, and some of its members formed a new group, Private Investigators, which had a harder hip-hop sound.

We will see Redhead Kingpin and The F.B.I. again in August 1991.
 
 
 
Number 142 "Stand Up (Love Is the Greatest)" by Stephen Cummings
Peak: number 142
Peak date: 3 June 1991
Weeks in top 150: 3 weeks
Top 150 chart run: 142-143-149
Weeks on chart: 4 weeks
 
We last saw Australian singer-songwriter Stephen Cummings in April 1991.
 
"Stand Up (Love Is the Greatest)" was the third and final single lifted from Stephen's fifth solo studio album Good Humour (number 40, March 1991).  "Stand Up..." was also the opening track on the album.

On the state charts, "Stand Up (Love Is the Greatest)" performed strongest in Victoria/Tasmania, where it reached number 111.

I hadn't heard this one before.  It's not bad, but I can see why it wasn't a hit.  My then 12 year-old perspective would probably have been that Stephen was too 'old' to release this kind of dance-infused pop, even though he was only 36.

We shall next see Stephen in 1992.
 
 
 
Number 143 "Awesome (You Are My Hero)" by Ya Kid K
Peak: number 111
Peak date: 24 June 1991
Weeks in top 150: 6 weeks 
Top 150 chart run: 143-122-112-111-117-124
Weeks on chart: 7 weeks
 
Congolese (though it was Zaire when she was born) Manuela Kamosi, better known by her stage name Ya Kid K, experienced her first taste of chart success as the vocalist on Belgian dance/house music act Technotronic's "Pump Up the Jam" (number 4, February 1990), at the tender age of 17.  Only, a blue lipstick-wearing model going by the name of Felly lip synced Ya Kid K's vocals in the music video for that track.
 
Ya Kid K was revealed as the real vocalist on the second Technotronic single, "Get Up! (Before the Night Is Over)" (number 7, April 1990), and appeared in the video, together with Felly.  Ya Kid K also provided vocals on Technotronic's "Rockin' Over the Beat" (number 58, October 1990).  The three aforementioned tracks were sampled in Technotronic's "Megamix" (number 13, November 1990).

In addition to these tracks, Ya Kid K scored another hit in 1990 as the featured vocalist on Hi Tek 3's "Spin That Wheel" (number 5, July 1990), which also appeared on the Teenage Mutant Ninja Turtles movie soundtrack album (number 7, July 1990).

"Awesome (You Are My Hero)", Ya Kid K's first solo release, was recorded for the Teenage Mutant Ninja Turtles II: The Secret of the Ooze soundtrack (number 80, June 1991), with Dancin' Danny D, real name Daniel Poku, from D Mob.  Danny D also appears in the music video.
 
It may be partly because I started high school in 1991, but Teenage Mutant Ninja Turtles - who seemed to be hugely popular and inescapable in 1990 - seemed somewhat passe to me in 1991.  The soundtrack album for the sequel movie peaking 73 places lower than that for the 1990 movie confirms that.  Obviously, the Teenage Mutant Ninja Turtles have since had a revival in popularity, as even my nephews born this century know about them.
 
I never heard "Awesome..." at the time.  I'm not sure that it was a great move for Ya Kid K's solo career to kick off with a song partly about Teenage Mutant Ninja Turtles.  "Spin That Wheel", in contrast, was lyrically unrelated to the franchise, so you could still enjoy it even if you were not a 10 year-old boy.

Internationally, "Awesome (You Are My Hero)" peaked at number 81 in the UK in July 1991.
 
In Australia, "Awesome..." was most popular in Queensland, where it reached number 83 on the state chart.
 
Ya Kid K returned to Technotronic in 1993, after her solo career was not a commercial success.

Ya Kid K will join us again, on her own, in 1993, and with Technotronic in 1994.
 

 
Number 144 "Only You" by Praise
Peak: number 131
Peak date: 1 July 1991
Weeks in top 150: 5 weeks
Top 150 chart run: 144-136-133-136-131

English new-age group Praise were fronted by Miriam Stockley.  Readers who are fans of Stock Aitken Waterman will recognise her name as one of their often-used backing vocalists.

"Only You" was lifted from the group's only album Praise, although the album version features much sparser instrumentation, with no percussion.  The single reached number 4 in the UK in February 1991, and number 3 in Ireland.  The success of "Only You" stemmed from its use in a British TV commercial for the Fiat Tempra car.  The track was then remixed by Andreas Georgiou, George Michael's cousin, and Peter Lorrimer for the single release.

Despite being a Stock Aitken Waterman fan myself, I had never actually heard this one before.  It's very much in the same vein as Enigma, minus the Gregorian chants, and not at all like a Stock Aitken Waterman production.
 

 
Number 148 "Ooops" by 808 State featuring Björk
Peak: number 143
Peak date: 17 June 1991
Weeks in top 150: 3 weeks
Known chart run: 152-148-150-143
Weeks on chart: 5 weeks

808 State last graced our presence in April 1991.  They roped in Icelandic singer Björk, who then fronted The Sugarcubes, for "Ooops", the third single lifted from 808 State's ex:el (number 109, April 1991) album.  We've seen Björk previously with The Sugarcubes in September 1989.

Internationally, "Ooops" peaked at number 42 in the UK in May 1991, and number 24 in Ireland.

On the ARIA state charts, "Ooops" performed strongest in Victoria/Tasmania, where it reached number 122.

I first heard "Ooops" in mid-1994, when the video was shown as part of a Björk/The Sugarcubes special on Saturday night rage.  I became a fan of Björk in 1993, during a flight to Hong Kong, where they played some tracks from her Debut (number 10, February 1994) album on one of the airline's in-flight radio stations (do they still have those?).  I picked up the album while I was in Hong Kong.

We will next see 808 State in August 1991, while Björk will join us next in 1994.



Number 150 "Dance Invasion" by Rococo
Peak: number 150
Peak date: 3 June 1991
Weeks in top 150: 1 week
Known chart run: 168-150
Weeks on chart: 5 weeks

English duo Rococo were twin sisters Elaine and Evelyn.  The pair hailed from London.  For some reason, they were more successful in Australia than anywhere else, with their Italo house medley covering other artists's songs, "Italo House Mix", peaking at number 13 in Australia in February 1990, achieving gold certification from ARIA.  In contrast, "Italo House Mix" only reached number 54 in the UK in December 1989, and was the pair's only charting release in their home country.

The trouble with the success of "Italo House Mix", however, was that, watching the video, you wouldn't really know who Rococo were, as the video is mostly made up of graphics, the silhouette of a male dancer, and dodgy nightclub footage shot in Sydney.  I assume the video was made by the Australian record company, and that there was no 'real' video made featuring the girls for the UK release.  The video features some brief animated stills of the Rococo twins, but you wouldn't know that they were the singers.

Rococo were more clearly a singing duo in the video for their next single, "Inside Out" (number 64, April 1990).  Despite coming to Australia to promote the song, performing it on Countdown Revolution, "Inside Out" missed the ARIA top 50.

An album, Are You Ready, was belatedly released in Australia in October 1991, containing "Dance Invasion" as an extra track not on the earlier 1990 European release of the album.  The album failed to chart.

Rococo presumably hoped to bottle lightning twice by releasing "Dance Invasion", which was another medley of cover versions of other dance artists' songs.  The songs featured in the medley are Twenty 4 Seven "I Can't Stand It!" (number 130, February 1991), Bass-o-Matic "Fascinating Rhythm" (number 145, December 1990), Deee-Lite "Groove Is in the Heart" (number 1, November 1990), Snap! "Ooops Up" (number 4, November 1990), Technotronic "Rockin' Over the Beat" (number 53, October 1990), The KLF "What Time Is Love?" (number 73, October 1991, after originally peaking at number 76 in February 1991), and "I Can't Get Enough (Get on the Beat)", which appears to be an original composed by one of the songwriters involved with Rococo's Are You Ready album.

On the state charts, "Dance Invasion" peaked highest in Western Australia, where it reached number 124.

I didn't hear, and was not even aware of, "Dance Invasion" at the time.  Information on the twins online is scant, but I remember a short interview article in the Australian edition of Smash Hits where the twins declared emphatically that they were not the new Mel & Kim.  While there may be some slight visual similarity to Mel & Kim, who were not twins, vocally, Rococo remind me more of Mozaic - they of "Nothing in the World" (number 20, February 1995).

Rococo released a further single in Australia, "Are You Ready", in October 1991, but it failed to chart.  "Dance Invasion" was the duo's final charting entry in Australia.
 
 
 
Bubbling WAY down under:
 
Number 181 "Too Late (True Love)" by The Real Milli Vanilli
Peak: number 181
Peak date: 3 June 1991
Weeks on chart: 1 week
 
For anyone who was around in the early 90s and not living under a rock, you would know that German group Milli Vanilli were a laughing stock, synonymous with lip syncing, once it was revealed in November 1990 that the two guys fronting the group, Fabrice Morvan and Rob Pilatus, were not singing a note on the records or in their 'live' performances.

To cut a long story short(-ish), Rob and Fab, were dancers/models spotted by German studio producer boffin Frank Farian (who was behind Boney M. and the real voice of that group's male vocals - notice a pattern emerging?).  They had dreams of becoming famous, and pop stardom was one way to achieve that, but they were close to being broke.  Frank offered Rob and Fab a sum of money, which they wrongly assumed was a gift.  Frank later advised the pair that the advance he had given them was to be recouped, and coerced them into signing a contract where they agreed to be the front of a musically-talented-but-not-photogenic studio group - or else be forced to pay the money back.  Too young, dumb and poor to fight back, Rob and Fab felt they had no choice but to agree to Frank's terms.

And so the short-lived pop phenomenon that was Milli Vanilli happened.  Top 5 singles across Europe, North America and Australasia, a number one album in the US and Australia - among other countries - a successful worldwide tour, and even a Grammy Award for Best New Artist (which they later returned, after being exposed); it seemed that the pair had the world at their feet, before it all came horribly crashing down.

In Australia, Milli Vanilli landed two top 5 singles - "Girl I'm Gonna Miss You" (number 3, March 1990) and "Blame It on the Rain" (number 5, April 1990), a number 1 album in March 1990 with All Or Nothing: The U.S. Remix Album.  Another top 20 single, "Baby Don't Forget My Number" (number 17, November 1989), spent 45 weeks on the chart - 38 of those inside the top 50.
 
My favourite Milli Vanilli single was, as you might guess, the one that flopped the hardest in Australia, "Girl You Know It's True" (number 88, February 1989).  Despite its low peak, it managed to reach number 29 on the South Australia/Northern Territory state chart.

I was one of the 140,000 or so Australians who bought All Or Nothing: The U.S. Remix album.  I copied the cassette album for about 6 or 7 people from my class in grade 6 in 1990.

The scandal around Milli Vanilli not singing on the albums broke just as the first single and title track from what was to be the duo's second album Keep on Running was being released in Europe.  By revealing they were not the actual singers, Frank Farian effectively fired Rob and Fab from the group, and 'The Real Milli Vanilli' emerged.

Brad Howell and John Davis, who were the real voices on the All Or Nothing album, were part of the group, along with some new, younger, and conventionally better looking members who were, I assume, there to look pretty and take the focus off the older, plain looking ones with the actual musical talent.  The new younger guy even looked a bit like Rob and Fab.  I suspect that one, if not both, of the new members did not perform any vocals on "Keep on Running", with Frank continuing his 'let's fool the public by hiring models who can perform and dance' modus operandi.

With the single release of "Keep on Running" (number 62, March 1991) delayed in Australia until February 1991, it was issued here under the band name of The Real Milli Vanilli.  An album, The Moment of Truth (number 128, April 1991), was released, form which "Too Late (True Love)" was the second single.

Internationally, "Too Late (True Love)" peaked at number 26 in Austria in April 1991, number 36 in the Flanders region of Belgium in April 1991, number 54 in the Netherlands in May 1991, and number 65 in Germany in May 1991.
 
Within Australia, "Too Late (True Love)" performed strongest in Victoria/Tasmania, where it reached number 155.

I hadn't heard "Too Late (True Love)" before.  This one more-heavily features the two new group members on the verses, with the chorus sung by the studio musician who performed Rob's vocals in Milli Vanilli.  It's hard to take this seriously, though, when you see the Rob/Fab look-a-like mouth lines that obviously aren't his in the music video, embedded below.
 
While The Moment of Truth was a flop in comparison to the success of the All Or Nothing album (which was titled Girl You Know It's True in North America), the album contains the original version of "When I Die", a song that would go on to be a number 2 hit in Australia for fellow Frank Farian-produced act No Mercy in 1997.

Milli Vanilli - real or otherwise - would not bother the Australian singles chart again, but had one further charting album.  Their Greatest Hits compilation peaked at number 410 on the ARIA albums chart in April 2007.

Sadly, Rob Pilatus died in 1998, aged 32, from an alcohol and prescription drug overdose.  More-recently, John Davis, one of the studio artists behind Milli Vanilli, died from COVID-19 in 2021, aged 66.


 
Number 186 "Lelore" by Boxcar
Peak: number 186
Peak date: 3 June 1991
Weeks on chart: 1 week
 
We last saw Australian electronic band Boxcar in February 1990.  Since then, they landed their biggest hit and only ARIA top 100 entry with the rather good "Gas Stop (Who Do You Think You Are)" (number 82, January 1991), and had released their debut album Vertigo (number 118, February 1991).
 
"Gas Stop" also gave the band a second US Billboard Dance Club Songs hit.  While I would normally say that doesn't count for much, it kind of does when you're an Australian band who had limited chart success.
 
The mostly-instrumental "Lelore" has obvious ahead-of-its-time, especially for Australia, production from Robert Racic, who was associated with many artists on Volition Records, such as Severed Heads.  The vocal samples are not dissimilar to something Enigma or Deep Forest might have used; again, very avant-garde.  Unfortunately, this pioneering approach to Australian dance music did not yield significant commercial success.

"Lelore" was most-successful in Western Australia, where it reached number 146.

While I am not sure if a music video was made for the regular, album/single version of "Lelore", embedded below (as some of Boxcar's videos are blocked on YouTube), a video exists for a remix of the track, which you can view here.
 
We will next see Boxcar in 1992.
 
 
 
Number 187 "Playing with Knives" by Bizarre Inc
Peak: number 158
Peak date: 10 June 1991
Weeks on chart: 17 weeks

English group Bizarre Inc started out as a duo between DJ's Dean Meredith and Mark "Aaron" Archer, but Archer left and was replaced by Andrew Meecham and Carl Turner in 1990.  While they had a couple of underground releases in 1989 and 1990, "Playing with Knives" was the group's first Australian release.
 
"Playing with Knives" initially peaked at number 43 in the UK in March 1991, before being re-issued and reaching a much higher peak of number 4 in November 1991.
 
In Australia, "Playing with Knives" spent an impressive - especially for a single that did not even make the top 150 - 17 weeks on chart.  I do not have evidence of the single receiving a second, later release in Australia, following its UK success.  On the state charts, "Playing with Knives" performed strongest in Western Australia, where it reached number 103.

I wasn't aware of "Playing with Knives" at the time, but I am sure that it must have been big in the clubs and at raves.  The song is definitely what generations younger than me would call a "banger".

Bizarre Inc never landed a top 100 single or album in Australia, but we will see them again on a few occasions, with the next one being in November 1991.  We will also see a song from another artist that was a spin-off of "Playing with Knives" in 1992.
 
 
 
Next week (10 June): Three top 150 debuts and four bubbling WAY down under entries.
 
< Previous week: 27 May 1991                                         Next week: 10 June 1991 >