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New Museum

A figure with long blonde hair and pointed ears wears a white lace dress, surrounded by green fern leaves and branches, with a stone wall in the background.
New York
“New Humans: Memories of the Future” 
New Museum | 235 Bowery
By
View of “The City of Ladies,” 2023–24
Wangechi Mutu, The End of Carrying All, 2015, three-channel digital animation, color, sound, 10 minutes 45 seconds.
Doreen Lynette Garner, Here Hangs the Skins of a Surgical Sadist! To be physically assaulted by those who identify as Black women, those who formerly identified as Black women, and those who were identified as Black women at birth, 2022, silicone, resin clay, steel, steel pins, rope, raffia, punching bag, cowrie shells, 7' 6" x 10' 2 1/2" x 7'.
New York
Doreen Lynette Garner
New Museum | 235 Bowery
June 30, 2022 - October 9, 2022
By
Cameron Rowland, 7.5', 2015, exit height strip, 36 × 1". Installation view, 2021. The height strip allows for identification. Typically it is used at the door of gas stations and convenience stores. Photo: Dario Lasagni.
New York
“Grief and Grievance: Art and Mourning in America”
Ciarán Finlayson on “Grief and Grievance: Art and Mourning in America”
New Museum
Hans Haacke, Blue Sail, 1964–65, chiffon, oscillating fan, thread, fishing weights. Installation view, New Museum, New York, 2019. Photo: Dario Lasagni. © Hans Haacke/Artists Rights Society (ARS), New York/VG Bild-Kunst, Bonn.
Peter Saul, Ethel Rosenberg in Electric Chair, 1987, acrylic on paper, 60 x 40".
New York
“Peter Saul: Crime and Punishment”
New Museum
By
Marta Minujín, Menesunda Reloaded (detail), 2019, mixed media, dimensions variable.
Preview: "New Humans: Memories of the Future" at New Museum
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