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PREVIEWS

Inhwan Oh, Where He Meets in Seoul (detail), 2020, powdered incense, 14’ 3 1⁄2” × 20’ 3 3⁄8”. From “Spectrosynthesis Seoul.”
Rivane Neuenschwander and Cao Guimarães, Quarta-Feira de Cinzas (Ash Wednesday), 2006, HD video, color, sound, 5 minutes 44 seconds. From “A Velvet Ant, a Flower and a Bird.”
Melbourne
“A Velvet Ant, a Flower and a Bird”
Various Venues
February 19, 2026 - June 6, 2026
View of “Gabriel Chaile: The Milk of Dreams,” 2022, Arsenale, Venice.
Purple square with the words "PREVIEWS" in white on the bottom, justified left.
Pat Oleszko at New York’s SculptureCenter in 2025 with Three Bozos, 1985. Photo: Charles Benton.
Lin May Saeed, Ghazal Relief (V2), 2022, styrofoam, acrylic paint, plaster, ceramics, plastic net, cotton balls, 39 3⁄8 × 57 × 7”.
View of “Eric-Paul Riege: (my god, YE’ii [1–2]) (jaatłoh4Ye’iitsoh [1–6]) (a loom between Me+U, dah ‘iistłǫ́),” Bockley Gallery, New York, 2021. Photo: Rik Sferra.
Brion Gysin, Untitled (Dreamachine), 1979, ink and paint on paper, 33 1⁄8 × 31 1⁄4”.
Oval Shaker boxes. Photo: Alex Lesage.
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