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Rome

OPAVIVARÁ!, namoita (The Bush), 2006–25, plants, mixed media, people, dimensions variable. From “1+1: The Relational Years.”
James Brown, The Snake Pit and the Black Lake I, 2019, collage, watercolor, and ballpoint on paper 15 1⁄2 × 22 1⁄4".
View of “Bruna Esposito: giganti miniature: ipotesi circa il museo e note sul carnevale” (Miniature Giants: Hypotheses on the Museum and Notes on the Carnival), 2025. Photo: Giorgio Benni.
A rectangular canvas features textured gray and muted earthy tones with subtle brushstrokes, creating a rough, abstractly painted surface.
A brightly lit gallery with a red seaplane model on display, surrounded by vibrant paintings on the walls and a large blue skylight overhead.
A black-and-white photograph of men seated in a room with machinery, framed portraits, charts on the walls, and hanging light fixtures.
The image features nine framed artworks displayed in a grid format. Each piece is a combination of graphical elements and text superimposed on white backgrounds.
Salvatore Scarpitta.
Elisabetta Benassi.
Rome
Elisabetta Benassi
MACRO - Museo d'Arte Contemporanea Roma | Via Nizza, 138
May 9, 2024 - August 25, 2024
By
Carla Accardi
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