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New York

View of “Sam Moyer: Woman with Holes,” 2025. Background: Sam Moyer, Screen for Mure-cho, 2025. Foreground: Isamu Noguchi, Woman With Holes II, 1969. Photo: Dan Bradica Studio.
Alix Cléo Roubaud, La dernière chambre. / The last room. Ottawa 1973 Paris 1979, gelatin silver print, multiple exposures, 7 × 9 1⁄2".
View of “Liz Magor: Personalize,” 2025. From left: Shift, 2025; Fist (yellow), 2025. Photo: Kunning Huang.
Erin Wright, Passage, 2025, acrylic on canvas, 40 × 72".
Jeffrey Wasserman, The Garden Gate, 1987, oil on canvas 30 × 36".
Preslav Kostov, Over the fence, 2025, oil on canvas, 70 3⁄4 × 55".
Laura Lamiel, Untitled, 2000, photographic print, plastic, cotton, 12 1⁄2 × 16 1⁄2".
Manoela Medeiros Still Life (Plants and Seeds), 2025, acrylic paint, acrylic paste, mineral pigment, and excavation on canvas, 59 × 47 1⁄4 × 3 1⁄8".
View of “Oculus,” 2025.
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