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Lima

Sara Flores, Study for Shipibo-Konibo-Xetebo Nation Flag (Maya Punté Kené) 5, 2024, vegetal dyes on wild-cotton canvas, 46 7⁄8 × 54 3⁄4".
Ishamel Randall Weeks
View of “Andrés Argüelles Vigo,” 2023. All works Untitled, 2023.
Chonon Bensho, Inin Paro (El río de los perfumes medicinales) (Inin Paro [The river of medicinal perfumes]), 2021, embroidery on fabric, 61 1/4 x 54 3/8".
Lima
Chonon Bensho
Centro Cultural Inca Garcilaso del Ministerio de Relaciones Exteriores del Perú | Jr. Ucayali 391
November 14, 2022 - March 17, 2023
By
View of “María Abaddon and Wynnie Mynerva,” 2022. Foreground, from left: María Abaddon, Androfagia (Androphagia), 2022; Wynnie Mynerva, Sendero (Path) (detail), 2022. Background: Wynnie Mynerva, La posibilidad de los deseos hecho carne (The Possibility of Desires Made Flesh) (detail), 2022. Photo: Ian Tevo.
Joëlle de La Casinière, Ecos Pueblo (People’s Echoes), 1973–2022, ink-jet print on paper, 47 1⁄4 × 31 1⁄2".
Sandra Gamarra, Nº 3 Producto: mestizo, 2021, oil on canvas, 31 1⁄2 × 39 3⁄8". From the twenty-part suite Producción/Reproducción, 2021.
Flavia Gandolfo, untitled, 1990–91, gelatin silver print, 97⁄8 × 14". From “Hay algo incomestible en la garganta: Poéticas antipatriarcales y nueva escena en los años noventa” (Hard to Swallow: Antipatriarchal Poetics and the New Scene in the 1990s).”
Juan José Olavarría, Padre, eres tú o no eres o quién eres? (Father, Is It You or Not or Who Are You?), 2016, earth and oil on canvas, 47 1⁄4 × 78 3⁄4".
Sergio Zevallos, Untitled, 2018, graphite pencil and tracing technique on paper, 59 1/2 x 59 1/2".
Lima
Sergio Zevallos
80m2 Livia Benavides
80m2 Livia Benavides
March 27, 2019 - June 27, 2019
By
Fernando Bryce, El mundo en Llamas (The World in Flames), 2010–11, ink on paper, ninety-five elements, eighty-three measuring 27 1/2 x 19 5/8", twelve measuring 39 3/8 x 27 1/2".
Gordon Matta-Clark, documentation of Office Baroque, 1977.
Various Locations
Gordon Matta-Clark
Various Venues
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