March 2023

Read Next: COOL TO THE TOUCH

Follow Us

Alerts & Newsletters

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services.

Artforum is a part of Penske Media Corporation. © 2026 Artforum Media, LLC. All Rights Reserved.

Absolutely Fabulous, 1992–2012, still from a TV show on BBC. Season 3, episode 4, “Jealous.” Claudia Bing (Celia Imrie) and Naomi Campbell.

FIERCE DETACHMENTS

Tiana Reid on Tina Post’s Deadpan

By

Jean-Léon Gérôme, Night in the Desert, 1884, oil on canvas, 22 × 39".

SUBJECTIVE AFFINITIES

JR (Jennifer R.) Henneman discusses “Near East to Far West”

By

Robert Whitman, New Worlds #105, 2023, NFT, digital image. From the series “New Worlds,” 2023.

ONCE UPON A TIME

Amy Taubin on Robert Whitman’s American Moon

By

View of “Lizzi Bougatsos: Idolize the Burn, an Ode to Performance,” 2023, Tramps, New York. Wall: Egypt with Blue, 2022. Floor: The Last Studio, 2022. Photo: Mark Woods.

FLAMING CREATURES

Paige K. Bradley on Lizzi Bougatsos

By

Cumwizard69420, Sleeping Beauty, 2022, oil on canvas, 36 × 48".

Sam McKinniss on Cumwizard69420

By

Hanaa Malallah, Shroud IV, 2012, burnt canvas, plants, sand, seeds, wooden numbers, taxidermy birds, ash, burnt calico, 59 × 59".

Amin Alsaden on Iraq’s art under two decades of occupation

By Amin Alsaden

Michael Snow, New York, 1964. Photo: John Reeves. © Estate of John Reeves.

MICHAEL SNOW (1928–2023)

Michael Snow, Corpus Callosum, 2002, *digital video, color, sound, 92 minutes.

MICHAEL SNOW (1928–2023)

P. Adams Sitney on Michael Snow

By

Michael Snow, Wavelength, 1967, 16 mm, color, sound, 45 minutes. Amy Taubin.

MICHAEL SNOW (1928–2023): now i/s the time.

Arthur Jafa on Michael Snow’s Wavelength, 1967

By

Pierrette Bloch, Maille no. 8 (Mesh no. 8), 1974, crochet on felt, halyard, nylon, ribbon, 7' 1 7⁄8" × 10' 11 1⁄8". © ADAGP, Paris.

Molly Warnock on Pierre Soulages and Pierrette Bloch

By Molly Warnock

Hrair Sarkissian, Execution Squares (detail), 2008, fourteen digital C-prints, each 49 1⁄4 × 63" or 49 1⁄4 × 68 7⁄8".

CLOSE -UP: AT FIRST LIGHT

Murtaza Vali on Hrair Sarkissian’s Execution Squares, 2008

By

Performance documentation for Klára Hosnedlová’s 2019–21 series “Nest,” Ještěd Tower, Liberec, Czech Republic, 2019. Photo: Adrian Escu.

OPENINGS: KLÁRA HOSNEDLOVÁ

Martin Herbert on Klára Hosnedlová

By

View of “Forecast Form: Art in the Caribbean Diaspora, 1990s–Today,” 2022–23. From left: David Medalla, Cloud Canyons, 1963–2014; Cosmo Whyte, Beyond the Boundary, 2022. Photo: Michael David Rose.

“Forecast Form: Art in the Caribbean Diaspora, 1990s–Today”

Museum of Contemporary Art Chicago (MCA Chicago)

By

Genevieve Goffman, A Lady Listens to Music, 2022, nylon, dye, acrylic paint, wood, 19 × 14 × 9".

Genevieve Goffman

Lisson Gallery | 508 West 24th Street | New York

By Marjorie Strider

Galerie Gmurzynska | New York

By Elsa Gramcko

James Cohan | 48 Walker St

By Ariana Papademetropoulos

Vito Schnabel Gallery | Chelsea

By Ryan Sullivan

DC Moore Gallery

Andrew Kreps | 55 Walker

By Laddie John Dill

Malin Gallery | 515 W 29th

By “Visual Record: The Materiality of Sound in Print”

Print Center New York

By

Nathaniel Donnett, Veil, 2022, reclaimed backpacks from student exchange, duct tape, plastic trash bags, tambourine jingles, wood, thread, sound, 83 × 56 1⁄2 × 90".

North Adams, MA

Nathaniel Donnett

Massachusetts College of Liberal Arts Gallery 51

By

Dorothy Fratt, I Owe You, 1997, acrylic on canvas, 31 × 26".

By

Iva Kinnaird, There’s More Folks! (Evil Porky), 2022, acrylic on cockroach and cardboard, 4 × 4 × 3⁄4".

By

View of “Objects of Desire: Photography and the Language of Advertising,” 2022. From left: David Buchan, Modern Fashions Suite #9 “Take Her Breath Away,” 1979; David Buchan, Modern Fashions Suite #7 “Five O’Clock Shadows,” 1979; David Buchan, Modern Fashions Suite #11 “Atten(ua)tion Please,” 1979; covers of Toiletpaper, 2010–.

“Objects of Desire: Photography and the Language of Advertising”

Los Angeles County Museum of Art (LACMA)

By Cauleen Smith

Morán Morán Los Angeles

By Franklin Williams

By “Ink, Paper, Stone: Six Women Artists and the Language of Lithography”

Norton Simon Museum

By

Alexandra Gelis, Raspando la ciudad (Scraping the City), 2011–22, two-channel video installation (live-stream recording, color, sound) on raspao cart, dimensions variable.

Alexandra Gelis and Carlos Martiel

Instituto de Visión

By

Marina Rheingantz, Flyways, 2022, oil on linen, 23 5⁄8 × 31 1⁄2".

Marina Rheingantz

Fortes D'Aloia & Gabriel

By

Helen Saunders, Hammock, ca. 1913–14, graphite, ink, and watercolor on wove paper, 14 × 16 1⁄4".

The Courtauld Gallery

By Helen Chadwick and Penny Slinger

Richard Saltoun Gallery

By

View of “Jesse Wine,” 2022–23. From left: 75 Heath Lane, 2022; 2 North Street, 2022. Photo: Patrick Jameson.

The Modern Institute | Aird’s Lane

By

Sam Szafran, Feuillages (Foliage), 1986–89, watercolor, 58 5⁄8 × 39".

Musée de l'Orangerie

By

View of “Himali Singh Soin,” 2022–23. Photo: Roberto Ruiz.

Himali Singh Soin

Museo Nacional Thyssen-Bornemisza

By

June Crespo, Acts of Pulse (2), 2022, bronze, stainless steel, leather, textile, 102 3⁄8 × 11 3⁄4 × 23 5⁄8".

By

Sibylle Ruppert, Dessin pour D.A.F. de SADE, 1976, charcoal on paper, 41 × 32 5⁄8".

Sibylle Ruppert

Blue Velvet Projects

By

Sandra Mujinga, I Build My Skin With Rocks, 2022, HD video on LED wall, color, sound, 1 hour 28 seconds.

Hamburger Bahnhof

By

Gizela Mickiewicz, Kształt, w którym odbija się moja porażka (The shape that reflects my failure), 2022, wood chipboard, fabric, lead, glue, metal, 27 1⁄2 × 36 1⁄4 × 1".

Gizela Mickiewicz

By

Lamia Joreige, The Deadly Fall of My Great Grandfather, 2022, mixed media on paper, 26 3⁄4 × 47 1⁄4".

By

Thuraya Al-Baqsami, No to the Invasion, 1990, linocut, 15 3⁄4 × 11 3⁄4". From “Khaleej Modern.”

“Khaleej Modern”

The NYU Abu Dhabi Art Gallery

By

View of “Jonathan Okoronkwo,” 2022–23. From left: We Comot the Berlins IV, 2022; We comot the Berlins III, 2022; We comot the Berlins V, 2022.

Jonathan Okoronkwo

Gallery 1957 | Accra

By

Sheila Makhijani, Everyone is thinking of that, 2022, suite of eighteen dry pastels on paper, overall 1' 8" × 17' 3".

Sheila Makhijani

Talwar Gallery | New Delhi

By

Geng Jianyi, Haircut No. 3: ’85 Another Shaved Head of Summer, 1985, oil on canvas, 70 1⁄8 × 58 5⁄8"

Power Station of Art 上海当代艺术博物馆

By

View of “The Wild Eighties,” 2022–23. From left: Ju Ming, Human Cube, 1981; Ju Ming, Tai Chi, 1980. Photo: Hong-Tu Chen, Yung-Jen Chen, and Yi-wen Tsao.

“The Wild Eighties”

Taipei Fine Arts Museum

By

Peter Waples-Crowe, Ngaya (I Am), 2022, HD video, color, sound, 5 minutes. From “How I See It: Blak Art and Film.”

“How I See It: Blak Art and Film”

Australian Centre for the Moving Image

By

July 14th Monument or Liberty Monument, Baghdad, ca. 1961. Photo: Latif Al Ani. Arab Image Foundation, Latif Al Ani Collection.

July 14th Monument or Liberty Monument, Baghdad, ca. 1961. Photo: Latif Al Ani. Arab Image Foundation, Latif Al Ani Collection.

March 2023

VOL. 61, NO. 7

Artforum Inbox

Register to receive our full menu of newsletters—From the Archive, Must See, Video, In Print, Dispatch, and ArtforumEDU—as well as special offers from Artforum.

By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services.

Most Popular

1.

Catherine O'Hara, 'Schitt's Creek' and 'Home Alone' Star, Dies at 71

2.

Grammy Awards: Full Winners List

3.

ROSÉ Will Make History When She Performs at 2026 Grammy Awards

You may also like

Tracy Zamot, Veteran Publicist for Atlantic and Virgin Records, Dead at 56

Tracy Zamot, Veteran Publicist for Atlantic and Virgin Records, Dead at 56

Tracy Zamot, Veteran Publicist for Atlantic, Virgin and Motown Records and Pandora, Dies at 55

Tracy Zamot, Veteran Publicist for Atlantic, Virgin and Motown Records and Pandora, Dies at 55

Tame Impala, Amyl and The Sniffers, Ninajirachi Shortlisted For APRA Song of the Year

Tame Impala, Amyl and The Sniffers, Ninajirachi Shortlisted For APRA Song of the Year

Emerald Fennell’s ‘Wuthering Heights’: First Reactions

Emerald Fennell’s ‘Wuthering Heights’: First Reactions

Artforum is a part of Penske Media Corporation. © 2026 Artforum Media, LLC. All Rights Reserved.

ad