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A person sits in a worn chair holding an object, surrounded by a large backpack, a broken chair, scattered items, and a textured wall in the background.
Tehching Hsieh, One Year Performance, 1981–82 (Outdoor Piece), 1981–82. Performance view, New York, 1981–82. Photo: Tehching Hsieh.

Curated by Humberto Moro and Adrian Heathfield with Liv Cuniberti 

The five yearlong durational performance works that Taiwanese American artist Tehching Hsieh made in the 1970s and ’80s are among the most radical deconstructions of the art-life boundary ever attempted. Dia Beacon is taking up the challenge of presenting them (together for the first time; two have never before been exhibited) in the artist’s first-ever retrospective, which also will present Hsieh’s early works and his enigmatic final project, Tehching Hsieh 1986–1999 (Thirteen Year Plan)—an artwork in which he made works but did not exhibit them.

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Artforum September 2025 cover featuring Mungo Thomson's artwork Sideways Thought
Mungo Thomson, Volume 5. Sideways Thought, 2020–22, 4K video, color, sound, 8 minutes 9 seconds. Score by Ernst Karel. From the series “Time Life,” 2014–.
September 2025
VOL. 64, NO. 1
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