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Gian Manik, Look back for love, 2024, oil on linen, 31 1⁄2 × 78 3⁄4".

By

Rocky Cajigan, A Temple for Those Who Have Never Seen the Sea, 2025, salt, soutane made from jusi fabric, human hair, fish hooks, dimensions variable. From “Gongs. Smoke. Blood. Earth.” Photo: Clefvan Pornela.

“Gongs. Smoke. Blood. Earth.”

Ateneo Art Gallery

Wantanee Siripattananuntakul, Making Shadows Speak, 2025, 4K video, color, sound, 14 minutes 59 seconds.

Wantanee Siripattananuntakul

The Art Centre, Silpakorn University

By

View of “Gregor Schneider: Welcome,” 2025. Photo: Gregor Schneider. © VG Bild-Kunst, Bonn.

Krefeld, Germany

Gregor Schneider

By

View of “Gordon Baldwin: Inscape,” 2025. Photo: Edward Greiner.

Kunstverein in Hamburg

By

Susan Rothenberg, White Mountain, 1980–81, acrylic and vinyl paint on canvas, 104 7⁄8 × 75 3⁄8". © Bildrecht, Vienna.

Krems an der Donau, Austria

Susan Rothenberg

Kunsthalle Krems

By Yuki Higashino

David Claerbout, The Woodcarver and the Forest, 2025, 4K video, color, sound, 10 hours.

Lennik, Belgium

David Claerbout

Kasteel van Gaasbeek

By

Akiko Kinugawa, 22to3, 2025, oil on canvas, 46 × 35 7⁄8".

Mendes Wood DM | São Paulo

By

Alison Yip, Untitled II, 2025, charcoal, graphite, earth magnets, 79 × 59".

By

Jonathan Sölanke Gathaara Fraser, Calculations for an Enclosed Space, 2024, tempera, charcoal, soft pastel, oil pastel, spray paint, and india ink on cotton canvas, 55 1⁄8 × 34 5⁄8".

Jonathan Sölanke Gathaara Fraser

Circle Art Gallery

By

Oupa Sibeko, Dog Hotel, 2025, pastel and oil stick on canvas, 69 1⁄4 × 54".

By

Yan Pei-Ming, Wanted in London, 2025, oil on canvas, 59 × 86 5⁄8".

Massimo de Carlo

By

View of “Donald Locke: Resistant Forms,” 2025. Photo: Rob Harris.

Bristol, England

By

Mohammed Sami, Royal Mail, 2024, acrylic on linen, 21 7⁄8 × 25 5⁄8".

The Douglas Hyde Gallery of Contemporary Art

By

View of “Norbert Prangenberg,” 2025. Floor: Figur, 1996. Wall, from left: Staub (Dust), 2006; Untitled, 1991–92; Untitled, 2004.

Norbert Prangenberg

Galerie Karsten Greve | Paris

By

James Brown, The Snake Pit and the Black Lake I, 2019, collage, watercolor, and ballpoint on paper 15 1⁄2 × 22 1⁄4".

Various Venues

By

Tolia Astakhishvili and Dylan Peirce, I love seeing myself through the eyes of others, 2025, plastic, acrylic paint, photos, found objects, material storage, light, 20' 1 3⁄4" × 14' 1 1⁄4" × 9' 6 1⁄8".

Tolia Astakhishvili

Nicoletta Fiorucci Foundation

By

View of “Marlene Dumas: Cycladic Blues,” 2025. Foreground: Unknown, female figurine, 2700–2400/2300 BCE. Background: Marlene Dumas, Cycladic Blues, 2020. Photo: Paris Tavitian.

Museum of Cycladic Art

By

Franz West, Maulschelle (Slap in the Face), 1980, lacquer and dispersion on gauze, wire, wood, and can lid, 3 7⁄8 × 30 3⁄8 × 4 3⁄4".

Galerie Eva Presenhuber

By

View of “Oculus,” 2025.

By

Sarah Meyohas, Cloud of Petals, 2017, 16 mm transferred to 4K video, color, sound, 31 minutes 22 seconds.

“Infinite Images: The Art of Algorithms”

Toledo Museum of Art

By

View of “Sam Moyer: Woman with Holes,” 2025. Background: Sam Moyer, Screen for Mure-cho, 2025. Foreground: Isamu Noguchi, Woman With Holes II, 1969. Photo: Dan Bradica Studio.

Hill Art Foundation

By

Alix Cléo Roubaud, La dernière chambre. / The last room. Ottawa 1973 Paris 1979, gelatin silver print, multiple exposures, 7 × 9 1⁄2".

Alix Cléo Roubaud

Galerie Buchholz | New York

By

View of “Liz Magor: Personalize,” 2025. From left: Shift, 2025; Fist (yellow), 2025. Photo: Kunning Huang.

Andrew Kreps | 394 Broadway

By

Erin Wright, Passage, 2025, acrylic on canvas, 40 × 72".

By

Jeffrey Wasserman, The Garden Gate, 1987, oil on canvas 30 × 36".

Jeffrey Wasserman

Rosenberg & Co.

By

Preslav Kostov, Over the fence, 2025, oil on canvas, 70 3⁄4 × 55".

By

Laura Lamiel, Untitled, 2000, photographic print, plastic, cotton, 12 1⁄2 × 16 1⁄2".

By

Manoela Medeiros Still Life (Plants and Seeds), 2025, acrylic paint, acrylic paste, mineral pigment, and excavation on canvas, 59 × 47 1⁄4 × 3 1⁄8".

Manoela Medeiros

By

Emily’s Sassy Lime, Olympia, WA, ca. 1995.

2025 California Biennial

Orange County Museum of Art

By

View of “Iman Issa: A Game, or So You May Think,” 2025. Photo: Juan Molina Hernández.

Art Institute of Chicago

By

Doug Ischar, Marginal Waters #9, 1985, ink-jet print, 28 × 40". From “City in a Garden: Queer Art and Activism in Chicago.”

“City in a Garden: Queer Art and Activism in Chicago”

Museum of Contemporary Art Chicago (MCA Chicago)

By

Yvette Mayorga, She’s in the cake/Put out the fire after Nicolas Lancret, 2025, diptych, glitter, buttons, textiles, birthday candles, pastel, cardboard, gold foil, silver foil, gold flakes, stickers, cake toppers, acrylic marker, synthetic nails, nail charms, and acrylic piping on canvas, overall 60 × 120".

Monique Meloche

By

“Sherrie Levine: 1977–1988”

Aspen Art Museum

By

Lee ShinJa, Spirit of Mountain, 1999, wool, synthetic thread, 75 1⁄2 × 30".

Berkeley Art Museum and Pacific Film Archive (BAMPFA)

By

View of “Kevin Beasley: What delineates the edge,” 2025. Photo: Evan Bedford.

By

Fidencia Fifield-Perez, Surge, 2014–25, acrylic, ink on Tyvek paper, found maps, collagraph prints and plates, newsprint, envelopes, canvas, map pins, dimensions variable.

Fidencio Fifield-Perez

Commonwealth and Council

By

Benjamin Echeverria, Salamander, 2025, ink-jet print on microporous coated polyester film, aluminum face mount, 19 × 16".

Benjamin Echeverria

Michael Benevento

By

Ayoung Kim, Ghost Dancers B (detail), 2022, mannequins, clothes, helmets, gloves, tap case, reinforced case, tempered glass, dimensions variable.

Ayoung Kim, Ghost Dancers B (detail), 2022, mannequins, clothes, helmets, gloves, tap case, reinforced case, tempered glass, dimensions variable.

November 2025

VOL. 64, NO. 3

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