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Tom Lloyd and apprentices, including his son Omar at work on Veleuro, 1968, in the artist’s studio, Queens, NY, ca. 1968.
Features
Electronic Refractions
On Tom Lloyd and the Studio Museum in Harlem
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Dionne Lee, Fault Condition 5, 2023, collage of gelatin silver prints, 16 × 20". From the series “Fault Condition,” 2023–.
Mame-Diarra Niang, Morphologie du rêve #1 (Morphology of the Dream #1), 2021, ink-jet print, dimensions variable.
Kunié Sugiura, Maxilla, 2020, ink-jet print and acrylic on canvas, 36 × 72".
Akosua Viktoria Adu-Sanyah, slave attics – first small iteration, folding into itself, 2025, C-print, 8 1⁄2 × 45 3⁄8".
Casey Reas, Amplified Technical Image #1, 2024, dye sublimation on aluminum, 24 × 24". From the series “Amplified Technical Images,” 2024–.
Julia Margaret Cameron, Sappho, 1865, albumen silver print from glass negative, 13 3⁄4 × 10 3⁄4".
Features
Changing Focus
On the history and future of photography and time-based media conservation at The Met
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