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Natilee Harren

Contributor
    Natilee Harren is an art historian, critic, and author of Fluxus Forms: Scores, Multiples, and The Eternal Network. She is co-author of The Scores Project, a major digital publication launching in 2025.
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    Richard von Weizsäcker, president of the Federal Republic of Germany, delivering a speech during the ceremony commemorating the 40th anniversary of the end of World War II, Bundestag, Bonn, May 8, 1985. Photo: dpa.
    Daniel Rios Rodriguez, Midnight Electrician, 2025, oil, foil, copper coil, gold leaf, linen, mirrors, turquoise, painted wooden frame, 13 1⁄2 × 18".
    Carl Cheng.
    Janet Sobel, Disappointment, ca. 1943, oil and sand on canvas, 26 × 43".
    Iva Kinnaird, There’s More Folks! (Evil Porky), 2022, acrylic on cockroach and cardboard, 4 × 4 × 3⁄4".
    View of “The Dirty South: Contemporary Art, Material Culture, and the Sonic Impulse,” 2021–22. Photo: Sean Flemming.
    Maria Chávez performing at Marfa Myths, La Mansana de Chinati/The Block, Judd Foundation, Marfa, Texas, March 2016. Photo: Alex Marks.
    Matter of Record
    Natilee Harren on Maria Chávez
    The Nancy and Rich Kinder Building at the Museum of Fine Arts, Houston. Photo: Richard Barnes.
    Architecture
    Better, Faster, Stronger, Kinder
    Natilee Harren on the Kinder building at the Museum of Fine Arts, Houston
    By
    Erin M. Riley, Those Girls, 2018, wool and cotton tapestry, 38 x 48".
    Houston
    Erin M. Riley
    Jonathan Hopson | 904 Marshall Street
    September 13, 2020 - December 13, 2020
    By
    Exterior view of the Museum of Fine Arts, Houston. All photos by the author.
    Diary
    Lights On
    Natilee Harren on the reopening of the Museum of Fine Arts, Houston
    By
    View of "50 States: Louisiana," 2020. Photo: Paul Hester.
    Houston
    Nick Vaughan and Jake Margolin
    DiverseWorks | 3400 Main Street
    February 29, 2020 - April 18, 2020
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