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Molly Warnock

Contributor
    Molly Warnock is director of the Clyfford Still Catalogue Raisonné Project at the Clyfford Still Museum, Denver.
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    Jean Degottex, PLI X PLI BLEU (I), 1980, acrylic and glue on loose cotton canvas, 22 × 22 3⁄4”.
    Joan Witek, Untitled, 1974, oil and graphite on four canvases, overall 8' 6" × 10' 4".
    Don Voisine, Entre’acte, 2024, oil and acrylic on wood panel, 55 × 40".
    An abstract artwork featuring a large white oval with textured lines, surrounded by shades of blue, pink, and red with layered brush strokes.
    A composition with an intricate pattern design. The background is primarily blue, with various shades and textures, including small dots and diagonal lines. A central layered pattern of orange, black, and purple elements forms a fragmented and interwoven appearance, resembling squares and pixelated forms. The artwork combines varying degrees of saturation and contrast throughout, including swirling shapes and abstracted forms scattered across the piece. The work is enclosed within a thin wooden frame.
    Sylvia Plimack Mangold.
    Iria Leino.
    Verena Loewensberg.
    Mark Rothko
    Features
    THE EXPANSE
    The decisive role of Mark Rothko’s early watercolors
    Gilles Aillaud
    Chryssa, The Gates to Times Square, 1964–66, cast aluminum, stainless steel, neon, Plexiglas, paper, 120 × 120 × 120". © Estate of Chryssa, National Museum of Contemporary Art Athens.
    Features
    ELECTRIC AFFINITIES
    Molly Warnock on the art of Chryssa
    Pierrette Bloch, Maille no. 8 (Mesh no. 8), 1974, crochet on felt, halyard, nylon, ribbon, 7' 1 7⁄8" × 10' 11 1⁄8". © ADAGP, Paris.
    Features
    DARK MATTER
    Molly Warnock on Pierre Soulages and Pierrette Bloch
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