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Daniel Birnbaum

Contributor
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    Augmented-reality installation by Koo Jeong A. A translucent ice cube floats against a clear blue sky with scattered clouds, above blurred trees and foliage in the background.
    Features
    Tools of the Trade
    Yuk Hui speaks with Daniel Birnbaum about his philosophy of technology
    Nadja, C’est moi, c’est encore moi (It’s Me, It’s Me Again), 1926, lipstick and pencil on paper, 3 5⁄8 × 4 5⁄8". From “The Witch’s Cradle.”
    Features
    SAY IT WITH—BOLTS!
    Daniel Birnbaum on “The Milk of Dreams”
    View of “Vivian Suter,” 2021–22, Palacio de Velázquez, Museo Nacional Centro de Arte Reina Sofía, Madrid.
    Christian Boltanski, Grand Palais des Champs-Élysées, Paris, 2010. Photo: Didier Plowy.
    Passages
    CHRISTIAN BOLTANSKI (1944–2021)
    Daniel Birnbaum on Christian Boltanski
    Hilma af Klint at the Royal Academy of Fine Arts, Stockholm, 1885. © The Hilma af Klint Foundation.
    Features
    LUCID DREAMING
    Daniel Birnbaum on Hilma af Klint’s institutional imagination
    Stephen Prina and Germano Celant driving to California Institute of the Arts, Los Angeles, September 1979. Photo: Luciano Perna/Archives.
    Passages
    GERMANO CELANT
    Daniel Birnbaum on Germano Celant
    Ronald Jones. Photo: Royal College of Art, London.
    Passages
    Ronald Jones (1952–2019)
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    Yuk Hui in Conversation with Daniel Birnbaum
    Milan
    “DANIEL STEEGMANN MANGRANÉ: A LEAF-SHAPED ANIMAL DRAWS THE HAND”
    Pirelli HangarBicocca
    By
    Jasper Johns, Painting Bitten by a Man, 1961, encaustic on canvas mounted on type plate, 9 1/2 × 6 7/8". © Jasper Johns/VAGA, New York/DACS, London.
    Yuk Hui in Conversation with Daniel Birnbaum
    Features
    WILDEST DREAMS
    DOUGLAS COUPLAND TALKS WITH DANIEL BIRNBAUM ABOUT ART AND VIRTUAL REALITY
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