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Ara Osterweil

Contributor
    Ara Osterweil is an artist, a writer, and a scholar of postwar art and cinema.
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    Joyce Wieland, Defend the Earth / Défendez la terre, 1972, Egyptian cotton, embroidery thread, thread, batting, 6' 4 3⁄4" × 23' 7 1⁄4" × 5".
    Pee-wee Herman (Paul Reubens) on the set of Pee-wee’s Playhouse, Culver Studios, Culver City, CA, 1989. Photo: Brian D. McLaughlin/Michael Ochs Archives/Getty Images.
    May December
    Features
    BAD ROMANCE
    The female predators of recent cinema
    View of “Marisol: A Retrospective,” 2023–24, Montreal Museum of Fine Arts.
    Kaveri Raina, Wish It Was Otherwise; Lack Of&#—Revisited, 2022, acrylic, graphite, and oil pastel on burlap, 80 × 48".
    Moyra Davey, The Faithful, 2013, twelve C-prints, tape, postage, ink, each 12 × 17 1⁄2".
    Rebekah Goldstein, Chasing My Tail, 2022, oil on shaped canvas, 74 x 93".
    San Francisco
    Rebekah Goldstein
    CULT | Aimee Friberg Exhibitions | 1401 16th St
    March 19, 2022 - May 7, 2022
    By
    Stan Douglas, Exodus, 1975, 2012, digital C-print mounted on Dibond aluminum, 71 × 101 1/2". From the series “Disco Angola,” 2012.
    Montréal
    Stan Douglas
    PHI Foundation for Contemporary Art | 451 & 465 Saint-Jean Street
    February 19, 2022 - May 22, 2022
    By
    Sylvia Safdie, Inventory, 2021, organic and mineral materials, steel, bronze, glass, brick. Installation view. Photo: Richard-Max Tremblay.
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