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A four-propellor drone stands on the ground in front of a large, empty field
As smart farming gamifies the Chinese countryside, a youth movement mixes with ancient beliefs
A path cuts through a white gallery room filled with tall inflatable plants.
An installation from Marina Abramović floats “Manhattan’s next gimmick”
Jason Moran in Artforum's studio.
From Toni Morrison to Jaki Byard and Joan Jonas
Pope.L, Failure Drawing #493, 7.17.07, 6.28.09, 6.29.09, 6.30.09, 7.3.09, Faucet, 2007, 2009, ball point pen, acrylic, marker, and stains on paper towel, 11 × 11".
Pope L.’s “provocations find their strength in the process of playing around”
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Current Issue
Stötzer channeled her experiences of imprisonment in the GDR into explorations of freedom, autonomy, and self-determination
Rachel Hahn breaks bread with Anna Homler, whose primeval persona is finally going on tour
In stereographic videos, the artist attempts to see with his hands
To understand the copy today, we have to leave Walter Benjamin behind
Breadwoman (Anna Homler), 1982. Photo: Susan Einstein.
Videos
Matthew Linde in Artforum's studio.
The New York-based critic walks us through his review of Sofia Coppola’s recently released Marc Jacobs documentary
Meg Webster in Artforum's studio.
The Minimal artist shares her love for ecological systems and cites her most important teachers from Donald Judd to Michael Heizer.
Louise O'Kelly, Mark Leckey and  Christelle Oyiri on SXSW London stage.
Events
Together with moderator Louise O’Kelly, the artists explore the relationship between club culture and contemporary art.
Reviews
View of “Willie Birch: Stories to Tell,” 2026. Photo: Elon Schoenholz.
The artist’s retrospective at CAAM brings a folk sensibility to works that offer a personal and shared lived experience of American history.
View of “Martha Graham: The Mother of Psychological Dance,” 2026. Photo: Jonathan Blanc.
Examining the affective dimensions of the modernist legend’s work at the New York Public Library for the Performing Arts
View of “Patrick Jackson: All Signs Fail,” 2026. From left: Memorial, 2026; Untitled (Mother and Child), 2026. Photo: Paul Salveson.
A surreal billboard, silicone sex doll, and dusty labyrinth prod visitors to question what kind of reality is left in Hollywood
Pope.L, Failure Drawing #493, 7.17.07, 6.28.09, 6.29.09, 6.30.09, 7.3.09, Faucet, 2007, 2009, ball point pen, acrylic, marker, and stains on paper towel, 11 × 11".
Pope L.’s “provocations find their strength in the process of playing around”