Joy Division

Crippling Alcoholism – Camgirl Review

Crippling Alcoholism – Camgirl Review

“‘Murderpop,’ though freshly minted, is an apt genre tag for the kind of music Crippling Alcoholism have been playing since 2022. Their sophomore effort, With Love From a Padded Room, got stuck in Dolphin Whisperer’s February Filter in 2024, where our resident porpoise spouted positively about its attributes, and drew me into Crippling’s lugubrious world. Upon learning another album was coming just a year and some change later, however, I feared diminished returns. Still, I seized the opportunity to cover third effort Camgirl, which tells the tragically sordid tale of online performer ‘Bella Pink,’ unfolding not only through her eyes, but of ‘those who consume her: lovers, relatives, business partners, stalkers.'” Driven to drink.

Hours of Worship – Death & Dying Vol. II Review

Hours of Worship – Death & Dying Vol. II Review

“When it comes to metal, “depressing” can mean a number of things. There’s funeral doom depressing—melodramatic, with heartbreaking melodies and savage growls. There’s DSBM depressing—hopeless, with listless refrains and inhuman shrieks. Then, there’s something like the music of Hours of Worship, which, now we come to it, isn’t metal at all.” Enjoying of deep sadness.

Executioner’s Mask – Almost There Review

Executioner’s Mask – Almost There Review

“As a child of the ’90s, I was not around to understand the nuances of every synth-driven art rock movement that arose in the decades preceding. While the inimitable Cherd of Doom, the illustrious Kenstrocity and the sometimes-imitable Dolphin Whisperer explained to me the differences between post-punk, shoegaze, and goth rock, tossing out names like My Bloody Valentine, The Sisters of Mercy, and Wire, Executioner’s Mask gives no shits – they’re just out here just doing their thing.” Masks off at midnight.

Svartkonst – May the Night Fall Review

Svartkonst – May the Night Fall Review

“I beg your pardon, Svartkonst–but it appears you got your corpse paint on my cargo shorts. Over the course of two albums, Rickard Törnqvist–until now the only member of this Swedish outfit–has been concocting and refining his signature blend of Entombed-core Swedeath and Watain’s fierce approach to melodic black metal. 2020’s Black Waves was a revelation and a highlight of that dire year, taking the best of Svartkonst’s influences and boiling away whatever Törnqvist didn’t need. Not since the mad lads over at Reese’s had their mishap with chocolate and peanut butter has a mashup gone so swimmingly. Now Törnqvist is back with a five-man touring lineup in tow, as Svartkonst drops new long player May the Night Fall.” Be-Twix and between worlds.

Schammasch – Hearts of No Light Review

Schammasch – Hearts of No Light Review

“There are two kinds of metal albums that tickle my fancy. The first kind takes a band’s trademark sound, alters it just enough to keep things fresh, but also retains everything that makes that artist or band unique, enjoyable, and otherwise impossible to do without. The other has mere glimpses of what made that band who they are, but throws so many curveballs, surprise left hooks, and a kitchen sink or twelve your way, and demands that you catch it all. Swiss avant garde spiritualists Schammasch most certainly fit into the latter with relative ease. Even after releasing a three-disc, exactly-100-minute monstrosity in the form of Triangle back in 2016, it still didn’t fully prepare me for what Hearts of No Light had in store for me.” That’s a big Schammasch!