“Blending sludge metal and electronica make for fascinating bedfellows, and that’s exactly what instrumental outfit Modder brings to the table with Destroying Ourselves for a Place in the Sun. I don’t recall encountering this genre combo before, but the unlikely pairing fits together in compelling and novel ways. Destroying Ourselves for a Place in the Sun is one part early Mastodon and one part The Prodigy, and it works better in practice than I’d ever expect it to on paper.” Sun mode.
“No matter if you’re a seasoned band or new to the game, choosing the right pre-release track is critical when kicking off PR for a new album. And in a crowded music scene, where everyone is fighting to make their mark, the challenge is even greater: can you leave a lasting impression in the first few minutes to make me want to keep listening? Pensacola, Florida’s Visitant did just that with “Starless,” the first single from their debut album, Rubidium.” Unexpected visit(ant).
“Growing up together in the Chicago suburb of Cary, Farseer’s Brendan McCarthy (guitars/vocals), Ted Ballantine (guitar), George Burrows (bass), and Kyle Curtis (drums) have been playing music together since the 8th grade. It wasn’t until they returned to the Chicago area after college, the four intent on applying their years of collaboration to a single, focused project, that Farseer formed in 2016. Their 2019 self-titled debut constituted forty-six minutes of progressively psychedelic stoner sludge, setting a solid foundation for Farseer to build from. Now six years on, stalwart line-up intact, Farseer prepare to release their second record, Portals To Cosmic Womb.” See the portal!
“Visions Unseen resides somewhere between technical and melodic death metal without feeling fully like either. Guitarist Rémi Legresley, who creatively spearheads the group, plays vaguely neoclassical leads and solos, though you won’t hear much of the hyperactive shredding commonly found in modern tech death.” Time and tech.
“Mawiza, an indigenous band from Wallmapu, a territory out of South America’s Mapuche Nation (spanning Chile and Argentina), has seen a sudden rise in recent years. Formed in 2014 as Nunca Seremos Dichosos, their second album, 2019’s Kollong, would go on to win them Chile’s version of the Grammy awards (called the Pulsar Award) for Best Metal Artist. In 2021, they adopted the name Mawiza and decided to sing entirely in their ancestral language, Mapuzungum, instead of Spanish.” Death grooves.
“Adding to my list of bands with irregular monikers, German progressive post-metal/rock group THRÆDS (pronounced “Threads”) is the latest to fall under the scrutiny of my wide-eyed gaze. Formed in 2019 as a solo project by guitarist Angelos Tzamtzis, THRÆDS has since grown into a multi-national five-piece. Their 2021 Akasha EP garnered the attention of Octopus Rising—an imprint of Argonauta Records—which is now releasing their debut full-length, Impermanence. The promotional material for this Berlin-based quintet bills itself as a seamless blend of progressive post-metal alongside atmospheric rock.” Thread and dread.
“Even before I’d seen the gorgeous cover art over there, Crawling Chaos had me marked. The Italian group’s third full-length release, Wyrd, is written around a theme that discusses prominent women in European folklore, mythologies, and history, and is “full of literary quotes and easter eggs, offering subtle nods to the most curious among the listeners.” Honestly, I was sold before I even noted the genre tag, but death metal and I are no strangers to one another either. So at first glance, Wyrd seems like my perfect match, but I’ve been writing here for years now, and I’ve been misled by cover art and thematic promise before.” Chaos theory and daring to hope.
“Dissocia is the brainchild of multi-instrumentalist Daniel R Flys (of Persefone and Eternal Storm) and drummer Gabriel Valcázar (Wormed and Cancer). On their debut, To Lift the Veil, the duo set themselves a challenge: blend extreme metal with synthwave and dreamwave elements to create a catchy, yet unpredictable, blend of genres that come together into a progressive package. Were this two complete unknowns presenting that vision, one would rightly expect a horrifically unlistenable car crash. However, given Flys and Valcázar’s pedigree with their other outfits, I had somewhat higher hopes (albeit with expectations carefully managed) for Dissocia.” Waves and waterlogging.
January Filters are scrubbed. Now your ears will be brutally rubbed.
Look at that! We did double duty on the Filters, covering August and September. We really only cleaned them once but billed double. Don’t narc on us!
