Fós – Níl mo chroí in aon rud Review

From the first notes of intro “Déistin,” with pulsing electronica and deep, thrumming guitars, it’s clear that Níl mo chroí in aon rud is going to be a different record from its predecessor. And so it proves. Fós has focused not just on song structure but also album structure this time, with an overall flow to the music that strives to match the rise and fall of ní Cholmáin’s voice, which soars and dips and twists. Deftly combining everything from post-doom (“Bádaí na Scadán”) and rumbling drone-adjacent noise (“Táim i mo shuí”) to stripped-back neo-folk (“Molly na gCuach Ní Chuilleanáin”), Níl mo chroí in aon rud is a far more accomplished record than Rinne mé iarraidh. This sense is helped by the fact that ní Cholmáin’s voice is ever so slightly deeper and less ethereal (though no less beautiful) than her predecessor’s. Imbued with a rich silkiness, it somehow blends better with the music than Cadden Patel’s did.

The objective Fós set itself of blending traditional Irish folk singing, with a diverse array of almost-metal styles, was no small task. Yet it is one they have come close to achieving on Níl mo chroí in aon rud. Despite the heavy use of throbbing electronica and thudding percussion, there is a somber beauty and resonance to much of the material here, that leaves me with a deep sense of longing and loss after each spin. The album makes use of interludes (“Trua” and “Maolaitheach”), in addition to the intro, something I am not usually a fan of. However, in situ, these feel both integral and necessary to the album, with “Maolaitheach” bridging well from the fire-and-shadow neofolk tones of album highlight “Molly na gCuach Ní Chuilleanáin” to the bright, buzzing edges of album closer “An Mhaighdean Mhara.”

The change in singer, coupled with much more focused songwriting, has done wonders for Fós. Where Rinne mé iarraidh meandered, Níl mo chroí in aon rud feels focused and purposeful. Still tight at only 37 minutes, the clearer structures feel as though they were written with the vocals in mind, rather than simply acting as a sonic backdrop to them. That said, not everything works, with the first half of “Slán le Maigh” feeling aimless. Still, as the rumbling, distended chords give way to brighter synth work, which recalls Unreqvited in places, Fós recapture the magic they conjure elsewhere. Similarly, the down-tuned groove that dominates the first third of “Bádaí na Scadán” is a somehow jarring way to kick off the first song proper but they settle into their rhythm and these are really the only musical missteps on the album. Were the production better, Níl mo chroí in aon rud could have threatened the score safety counter. Although undoubtedly a step up from the last outing, feeling denser and more textured than the last album, the mix is off. The drums, in particular, are too far forward and feel over-defined, threatening to swallow the vocals in the record’s heavier moments (back end of “Bádaí na Scadán,” for example).

When I saw that Fós was back with a new album, I was genuinely pleased. Despite having dolled out a meager 2.5 last time, I found them genuinely interesting and packed with potential. After nearly four years, I assumed that was last we would hear of them. The fact that Níl mo chroí in aon rud not only arrived but delivered on the promise is fantastic. Fós have done exactly what I hoped they would, better blending the music with the haunting, poignant vocals (even if delivered by a new singer) and I hope we get more soon. Please don’t let Murray do the cover design again. I’m begging you.

Rating: 3.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Fiadh Productions
Websites: fosmetal.bandcamp.com | facebook.com/fosmetal
Releases Worldwide: January 27th, 2025