“Dense, dark, and demented, Lychgate’s Precipice breaks nearly six years of silence with music as unsettling as the concept it’s built upon. The album’s primary inspiration draws from E. M. Forster’s short story “The Machine Stops,” a dystopian tale first published in 1909 that cautions against over-reliance on technology. In it, The Machine enables people to govern their lives from isolated chambers, interacting virtually rather than in person after the Earth’s surface becomes uninhabitable. Integrating notions such as blind obedience to technology, instantaneous communication, and climate change furnishes a lavish backdrop for London’s Lychgate and their fourth LP.” Throw open the gate!
Reviews
Record reviews
House by the Cemetary – Disturbing the Cenotaph Review
“From Imperial Doom to The Passage of Existence, Monstrosity has one of the most solid death metal discographies on record. And while I’ve always gravitated toward those early Corpsegrinder albums, the performance Mike Hrubovcak turned in on The Passage of Existence was brutally good. Now, when he’s not creating sick cover art or contributing to his other projects—Azure Emote, Hypoxia, or Imperial Crystalline Entombment—Hrubovcak partners with the inimitable, no-band-too-big-or-small-for-me-to-play-in, personal injury lawyer guitarist Rogga Johannson to front House by the Cemetary.” Taste the grave.
Stuck in the Filter: October 2025’s Angry Misses
December is the best time to browse through the October Filter flotsam, as they’re now heavily discounted like Valentine’s Day candy in August. They’re probably still fresh though. Maybe.
Rotten Sound – Mass Extinction EP Review
“We may be swinging into the festive season; however, in a solidly fruitful year for grindcore enthusiasts, there is still much time to grind. Rocketing in late, Finland’s legendary Rotten Sound, one of grind’s most prolific, consistent, and underappreciated acts, return with their whopping 11th EP and follow-up to their eighth full-length, 2023’s Apocalypse. At this stage of a long and storied career, Rotten Sound revel in familiar realms of their crusty, grinding chaos, refusing to budge from a steadfast formula, while sounding as tight, energized, and pissed off as ever, impressively plying such an abrasive trade of extremity for over three decades. With scant time to get their point across, can Rotten Sound continue their impeccable track record?” Something’s rotten in Finland.
Upon a Burning Body – Blood of the Bull Review
“Upon a Burning Body is back, baby. Your favorite groovy Texans are ready to lay on the hurt with as many riffs as your ears can muster. Predecessor 2022’s Fury offered a no-frills attack that more substantially simplified the attack, recalling more the groove-oriented likes of Pantera or Lamb of God, as opposed to the longstanding comparisons to deathcore’s partyharders Attila and “fight everyone” breakdowners Emmure to whom they’ve been compared in the past.” Tastes like burning.
Pedestal for Leviathan – Enter: Vampyric Manifestation Review
“Depending on what you already know about the castle to your left and what it holds, this review will either come late, very late, or right on time (read: actually on time or only slightly late). That’s because Colorado’s goth-soaked symphonic brutal death upstarts Pedestal for Leviathan originally self-released their debut LP, Enter: Vampyric Manifestation, on Halloween. In short order, it was picked up for distro by Gurgling Gore Productions, who released it again digitally on November 14th (with physical cassettes dropping December 12th). Then, Personal Records also picked it up for yet another digi release, along with a compact disc release, set for December 12th. Having none of this information prior to picking up Personal Records’ promo for review, needless to say, I was confused and frustrated. However, Enter: Vampyric Manifestation was simply too cool not to write about, so here we are.” Pedestal pushing.
Sacred Leather – Keep the Fire Burning Review
“I’ve never been to Indiana, so I’m not acquainted with how they do things. After listening to Sacred Leather’s sophomore outing, Keep the Fire Burning, I’m definitely left wondering if time moves differently there, though. That’s because this is one of the most retro, throwback-y pure metal things I’ve heard in some time, with a sound so hopelessly locked between 1983-1986, that I feel my back hair receding as my olde denim jacket grows new new Venom and Motörhead patches. When I call this style “dated,” what I really mean is carbon-dated. Now, don’t take this as a criticism, as those years were some of the very best for classic heavy metal.” Firing the night.
Nattradio – The Longest Night Review
“It doesn’t seem to take long for the “wee hours” of the night to kick in these winter days. With them comes a very specific, almost hypnotic sadness that anyone who sleep has forsaken knows well. That tag-team of coldness and isolation brought on by the night just can’t be beat sometimes. Swedish goth/doom duo Nattradio know this sensation intimately, as their new album The Longest Night was written and shaped exclusively in the latest hours of the night. Injecting their Katatonia-inspired Gothic doom with elements of ambient music and noir jazz, Nattradio crafted their sophomore record to reflect the somberness of wakeful late nights, framing its ideal listening time in those hours.” Music for a midnight dreary.
Fleshvessel – Obstinacy: Sisyphean Dreams Unfolded Review
“Sisyphus is my favorite character in Greek mythology. It’s why I picked up Obstinacy: Sisyphean Dreams Unfolded, the sophomore release from US-based metal vanguard, Fleshvessel. You see, not only does Sisyphus cheat Death twice—which in itself is hella metal—but in being damned to eternally roll a boulder uphill, he becomes an allegory for the human experience. This endless toil and glorification of the struggle serves as the thematic foundation for Obstinacy, revolving around “our own stubbornness/persistence as human beings and how it can be both a detriment to, or deliverance from, our collective and individual struggle for a better world.”” Rock and a slanted place.
Burning Death – Burning Death Review
“In the prehistoric era known in academic circles as “the 80s,” metal had not yet splintered into the myriad microgenres we know today. Even our ten-ish main subgenres, while beginning to differentiate themselves, were still fairly grey. Within this primordial soup floated the building blocks that would one day give rise to modern black metal, including, among others, the early works of Slayer, Kreator, and Vulcano. This evil-sounding, satanic/anti-Christian thrash metal is also the inspiration for Nashville newcomers, Burning Death.” Die in Fi-YAA!









































