| Opus 8 | Concertino for Piano and Strings (1982) |
| for piano and string orchestra | |
| An early work, exhibiting the influence of Shostakovich and Bartok. Approachable for both players and audience. | |
| published by Waiteata Press |
| Opus 70 | Concerto for Soprano Saxophone (1996) |
| for solo soprano sax. and orchestra | |
| A quirky but also soulful piece for an unusual and beautiful instrument. Reasonably easy to play. | |
| Available from the composer |
| Opus 93 | Double Concerto for Bass Clarinet and Cello (1999) |
| for bass clarinet, cello and orchestra | |
| The slow movements explore issues of life and death, while the two quick movements provide an energetic and bright contrast. The wide range of both solo instruments is explored. | |
| Available from the composer |
| Opus 56 | Flute Concerto (1993) |
| for solo flute and orchestra | |
| An attractive, extrovert piece. Plenty of life and contrast. Piano reduction available also. | |
| Available from Bellbird Publications |
| Opus 79 | Guitar Concerto (1997) |
| for guitar and orchestra | |
| Unlike most guitar concertos this one is scored for full orchestra and is large in scale. Requiring amplification, the solo part nevertheless holds it's own against the orchestra. Likewise, the orchestra gets a decent play in a work of sparkling colour and ideas. | |
| Available from the composer |
| Opus 9 | Piano Concerto (1982) |
| for piano and orchestra | |
| Virtuosic writing for the soloist along with a colourful orchestral part. In four movements, it explores a wide range of moods and styles. | |
| Available from the composer |
| Opus 64 | Viola Concerto (1994-5) |
| for viola and orchestra | |
| A personal work in 4 movements covering a range of moods. Lightly scored to let the viola speak. | |
| Available from Bellbird Publications |