Film 1 month ‘F— My Son!’ Director Todd Rohal Clarifies Generative AI Use in Film After Toronto Film Fest Debut (EXCLUSIVE)
Film 1 month ‘Good News’ Review: A Sharp Political Farce From the Director of ‘Kill Boksoon’ Follows an Unplanned Detour From Tokyo to Pyongyang
Film 2 months ‘Exit 8’ Review: A Lost Man Wanders a Labyrinthine Limbo in a Witty, Elegantly Spare Videogame Adaptation
Film 2 months ‘Swiped’ Review: A Thin, Glossy Account of the Brief Fall and Unstoppable Rise of an OG Girlboss
Film 2 months Isabel Coixet and Alba Rohrwacher on ‘Three Goodbyes’ and Portraying a Cancer-Stricken Woman ‘From a Fresh Perspective’
Film 2 months ‘Lilith Fair: Building a Mystery’ Review: Music Doc Recalls a ’90s Festival That Made It Feel Like Women Might at Least Save Rock, if Not the World
Film 2 months Haifaa Al Mansour on Saudi Thriller ‘Unidentified’ and Depicting the ‘Intricacies of a Culture Where Sexism and Violence Against Women Are Rampant’
Film 2 months Red Bull Studios Boards ‘Reggae Girlz’ Set During 2023 FIFA Women’s World Cup, Among Other Sports Documentaries
Film 2 months Toronto Hit ‘The Condor Daughter,’ a High Andes Drama, Gets a First Trailer From Bendita Film Sales (EXCLUSIVE)
Film 2 months ‘Sacrifice’ Review: Virtue-Signaling Billionaires Dance on the Edge of a Volcano in Romain Gavras’ Scattershot Satire
Film 2 months ‘Glenrothan’ Review: Brian Cox’s Overly Cozy Directorial Debut Needs a Good Belt of Whisky
