Tartu, Estonia.

Choose … wisely.

This post’s picture originally appeared on November 9, 2010 at 9:53 am. Check that near-synchronicity.

Hello, kids! Whom do you love?

Sideshow Bob!

How much do you love me?

With all our hearts!

Today’s show promises to be a marvelous celebration of the human spirit. But first, I regret to say I see a youngster who looks troubled. What’s your name, young man?

Bart Simpson, sir.

Well, Bart, perhaps we can shed some light on your problem in a new segment exploring pre-adolescent turmoil. I call it, “Choices.”

(“Krusty Gets Busted.” The Simpsons: Season 1, Episode 12. Original airdate April 29, 1990.)

Life is a process of becoming, a combination of states we have to go through. Where people fail is that they wish to elect a state and remain in it. This is a kind of death.

(Anaïs Nin. D. H. Lawrence : An Unprofessional Study. 1932.)

This is a challenge breathtaking in scope. Wanting to change is so much easier than actually having the courage of the deed. I think it is a thing that happens by degrees, so that you look at yourself one day and realize you are totally different than the person you had been six months or a year or a decade ago. Where we elect the state of stasis and suffer that kind of death is where we mistake sameness for security, security for happiness, happiness for living. I wanted for very long to stay hidden, because I thought there was safety in that.

Ibid.

It is not just about a rut. It’s more like a trench, and the longer you stay in it, the more likely you’ll be hit by a Howitzer if you try darting topside. You have to climb with calculation, sometimes big leaps to get over a tough, deeply rooted, scrabbly stretch, sometimes taking ages of care to navigate your foot to a safe path. I have no idea what waits at the top. It might not be happiness. But how much better to see the whole field and enter the battle than to cower at the bottom of the trench?

To elect to “become” is to elect to risk. Risk is frightening because, whether it pays off in your estimation or disappoints you horribly, it guarantees one certain result: change.

Human beings can reach such desperate solitude that they may cross a boundary beyond which words cannot serve, and at such moments there is nothing left for them but to bark.

(Collages. 1964. p. 116.)

I am only alone if I am in the bath or driving. So the shower is where I generally get my barking out. I made an ocean in the pipes while I was pregnant, a terrible time for me because of the earth-destroying fights I would have with her father, and again when I left my husband, horrible silent sobs of shock and regret that would make me vomit. I have written before that I dislike crying or admitting to feeling feelings. But in the last few years, since this journal started, really, I’ve grown better at admitting to crying. I even sometimes let a few public tears go, if the occasion is momentuous enough that I forget myself, and I have oil on hand to keep my robot face from rusting.

All this context is by way of avoiding the content of this quote. I think I’ve sufficiently lambasted myself for one day (see below).

“Remember, remember.” It’s that day again. Tomorrow in my country is an election day. Since my country is very bossy, this will affect many other nations as well.

I have no idea which way the election will go. I gave up a decade ago on thinking I could understand people. I have no predictions for the outcome of this election, but I have my hopes. A motif in this film is the immutability of ideas: ideas are bulletproof, indestructible.

Are they, though?

I think they are entirely personal and held inside: no one and nothing is knowable. There is no way to trust that what someone says is what they’re really thinking, nor that anyone will do what they say they are going to. I know what I want to see happen in my country and in my life, but my doubts about those things are ebbing the spontaneity and passion from me, and I hate that, and it confuses me, and I don’t want it to be so. I once had a zeal for politics unmatched by almost anyone I know, and I still follow closely what goes on, but I feel like I’ve been burned over and over, like it’s scar tissue on scar tissue, and there are all these layers of dead hard flesh between the outside and my core.

I haven’t stopped caring. I haven’t stopped wanting to change the world and my own self, but I’ve stopped believing I can be touched or healed by what someone says, promises, proclaims to think or plans to do. I’m afraid that this is reflective of not just my political opinions and doings, but my approach to more interpersonal functions. And I don’t want that. I need to get back that optimism. It’s like I’m so sure of being broken that I throw myself off the shelf so at least it’s my own idea when I’m shattered on the floor. How is that consolation? I’m still in pieces. I don’t want to be bulletproof: I just don’t want to be glass.

This too. Man, if Pirate Bay goes down, my life is over. How fucking shallow am I? Such the molotov-lobbing anarchist, me. “I just want to download Walking Dead.” Waah, waah, waah — I don’t know how to love properly and I like illegally freeloading free loads of downloads. Spoiled and purposeless little shit.

Wait. What?

Well played, Hans Zimmer.

Slam, slam — oh, hot damn. I love the confidence of this li’l Unlikely G.

Les parapluies de Cherbourg/The Umbrellas of Cherbourg (Jacques Demy, 1964).

There were always in me two women at least,
one woman desperate and bewildered,
who felt she was drowning, and another
who would leap into a scene, as upon a stage,

via.

conceal her true emotions because they
were weaknesses, helplessness, despair,
and present to the world only a smile,
an eagerness, curiosity, enthusiasm, interest.

Ouch. That drew blood. I’m not sure I have the guts to keep doing this month. But I’m going to try.

“How We Roll” by bubbabae on the deviantart.

Only once in your life, I truly believe, you find someone who can completely turn your world around. You tell them things that you’ve never shared with another soul and they absorb everything you say and actually want to hear more. You share hopes for the future, dreams that will never come true, goals that were never achieved and the many disappointments life has thrown at you. When something wonderful happens, you can’t wait to tell them about it, knowing they will share in your excitement.

“Geeks in Love II” by Blood On the Moon on the deviantart.

They are not embarrassed to cry with you when you are hurting or laugh with you when you make a fool of yourself. Never do they hurt your feelings or make you feel like you are not good enough, but rather they build you up and show you the things about yourself that make you special and even beautiful. There is never any pressure, jealousy or competition but only a quiet calmness when they are around. You can be yourself and not worry about what they will think of you because they love you for who you are. The things that seem insignificant to most people such as a note, song or walk become invaluable treasures kept safe in your heart to cherish forever.

Memories of your childhood come back and are so clear and vivid it’s like being young again. Colors seem brighter and more brilliant. Laughter seems part of daily life where before it was infrequent or didn’t exist at all. A phone call or two during the day helps to get you through a long day’s work and always brings a smile to your face. In their presence, there’s no need for continuous conversation, but you find you’re quite content in just having them nearby. Things that never interested you before become fascinating because you know they are important to this person who is so special to you. You think of this person on every occasion and in everything you do. Simple things bring them to mind like a pale blue sky, gentle wind or even a storm cloud on the horizon.

“Friends for a reason” by Pookaburra on the deviantart.

You open your heart knowing that there’s a chance it may be broken one day and in opening your heart, you experience a love and joy that you never dreamed possible. You find that being vulnerable is the only way to allow your heart to feel true pleasure that’s so real it scares you. You find strength in knowing you have a true friend and possibly a soul mate who will remain loyal to the end. Life seems completely different, exciting and worthwhile. Your only hope and security is in knowing that they are a part of your life.

(Bob Marley.)

Female Trouble (John Waters, 1974).

All those who try to unveil the mysteries always have tragic lives.

At the end they are always punished.


(“The Mohican.” Under A Glass Jar, 1944.)

Nothing lasts forever in the cold November rain.

Photographed by Mario Casilli.

First up is the lovely and talented Cheryl Kubert. In going through my files to prep this entry, I realized I’d already saved several pictures from this shoot here and there for the last year, so I’m pretty pumped to share.

It’s not a cute or even particularly “themed” shoot at all, but Ms. Kubert has an almost accusing serenity that makes what would be standard shots if it were any other model seem more arresting and beyond ordinary than their composition would dictate.

It’s the eye contact, I reckon. She has deep eyes. The downward cast of her chin, the unparted lip, the steady gaze; she seems so solemn. It makes the shoot feel heavy, but in a beautiful, ruminating, kind of sad way. She has this kind of practical but somewhat unhappy sincerity to her expression and posture, an unvarnished and troubled vulnerability. It’s moody.

The written copy that accompanied this pictorial is absolute drivel. I mean, just pure shit. Its more pun-ridden and meaningless even than the b.s. that they printed up for Marlene Callahan, and that is saying something, believe me.

The strangest part about the article is that, besides being empty apple fritters and pretty nonsense, the endless stream of non sequitirs about Scandinavian idioms seemingly have almost nothing to do with the pictures.

The write-up, titled “Playmate on Skis,” describes skiing in great detail and alludes to its history in Scandinavia, which is well and good, but in the pictures Ms. Kubert is mainly not around snow whatsoever; furthermore, the article lays no claim to her being of Scandinavian descent. Just a poor job all around. Banana boats and baloney sauce, Playboy, I’m sorry. Thankfully the pictures are unique, sensitive, and artistic.

Okay, I just spent fifteen minutes hard-searching and I found the above missing link. ONE SHOT of her with skis in addition to the centerfold (which is generally shot separate from the rest of the pictorial spread). Pfft. And if that is not a fake scene outside the window, I’ll eat my hat. Total cheezits (I’m trying to swear less this year and I’ve found that food items make handy and amusing euphemisms).

(The nude Jayne Mansfield spread will come up again in several days, actually. Really interesting story, but we’re focused on Ms. Kubert right now. Keep your shirt on.)

I can only conjecture that Cheryl Kubert was a stage name, because there is pretty much nothing known about her prior to her centerfold appearance or what she did following, other than that she had appeared in a bit part in the film Pal Joey in 1957.

According to the Playmate Book, Ms. Kubert died April 25, 1989 of apparent suicide. Because Playboy did not keep data sheets prior to September of 1959, it is not known how old she was at the time of her appearance in the magazine or her death. It makes those deep eyes seem much sadder to know that. R.I.P.

edit: I was sitting here trying to think where I had just seen the name “Kubert” recently, and finally remembered that yesterday’s Daily Batman of Catwoman and Batman throwing plates at each other in the Super Dictionary (Warner, 1978) featured art work by the cartoonist Joe Kubert. Found his official website and have fired off a quick email using his “contact” form, inquiring if he is related to Cheryl Kubert or has heard anything about her before. It’s a longshot, but I’ll let you know what comes of it.

edit 11/2/12: In the original post, the following comment was left

John Hawksley Says:

Hello, I was Cheryl’s husband and we were married at the time of her death(may 28,1988) Cheryl Kubert was her real name. Born in Los Angeles, went to Fairfax High School. We had one child(Rachel). She was 50 at time of her death. She was a glamour lovlie in Ken Murry’s Blackouts and she did extensive modeling, traveled with U. S. O troupe and was a member of SAG and SEG. She had the heart and the looks of an angel. She could sing, play the piano and dance. If you need anymore information you can text me. John

Thank you for the further info, Mr. Hawksley.

edit 11/2/12, 2.0: The late Joe Kubert, comic legend, also corresponded with me briefly in regard to this post. He passed on in August, and I am not sharing because I believe death negates privacy, but merely because I never shared originally. As with Mr. Hawksley’s comment, I meant to go back and edit again, but the time gets away from you.

Dear E,

Thank you for your email and your interest. To my knowledge I am not related to a Cheri [sic] Kubert. She looks like someone I would not have minded knowing! Please continue to read, write, and care about comics. You may also share a link with your readers to The Kubert School.

Regards,
Joe

“The Kubert School, based in Dover, NJ offers students a high quality and challenging education in Cartooning and Graphic Art.” They also have correspondence courses.

This has been your Flashback Friday.

via.

Look, when you are being banged like a screen door in a hurricane, things just kind of get said.

Star Trek: TOS. “The Naked Time.” Season 1, Episode 4. Original airdate: September 29, 1966.

Analysis of “The Naked Time,” from which these caps come, here. If Spock’s disdain for graffiti is not enough to turn your head, perhaps this helps.

The crew is infected with a mysterious disease that removes people’s emotional inhibitions to a dangerous degree.

It happens.

It’s not. It never is.