The Glimmers You Find While Chasing the Whale
While in pursuit of our writing goals, the serendipitous experiences along the way might be just as meaningful as landing the big fish.
While in pursuit of our writing goals, the serendipitous experiences along the way might be just as meaningful as landing the big fish.
A successful story unfurls in a way that both keeps readers grounded and keeps them guessing—so withhold information, but not context.
A group of authors, illustrators, agents, and editors have organized an auction to raise funds for those in urgent need.
Writing is an act of exposure, especially when it’s about something personal, political, and dangerous. But we write anyway.
Improv is about being in the moment, and showed one author how to let go, listen better, take risks, and move on when something doesn’t work.
Small bits of action—descending the stairs, cleaning off the car—might not be insignificant if they tell something about a character’s world.
A publicist can be an invaluable part of your launch team when your book is published, but it’s also possible to do it on your own.
One writer explores how women will rationalize away feelings of unease for the sake of pleasing others, and how we express that on the page.
To encourage transparency among creators and audience, one writer suggests a simple, two-category system for labeling AI use in works of art.
A memoirist who began writing with the goal of helping others was surprised by how the process healed old wounds and reframed her self-image.
The author’s historical novel, Finding Flora, was an instant number-one bestseller in Canada which led to rerelease of two previous novels.
If you’re hearing that your story lacks structure or impact, you might be missing the interconnected cohesion of plot, stakes, and character.
Needing to build audience for a new book, one author examines her avoidance of creating video content in favor of face-to-face connections.
This excerpt from Nina Amir’s Change the World One Book at a Time examines how nonfiction authors can best effect change in readers.
A roundup of new publishers, imprints, and agents announced in 2025, as covered in The Bottom Line.
A social media manager shares her observations on how current trends might impact authors and publishers in 2026.
Sharing his work-in-progress has helped one writer build confidence and conviction about who his readers are and what they’re interested in.
By thinking like a filmmaker—planning your beats, deciding your shots—you create a vivid experience that pulls readers into the story.
When pitching to agents or editors, the right comp titles help you articulate where you position yourself within a very competitive market.
The year’s biggest stories in publishing, from the Anthropic settlement to the demise of NaNoWriMo and more.
Understanding stress responses as learned survival strategies can help you turn every high-stakes scene into character development on the page.
When a story barrels from one conflict to the next, hitting pause for a well-placed glimmer of light can benefit both characters and readers.
If you receive solicitous emails from book clubs or famous authors, follow these simple steps before replying or clicking on any links.
Having analyzed over 1000 memoir manuscripts in a 15 year span, Wendy Dale found two linked components of powerful, plot-driven storytelling.
The person on the page can’t be the person writing the book. Because if your life has changed enough to write about, you aren’t that person anymore.
The majority of book awards are pay-to-play deals. Some do little harm, others are genuinely useful, but most make no difference to your career or sales.
We remember the late Porter Anderson, who in 2015 co-founded (with Jane) The Hot Sheet email newsletter known today as The Bottom Line.
Even experienced novelists overwrite. Here are five insights about ruthlessly cutting a manuscript—and why that’s a good thing.
This excerpt from the new book Digital Inc. by Richard Curtis examines why ebooks failed to supplant print as many tech pioneers expected.
A writer’s script-editing experience helped fix her novel’s problems with pacing, flat characters, and scenes that didn’t propel the story.
In crime fiction, the most powerful moments often aren’t about car chases or shootouts—they’re about impossible choices.
Using the workplace as more than a backdrop can supercharge the stakes, conflict, and character development of your fiction.
A slew of literary rejections helped one writer develop the perseverance needed when a failed marriage left her urgently seeking a new job.
An author reconsiders her biases, finding the best memoir writing to be courageous, complex, and capable of transforming others and ourselves.
The Arizona law firm has no connection to the Anthropic case, but is trying to skim off authors in the class who may be unhappy about the current settlement.
When agents suggest further revision, we might need time and distance to see our MS through their eyes—but doing the work can pay dividends.
This excerpt from a new craft book by Jordan Rosenfeld explores the many ways our fictional characters manifest their internal emotions.
Learn how to find and assess anthology opportunities, which offer short fiction authors income and visibility by sharing audiences across contributors.
Indie Author Day is part of the Indie Author Project, a library-backed initiative that recognizes self-published authors.
Learn how one author’s publishing “fairy tale” hides years of struggle, with practical lessons to unlock your own resilience.
Learning to knit renewed one author’s confidence, allowing her to take a risk revising a manuscript that was already out on submission.
Prologues get a bad rap as backstory or info dumps but, done well, they can intrigue readers and ignite interest in the story to come.
An in-depth discussion of hybrid publishing today: what has driven its growth, and what should you know before investing?
Life coaches help clients gain insights about how we shape our own life stories, and the same tools can be used to create richer characters.
Jane’s reporting has shown that unknown authors still land memoir deals, a fact which gave one writer the will to persevere—and succeed.
If we view platform-building as part of a mission to transform lives, not just sell books, the possibilities for engagement are endless.
What every creator should know before signing a contract—protect your work, your time, and your well-being.
The author of The Pink Marine discusses his publishing path, writing for books versus screen, what development execs look for, and more.
The Authors Guild is holding a free webinar for all authors (you don’t have to be a member) on Thursday, October 16, at 6 p.m. ET.
The landscape is very different today: publications have folded, arts coverage has dried up, and most opinion writing is on Substack.