Our history

WHO WE ARE

Barclays traces its ancestry back to two goldsmith bankers, John Freame and Thomas Gould, who were doing business in Lombard Street, London in 1690. In 1736, Freame’s son, Joseph took his brother-in-law, James Barclay on as a partner, and the name has remained a constant presence in the business ever since.

Vintage Barclaycard promotion with staff demonstrating banking services to customers which represents Barclay's long history and customer focus.

Barclays was built over centuries

Our longevity is an extraordinary achievement, especially against the backdrop of multiple financial crises, international conflicts, and the agricultural, industrial and now technological revolutions.

This story is best told through our rich archive of photographs, ledgers, letters, minute books, equipment and a range of, in some cases unexpected, curiosities housed in the Barclays Group Archives in Manchester, UK. The material in these archives is unique, irreplaceable and priceless. They don’t just tell the story of Barclays’ businesses around the world, they also communicate the strength and depth of the Values that have underpinned Barclays from the very beginning.

And it’s not just the story of a bank – it is the story of the communities that we serve, as well as our colleagues, our buildings, and our products. The archives allow us to share those stories.

Key moments in history

1937: Barclays' first coat of arms

Title: Introducing the Barclays Coat of Arms in 1937
Speaker: Nicholas Webb, Archivist, Barclays

00:00:00:00 - 00:00:39:05

The eagle was developed as a trading logo in the 20th century. Normally banks didn't care to advertise, but gradually in the 20th century they came to see the advantages of advertising, and they all settled upon one or other logos. And Barclays already had the symbol of the black spread eagle. The origins of the eagle lie in the shop premises on Lombard Street, where Barclays had been situated since its foundation in 1690.

00:00:39:09 - 00:01:10:15

When in 1728 they moved to a premises called the sign of the Black Spread Eagle. I should just explain that all the shops and they were called shops on Lombard Street. All these shops had their own signs because a lot of people couldn't read, or it was easier for them to see a sign. Barclays just happened to be at the sign of the Black Spread Eagle, and the first Barclays came into the business in the 1730s, and that was James Barclay.

00:01:10:17 - 00:01:47:01

So then you had the Eagle and the Barclays Barclay name together. By the 20th century, when banks decided to start advertising a bit more, Barclays decided that they didn't want anybody else to use this black spread eagle. Although there were eagles in use by other firms, similar eagles. So what they did was to apply to the College of Heralds, which is the official body in this country for issuing coats of arms, and the heralds of the College of Arms said, yes, you can use the Black Spread Eagle and we'll design it for you, but you must difference it from all the other eagles. 

They came up with, with the suggestion of using three crowns applied to the black eagle and if you look at the Herald, the eagle, you can see these three crowns. And they were derived from two other neighbouring premises which Barclays had acquired over the years. "The Sign of the Crowns" and "The Sign of the Kings" did become standardised the first time in 1981, and from then on, in conjunction with the Barclay blue colour it was used in that form.

00:02:21:06 - 00:02:55:20

It's been modified twice since then, 1999 and again in 2004. So now we have the simplified spread eagle, but it still ultimately derives from the heraldic form. The Barclay blue colour first started to be used in the 1960s, and it was made by ICI in a special colour mix, and it was officially ratified by the board at a meeting in May 1970, and at that time they also ratified a new brand style using the Clarendon Bold lettering.

00:02:55:23 - 00:03:29:02

From that point, we're moving towards much more towards a modern conception of branding and instant recognition on the high street, because at that time there was tremendous competition between the high street banks. They were all competing for the new business of the of the affluent society, really.

1967: UK's first cash machine

Title: Introducing the First Cash Machine in 1967
Speaker: Marina Sienkiewicz, Group Archivist, Barclays

00:00:00:00 - 00:00:27:21

Barclays launched the world's first cash machine in June 1967. It was part of a programme that Barclays had been working on for a number of years to improve customer service. That was the main driver. So they'd worked on things like note counting machines and queuing, how to improve queuing in branches and the automatic cash dispenser came out as part of that programme.

00:00:27:23 - 00:00:46:17

The cash machine was launched at our branch in Enfield; Enfield was chosen because it was felt it had a good facade. There was a place to put the machine in the front of the branch, and it was felt the community there was a good, cross-section of a community to be using the machine. They just seem to have been quite a crowd at the time.

00:00:46:17 - 00:01:13:08

I think people were quite intrigued at the idea of a cash dispenser. Photographs of the day show a big crowd outside the branch, and it did achieve national press coverage. At that time, we just launched six pilot machines to see how they worked, but the public seemed to have been quite quick to embrace the idea of them. There were lots of complaints about the machines that didn't work, so that suggests people were keen to use them.

00:01:13:10 - 00:01:34:05

They were very much seen as a way of improving customer service; it was a way to get at your money at times when the bank was closed. In 1967, when the first machines were launched, they weren't activated by a plastic card like we're used to now. Customers had to go into the branch in advance and obtain a paper voucher.

00:01:34:07 - 00:01:54:19

And then when they did need to get some cash out when the branch was closed, they inserted that paper voucher into the machine and in return they received ten £1 notes. They did still at that time have a PIN, as we do now, and we think it was four digits. Although there has been a little bit of debate as to whether or not it was six.

00:01:54:21 - 00:02:23:04

Media reports at the time are quite varied. There's some suggestion there was a little bit of feeling that these might be targets for muggers just loitering nearby, waiting for people to get their money out. But even at this point in 1967, there are also people who really can see the future potential of these machines. And there is talk of them being sited away from banks, being located in airports and railway stations, and of people using them, even when the banks are open, so just as we do now, in fact.

1975: South West Face of Everest

[Audio Description] The backing track is an epic, orchestral-style instrumental piece. It begins with a slow, dramatic build-up featuring deep, resonant strings and soft atmospheric pads, creating a sense of vastness and anticipation. Gradually, brass and percussion join in, adding a heroic and uplifting tone. The rhythm is steady and purposeful, evoking the feeling of a challenging journey or ascent. Sweeping melodies maintain a cinematic and inspirational mood, supporting the theme of exploration and achievement. There are no lyrics or vocals.

00:00:00:04
On-screen text: Everest
Visual: A towering snow-covered peak under a clear blue sky.

00:00:00:06
On-screen text: 29,029 ft, the highest place on earth
Visual: Aerial view of rugged mountain ridges and glaciers.

00:00:00:13
On-screen text: Wind speeds up to 175 mph
Visual: Snow blowing across icy terrain in strong gusts.

00:00:00:16
On-screen text: Temperatures as low as -60
Visual: A frozen, desolate landscape with deep blue hues.

00:00:00:22
Visual: Two climbers in heavy gear roped together, battling harsh conditions.

00:00:00:23
On-screen text: In 1975 a British expedition led by Chris Bonington set out to achieve the seemingly impossible
Visual: Sunset glow on towering Himalayan peaks.

00:00:00:29
On-screen text: to climb the South West Face of Everest
Visual: Silhouette of a climber ascending a steep rock face.

00:00:00:35
On-screen text: and put the very first British Mountaineers on her summit
Visual: Dramatic mountain backdrop with warm light breaking through clouds.

00:00:00:41
On-screen text: Five expeditions had tried before
Visual: Climber scaling a near-vertical icy wall.

00:00:00:45
On-screen text: All had failed
Visual: Same climber continuing the ascent.

00:00:00:49
On-screen text: During a time of economic crisis, the public’s reaction was less than enthusiastic
Visual: Panoramic view of Everest bathed in orange twilight.

00:00:00:56
On-screen text: the press reported that the expedition would only have a slim chance of success
Visual: Majestic Everest peak with drifting clouds.

00:00:01:05
On-screen text: Barclays believed in their vision…
Visual: Climber ascending a steep snowy slope.

00:00:01:09
On-screen text: News from Barclays
Visual: Document excerpt: “Barclays Bank International to sponsor British assault on Mount Everest in 1975.”

00:00:01:20
On-screen text: and supported them all the way to the top
Visual: Climber making progress on icy terrain.

00:00:01:26
On-screen text: At 6pm on 24 September 1975…
Visual: View of snow-covered mountains.

00:00:01:33
On-screen text: Doug Scott and Dougal Haston stood on her summit
Visual: Sunset over jagged Himalayan peaks.

00:00:01:39
On-screen text: and watched the sun set over Nepal
Visual: Silhouette of climber against glowing clouds.

00:00:01:47
On-screen text: They were the very first British Mountaineers to do so
Visual: Climber standing with Everest in the background.

00:00:01:57
On-screen text: and they did it the hardest way possible
Visual: Climber equipped for extreme conditions.

00:00:02:02
On-screen text: The rest, as they say… is history
Visual: Night sky filled with stars above mountain silhouettes.

00:00:02:08
On-screen text: 18 Climbers, 67 Sherpas, 14 Support Staff
Visual: Climber roped in, snowy backdrop.

00:00:02:13
On-screen text: One Mountain, One Bank, A shared vision
Visual: Orange sunrise over a tent pitched on snow.

1977: Introducing personal bankers

Title: Introducing Personal Bankers in 1977
Speaker: Maria Sienkiewicz, Group Archivist, Barclays

00:00:00:00 - 00:00:35:02

Personal bankers were introduced to the UK by Barclays in 1977. The idea was to try and improve customer service. Barclays started off with a very small pilot in 1977 in just six branches, and at this point it was felt that a lot of managerial time, so the branch managers and perhaps assistant branch managers, they were spending more and more time dealing with corporate customers and less and less time available for the personal customers.

00:00:35:04 - 00:00:59:11

This meant that personal customers were trying to ask questions at the counters; this was leading to increased queuing times, so the idea was to introduce personal bankers so that they were available to answer customers' queries, taking pressure away from both the managers and the staff on the counters. For the very first time, branch staff were not just behind the counter, they were in the banking hall, much more accessible to the customers.

00:00:59:13 - 00:01:24:04

However, it was quickly realised that as branch staff wore their own clothes, they weren't necessarily easily identifiable; they could just look like other customers. So it was decided to put them into distinctive uniforms, thereby enabling the customers to easily identify them. After the initial pilot of six branches, the scheme grew very quickly and by the early 80s it was being rolled out across the whole network.

00:01:24:06 - 00:01:47:17

It was felt to be a very successful idea. Customers generally seemed to respond very well to the personal banker scheme; higher levels of customer satisfaction were reported. It's also felt that staff responded very well to the scheme, as it gave staff who previously might have felt they were stuck behind the counter doing very limited activities, were given a wider range of duties and more responsibility.

00:01:47:19 - 00:02:11:17

It also improved services within the branch, queuing times were reduced and managers felt that better use was being made of their time. So the scheme was generally seen as being very successful.

1987: The UK's first debit card

Title: Introducing the Connect Debit Card in 1987
Speaker: Nicholas Webb, Archivist, Barclays

00:00:00:00 - 00:00:33:19

Connect was launched on the 3rd of June 1987; it was the first debit card in the UK. Most of these were designed to speed up the whole process of banking, which is gradually being extended throughout the population, the working population. The volume of cheques became so enormous by the 60s and 70s that banks needed to speed up the whole process of pushing money through the banking system.

00:00:33:21 - 00:01:03:02

They got their thinking caps on and introduced first of all the credit card 1966, Barclaycard. But then they wanted some way of enabling customers to access funds from their accounts electronically, directly. And this is what Connect was able to do. The first cash machines were fairly primitive and you could only get £10 out, but when Connect came along, it meant you could in addition to being able to process transactions at the point of sale, you could also use that as a cash machine card. So Connect can very much be seen as a stage in this process of automating the whole banking process. Connect was supposed to be a secret; it was going to be announced very shortly before the launch date in June, but details had got out somehow, several months before.

00:01:29:07 - 00:02:07:03

So the original advertising campaign wasn't in then used; they decided they would take advantage of this leak of information to produce a natty advertising strapline; so they came up with "cat in the bag" and "letting the cat out of the bag". So then they produced, within a week of the launch date campaign, with a cat climbing out of paper bags; a series of paper bags with telling messages printed on the side of each bag, two of which referred to earlier innovations by Barclays, in particular the first credit card and the first cash machine.

00:02:07:05 - 00:02:27:20

Customers were delighted, and I think there were a million cards were issued within the first nine months.

Barclays: A British Champion

[Audio Description] The background music is an instrumental orchestral piece with an epic and cinematic style. It begins softly with low, resonant strings and atmospheric tones that create a sense of vastness and anticipation. As the music progresses, brass instruments and percussion gradually add intensity, producing a heroic and uplifting mood. The tempo is steady and purposeful, reflecting themes of determination and achievement. The melody is sweeping and inspiring, conveying grandeur and optimism. There are no vocals or lyrics in the track. The music supports the visual content by enhancing the feelings of exploration and success.

00:00:01:00
A sepia-toned, detailed map of London is shown. The River Thames curves prominently through the centre of the map. Streets and districts are marked in red, and a decorative compass rose is visible on the right side. The map has an antique, historical appearance.

00:00:05:00
A dark blue background with soft, out-of-focus green and blue lights.
On-screen text: “This is where we started”

00:00:10:00
A busy London street scene. The architecture is grand and historic, with tall buildings lining the street. The clock tower known as Big Ben is visible in the background. People in period clothing walk along the pavement, and several vintage cars are parked or driving on the road.

00:00:14:00
A dark blue background with soft, out-of-focus green and blue lights.
On-screen text: “Where people and ideas came together”

00:00:18:00
A bustling city street. A double-decker bus is visible on the left, and the street is crowded with people walking in various directions. The buildings are tall and imposing, with classical architectural details.

00:00:21:00
A dark blue background with soft, out-of-focus green and blue lights.
On-screen text: “The place that we all built”

00:00:23:00
A car factory interior. Several classic cars are being assembled, with workers standing beside and working on the vehicles. The factory is spacious, with a high ceiling and large windows letting in natural light.

00:00:26:00
A close-up shot of the moving wheels and connecting rods of a steam locomotive. The metal components are in motion, and a cloud of steam is visible near the bottom of the frame.

00:00:28:00
A steam train crosses a tall iron bridge at sunrise or sunset. The train emits a long plume of smoke, and the sun is low in the sky, casting a golden glow over the landscape of fields and hills.

00:00:31:00
A dark blue background with soft, out-of-focus green and blue lights.
On-screen text: “Where we worked together”

00:00:35:00
A black-and-white image of several workers moving a large wooden crate. The workers are wearing flat caps and work clothes, and the setting appears to be an industrial or warehouse environment.

00:00:37:00
A dark blue background with soft, out-of-focus green and blue lights.
On-screen text: “Where we stood together”

00:00:39:00
A group of uniformed soldiers. Some are giving a thumbs-up gesture. The setting appears to be outdoors, possibly near a military vehicle or equipment.

00:00:41:00
A black-and-white image of a worker shovelling debris outside a building. The building has a sign reading “BARCLAYS BANK LIMITED” next to the entrance. Other workers are visible in the background.

00:00:43:00
A dark blue background with soft, out-of-focus green and blue lights.
On-screen text: “And explored together”

00:00:49:00
A climber in heavy cold-weather gear, standing on a snowy mountain. The climber is using a radio, and a dramatic mountain landscape is visible in the background, bathed in warm light.

00:00:51:00
A dark blue background with soft, out-of-focus green and blue lights.
On-screen text: “We grew together”

00:00:54:00
An aerial view of a modern city skyline, likely London. Tall skyscrapers dominate the scene, and the River Thames is visible winding through the city. The lighting suggests early morning or late afternoon, with a soft glow on the buildings.

00:00:59:00
A person in business attire is walking into a spacious, modern office lobby. The lobby features a large reception desk in the centre, with several people visible in the background. The space is brightly lit with natural and artificial light, and there are tall windows and decorative plants.

00:01:00:00
A cityscape at sunset or sunrise, with golden light illuminating historic and modern buildings. The street below is busy with cars and traffic, and trees line the avenue. The architecture includes domed and towered structures, suggesting a location with a blend of old and new.

00:01:03:00
A vibrant urban scene filled with colourful billboards and signage. The image shows a busy intersection with many signs, including traffic signs and advertisements. The area is bustling, with a sense of energy and movement typical of a major city centre.

00:01:05:00
A view looking up at a modern glass building with the Barclays logo prominently displayed. A street sign for "W 49th St" is visible in the foreground, indicating the location is at the corner of West 49th Street. The sky is bright and clear.

00:01:06:00
People are ascending an escalator inside a building. At the top, a large sign reads "BARCLAYS CENTER" in illuminated letters. The setting is modern, with metal railings and a high ceiling.

00:01:08:00
A group of people are in a gymnasium or sports hall. One person, wearing a white basketball jersey with the number 1 and the word "BARCLAYS" on the back, is holding a basketball. Others are standing nearby, and the background shows blue walls and windows.

00:01:09:00
A panoramic view of a modern city skyline with distinctive architecture. The scene includes a large, curved building (possibly a hotel or convention centre) and a cluster of skyscrapers. The sky is bright blue with scattered clouds, and a river or body of water is visible in the foreground.

00:01:13:00
A wide-angle shot of a large, modern office building with a glass façade. The building is several stories high, and the scene is captured at dusk or dawn, with the sky transitioning from light to dark.

00:01:15:00
An interior view of a reception area for "barclaycard," a member of the Barclays Group. The reception desk is on the left, and two people are walking through the space. The area is well-lit, with a staircase leading to an upper floor and large windows letting in natural light.

00:01:17:00
A close-up of the "barclaycard" logo on a wall, with the text "a member of the BARCLAYS Group" underneath. The image is slightly overexposed, with light reflections creating a soft, glowing effect.

00:01:19:00
A dark blue background with subtle light effects.
On-screen text: “Today, change is constant”

00:01:20:00
A person wearing an apron is standing behind a counter, possibly in a café or shop. Another person is reaching out to make a payment using a card or device. The background includes shelves and equipment typical of a retail or hospitality setting.

00:01:23:00
A close-up of a computer screen showing a yellow button with the word "Search." A cursor in the shape of a hand is pointing to or clicking the button. The image is slightly pixelated, indicating a digital interface.

00:01:28:00
The interior of a modern car, viewed from the back seat. The dashboard and steering wheel are visible, and the car is driving along a road lined with trees. The central display screen is illuminated, and the scene suggests autonomous or hands-free driving.

00:01:30:00
A brightly lit factory floor filled with robotic arms and machinery. The robots are working on assembling vehicles or large components. The environment is industrial, with metal structures and overhead lighting.

00:01:34:00
A small drone is hovering in front of the entrance to a house. The drone is delivering a brown paper package, which is suspended beneath it. The house has white siding, a glass-panelled front door, and a brick wall section to the right. There is a neatly trimmed green bush next to the door.

00:01:41:00
A dark blue background with subtle light effects.
On-screen text: “We’re helping you discover new things”

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A person in a red and blue jacket is holding a contactless payment card up to a card reader on a public bus. The interior of the bus is visible, with yellow poles and red seats.

00:01:48:00
A dark blue background with subtle light effects.
On-screen text: “Teaching new skills”

00:01:53:00
Two people with grey hair are seated in front of a computer monitor. The monitor displays the Google homepage. The setting appears to be a classroom or computer lab, with a sign and the number 6 on the wall.

00:01:59:00
Two people are sitting together at a table. One is wearing a blue shirt with the Barclays logo and a lanyard, and is assisting the other person, who is using a laptop. The setting appears to be a casual, supportive learning environment.

00:02:08:00
A dark blue background with subtle light effects.
On-screen text: “The market stall to the capital markets”

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A dark blue background with subtle light effects.
On-screen text: “Your first job to your new career”

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A dark blue background with subtle light effects.
On-screen text: “Together we make this place stronger”

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Two people are standing in a colourful, open-top vehicle decorated with a rainbow design and the hashtag “#FreedomTo”. Both have their arms raised in celebration. The sky is blue with some clouds, and there are trees in the background.

00:02:33:00
A dark blue background with subtle light effects.
On-screen text: “From the fields and the farms”

00:02:39:00
A dark blue background with subtle light effects.
On-screen text: “The shops and the factories”

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A dark blue background with subtle light effects.
On-screen text: “And the cutting edge”

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A dark blue background with subtle light effects.
On-screen text: “From Big Ben”

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A panoramic view of a city skyline at dusk or night. The buildings are illuminated, and the tallest building has a pyramid-shaped top. The cityscape is dense, with many high-rise buildings.

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A dark blue background with subtle light effects.
On-screen text: “To the Big Apple”

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A city street scene with tall buildings. The building in the foreground has blue-tinted glass and is reflecting sunlight. The street is busy, and the sun is low in the sky, casting a warm glow.

00:03:00:00
A close-up of a building with the Barclays logo on the side. The sun is shining brightly, creating a lens flare effect. The building is surrounded by other tall structures, and the sky is clear.

00:03:03:00
A dark blue background with subtle light effects.
On-screen text: “And all over the world”

00:03:06:00
A tall, modern office building with a grid of windows is shown against a bright blue sky. The sun is high, and there is a lens flare effect in the upper left of the image.

00:03:11:00
Two people are sitting across from each other at a table in a modern office or café setting. Large windows behind them reveal an outdoor scene with trees and buildings in the distance. Both individuals have laptops open in front of them.

00:03:13:00
Four people are standing together on a bridge or elevated walkway, looking out towards the horizon. The sun is low in the sky, casting a warm glow and creating long shadows. The group appears to be enjoying the view together.

00:03:16:00
A person with long, wavy hair is standing indoors in a brightly lit, modern environment. The background is softly blurred, with hints of signage and people moving in the space.

00:03:19:00
Three people are seated in a modern lounge area with large windows. The city skyline is visible outside. The group is engaged in conversation, with one person gesturing as they speak.

00:03:22:00
A building with the Barclays logo on the roof is seen through a window. In the background, a tall skyscraper rises above the cityscape. The scene is softly lit, with a gentle haze.

00:03:31:00
An aerial view of a coastal city with a long pier extending into the sea. The beach runs parallel to a busy road lined with buildings. The lighting is warm, suggesting early morning or late afternoon.

00:03:31:10
A dark blue background with subtle light effects.
On-screen text: “Supporting our customers and clients”

00:03:33:00
A dark blue background with subtle light effects.
On-screen text: “Supporting our customers and clients
As we have done for centuries”

00:03:39:00
A white background with the Barclays logo and the text “home.barclays” displayed in blue. This is the closing frame of the video.

The Barclay connection

Barclays business can be traced back to two Quakers called John Freame and Thomas Gould, who established themselves as goldsmith bankers in Lombard Street in the City of London in 1690. Their business flourished, helped in no small part by its Quaker connections. They financed Quaker traders in the new colonies in America and the Caribbean, they helped to finance the Pennsylvania Land Company, and they were actively involved in Quaker-dominated companies like the London Lead Company and the Welsh Copper Company.

The latter produced silver as a by-product, which Freame and Gould sold to the Royal Mint. They were also the closest thing the Quakers had to an official banker, holding the Society Of Friends' central funds (known as the national stock). In 1695, this amounted to £1,100.

Beyond his bank, John Freame was a very well-respected and influential character. He served as clerk to the Yearly Meeting (the Quakers' annual gathering attended by local representatives from all over the country), and published a book called 'Scripture Instruction' which was used in Quaker schools. He also campaigned for greater toleration for the Quakers, achieving the right to make an affirmation rather than swear an oath, and the right to be prosecuted before magistrates rather than in the church courts.

The Barclay family

In 1728, Freame’s son, Joseph, became a partner in the bank, and John Freame began a gradual process of retirement. James Barclay joined the firm in 1733, having married Freame’s daughter, Sarah. James was the son of David Barclay by his first wife, Ann. Following the death of Ann, David Barclay married Freame’s elder daughter Priscilla in 1723. This rather complicated state of affairs meant that James Barclay's stepmother was also his sister-in-law, but is quite typical of the way the Quakers ran their lives and businesses. Family, religious and business ties were inextricably linked.

James Barclay had a strong business and Quaker background. His grandfather, Robert Barclay, was known as 'The Apologist' because he wrote a book explaining the Quakers' beliefs, entitled, 'Apology For The True Christian Divinity'

Although David Barclay Senior did not become a partner in the bank, his sons by his second wife (and, therefore, John Freame’s grandsons), David Barclay the younger and John Barclay did. By this time, the partners were amassing fortunes which may have seemed at odds with the Quaker principles of simple and plain living, but it is important to remember that a Quaker who went bankrupt was disowned by the Society.

While the fear of bankruptcy may have spurred the Barclays on to ever greater profitability, they still had not lost sight of other Quaker virtues. David Barclay the younger, who became a partner in the bank in 1776, was a very active Quaker.

A keen supporter of the emancipation campaigner Wiilliam Wilberforce, he used his influence to persuade other Quakers to take a stronger stand for the abolition of slavery. Later, David Barclay found himself the owner of a slave plantation in Jamaica in settlement of a debt. His decision to free the slaves and transport them to Philadelphia cost him £3,000.

Barclay was also well-respected in the wider community. A close friend of Benjamin Franklin, he attempted to mediate between the rebellious colonists in America and the British government in 1774 and 1775. He must have suspected the worst, however, because he had been redirecting his own business interests away from North America for some time. It would appear that even the span of the Atlantic Ocean could not disrupt Quaker business connections - the large number of Friends who settled in America made sure that their British cousins were kept well informed.

Beyond London

While banks in London were thriving, banking in the rest of England was only just beginning. One of the earliest 'country banks' in Barclays history is that established in 1744 by Samuel Alexander in Needham Market in Suffolk. Alexander was a Quaker merchant with interests in the iron and corn trade.

In what was to become a regular pattern in rural areas and market towns all over England, Alexander was perceived by his customers to be a trustworthy, reliable and relatively wealthy man, so they felt happy entrusting their money to his care. His faith undoubtedly played an important part in forming this opinion, and it also meant that he had access to the Friends' business network, so was able to call upon the Barclays to act as his London agent.

Alexander's went on to merge with Gurney’s, the biggest country bank to take part in the 1896 amalgamation. The Gurney business began with the Norwich and Norfolk bank, opened by Quaker brothers, John and Henry Gurney on 13 May 1775. They had made their money as worsted, linen and yarn merchants.

As banking became more profitable than cloth, their business expanded and they established partnerships in Great Yarmouth, Kings Lynn, Wisbech, Fakenham, Ipswich, Colchester and Halesworth. By 1838, the Gurneys were described as 'exercising an influence and a power inferior to that of no banking establishment in Great Britain - that of the Bank of England alone excepted'.

Like many successful Quakers, some of the Gurneys found it difficult to reconcile their faith with their wealth. Joseph John Gurney chose to become a ‘plain Friend’, dedicating his life to his bank, his religion and good causes. Like his sister, Elizabeth Fry, he campaigned for prison reform.

He also campaigned against slavery, and in 1837 went on a three year ministering tour of the West Indies and America, giving away one third of his share of the Bank's profits for the duration. He was a renowned Quaker author - his 1824 work, 'Observations on the Religious Peculiarities of the Society Of Friends'; was reprinted many times. His attitude is exemplified by his statement:

'I suppose my leading outward object in life may be said to be the bank. While I am a banker the bank must be attended to. It is obviously the religious duty of a trustee to so large an amount to be diligent in watching his trust.'

The Gurney name is also famous for its involvement in Overend, Gurney and Company, a firm of London bill brokers which failed spectacularly in 1866, prompting a financial crisis. Although members of the Gurney family were implicated and affected by the failure, the Gurneys’ East Anglian banks came through remarkably unscathed, due mainly to quick thinking and shrewd judgement by their Barclay cousins.

By injecting new capital and new partners into the Norwich Bank, they effectively distanced it from the bill broking business just one month before it crashed. While the very public failure of one Quaker business was highly regrettable, it had clearly been beyond saving, and ruthless action had been needed to prevent other businesses going down with Overend, Gurney and Company.

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 An historic Barclays building which represents the rich history of Barclays and indicative of the kind of historical facts you'll find at the Barclays Archive

Barclays Group Archives

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