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Workflow Guide
This guide goes over what workflow or what set up configuration you need to pick per format as in media format i.g VHS, Betamax, LaserDisc etc.
This gives you a single source reference guide to know what device to pick for what applicational use.
Now to be noted here at the start, post-production and the decode side of things, is pretty unified across formats however formats like LaserDisc can have extra information like digital EFM audio streams.
Please read the Acronyms Guide & Hardware Installation Guide to get a grasp of terminology and see visual breakdowns of setting up RF taps and amplifiers for getting your signals ready for RF capturing.
- LaserDisc
- Video8
- Hi8
- Betamax NTSC (HiFi)
Formats such as Betamax (HiFi NTSC models) / Video8 / Hi8 / LaserDisc are true single channel formats everything is on a single FM signal with different carriers.
This means 1 single ADC channel of capture is required for all FM HiFi audio and video signals, but you may also want to capture audio with a reference capture (via legacy hardware) or in-sync to ensure your not dependent on just the output of hifi-decode for tapes with linear tracks as a fallback (duplicate of hifi track content) for example.
Some Hi8 tapes can have PCM audio, this like it's RCTC data is only directly extractable with Digital8 (DV25 Stream) FireWire transfers currently see the Sony 8mm Formats page for more information..
These have a single modulated FM channel which is video, but they only have Linear (baseband) audio, which is captured from the VCR as baseband or better known as line-level, unbalenced RCA output for consumer/prosumer and balanced XLR for broadcast grade decks.
- VHS (Linear Audio Only - Mostly Pre 1990s)
- Betamax (Linear Audio Only)
- N1500
- N1700
- Video2000
- EIAJ
- SMPTE A/B/C
- 2" Quad (Quaduplex)
- U-Matic
Formats such as older EIAJ, Betamax/VHS, 1970s to 1990s non-hifi camcorders and decks will only have Linear mono or Linear stereo if higher end.
Pro formats U-Matic / Betacam and 2" Quad to SMPTE 1" Type A/B/C only had Linear stereo/mono audio tracks for sound and timecode, however later formats like BetaCam SP implemented HiFi FM channels but was rarely used due to editing with Linear audio being more practical but upto 4ch recording was possible.
This also apply's to direct CVBS or Composite RAW captures from camaras, you will normally have a Mono or Stereo channels for microphone feeds.
- VHS (HiFi)
- Betamax (HiFi)
These are formats such as VHS & Beta HiFi which have 2 physically separate paths (thus 2x RF Tap points) for Audio HiFi FM and Video FM signals, alongside the potential for 1-2 channels of Linear audio.
This requires multiple channels with the same capture clock source and timing trigger for start and stop to have accurate post synchronisation.
- Betacam
- Betacam SP
- W-VHS
These are formats such as (but not limited to) BetaCam, BetaCam SP, W-VHS these physically record a dedicated channel for Y or Luma and C or Chroma signals, and have 2 dedicated test points so require 2 dedicated ADC channels for just video capture
In the case of BetaCam SP with AFM or FM stereo audio tapes, a 3rd ADC is required alongside 2 standard audio grade ADC channels for the baseband linear audio. (such as the PCM1802 on the Clockgen or MISRC v2.5)
| Device | Image | Interface | Impedance | Type of Capture Ability |
|---|---|---|---|---|
| DomesDayDuplicator (DdD) | ![]() |
USB 3.0 | 50Ohm | Single Channel - LaserDisc Focused |
| CX Card | ![]() |
PCIe 1x | 75Ohm | Single Channel - Tape Focused |
| CX Card + Clockgen Mod | ![]() |
1~2x PCIe 1x | 75Ohm | Multi Channel + Audio & Headswitch |
| RTLSDR | ![]() |
USB 2.0 | 50Ohm | Single Channel - HiFi FM Only |
| MISRC V1.5/V1.5a | ![]() |
USB 3.0 | 50/75Ohm | Duel Channel |
| MISRC V2.5 | ![]() |
USB 3.0 | 50/75Ohm | Duel Channel with 4ch Audio |
Note
The termination or impedance values are for note of use with ADA4867 amplifiers. The MISRC has selective 50/75Ohm via DIP switches.
| Operating System | DdD Support | CX Card Support | RTLSDR Support | MISRC Support (Hasdoh) |
|---|---|---|---|---|
| Microsoft Windows | Yes (10/11) | Yes (10/11) | Yes (10/11) | Yes (10/11) |
| Apple MacOS | Yes | No | Yes | Yes |
| Apple MacOS ARM | Yes | No | Yes | Yes |
| Linux | Yes | Yes | Yes | Yes |
| Linux Arm | ?* | Yes* | Yes | Yes |
Note
*MISRC Requires testing on Linux Arm platforms. *CX Cards are only properly tested on the Pi5 for ARM *DdD application has not been build tested for Linux Arm.
Note
16.02.2025 - CX Cards Clockgen mod is "out of box" ready for the FLAC 1.5.0 multi-threading update.
| Media RF Type | DdD Support | CX Card Support | RTLSDR Support | MISRC Support | Hasdoh Support |
|---|---|---|---|---|---|
| Video FM RF | Yes | Yes | No | Yes | Yes |
| HiFi FM RF | Yes | Yes | Yes | Yes | Yes |
| CVBS RF | No | Yes* | No | Yes | Yes |
| S-Video RF | No | Yes* (clockgen) | No | Yes | Yes |
Note
*CX Cards support CVBS capture with sixdb off and level set to 0, this is ideal for standard capture with an external amplifier also.
Caution
The RTLSDR does not have enough bandwidth for FM video, and is only useful for HiFi RF.
Caution
The DomesDayDuplicator Rev 3, does not have the correct filtering for CVBS.
- FAQ - Frequently Asked Questions
- Diagram Breakdowns
- Visual-Comparisons
- VCR Reports / RF Tap Examples
- Download & Contribute Data
- Speed Testing
- Capture Setup Guide
- MISRC
- CX Cards & CXADC
- CX Cards - Clockgen Mod
- DdD - Domesday Duplicator
- RTL-SDR
- Hardware Installation Guide
- Finding RF Tap Locations
- Amplifier Setup Guide
- The Tap List Example VCR's
- Visual VBI Data Guide
- Closed Captioning
- Teletext
- WSS Wide - Screen Signalling
- VITC Timecode
- VITS Signals
- XDS Data (PBS)
- Video ID IEC 61880
- Auto Audio Align
- Vapoursynth TBC Median Stacking Guide
- Ruxpin-Decode & TV Teddy Tapes
- Tony's GNU Radio For Dummies Guide
- Tony's GNU Radio Scripts
- DomesDay Duplicator Utilities
- ld-decode Utilities




