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‘Avatar: Fire And Ash’ Review: James Cameron’s Thrilling Third Trip To The Pandora Universe Is A War Epic For The Ages
The original 2009 Avatar sits on top of the box office heap having made $2.9 billion, nominated for 10 Oscars including Best Picture and winning three. It took 13 years to get the second edition, 2022’s Avatar: The Way of Water, but that gap was barely…
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By Pete Hammond
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3 Comments Comment on ‘Avatar: Fire And Ash’ Review: James Cameron’s Thrilling Third Trip To The Pandora Universe Is A War Epic For The Ages
‘Warfare’ Review: Alex Garland’s Iraq War Film Is Full Of Bombastic Aestheticism That Leaves You Feeling Empty
The legendary Iranian filmmaker Abbas Kiarostami once wryly remarked that he prefers "the films that put their audience to sleep in the theater." Frequently taken out of context, Kiarostami's statement was part of a larger rant against what he saw as a certain scourge in Western filmmaking, that of…
‘Zero Day’ TV Review: Robert De Niro’s Netflix Political Thriller Fights To Make America Function Again
"When is the last time the country was able to solve any of its problems?" ambitious congresswoman Alexandra Mullen (Lizzy Caplan) screams at her father and former POTUS George Mullen (Robert De Niro) in Netflix's just-launched Zero Day.
It is a fair question for the six-episode political…
Deadline’s Best International Films Of 2024
As 2024 draws to a close, Deadline's film critics have each chosen their Top 3 international movies of the year. A trio of those selected recently made the International Feature Oscar shortlist — though not all titles below were put forth by their country of origin.
Overall, as Deadline's Awards…
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‘Dune: Part Two’ First Reactions: Rave Reviews Topped By Critic Who Claims, “It’s The Definitive Sci-Fi Epic Of A Generation”
Dune: Part Two is off to a great start with critics, who are foaming at the mouth in their attempt to describe how awesome it is.
Directed by Denis Villeneuve, the film continues the saga of Paul Atreides (Timothée Chalamet) as he joins forces with the Fremen to battle the Harkonnen empire…
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By Bruce Haring
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Deadline’s Top International Films Of 2023
As 2023 draws to a close, Deadline's film critics have each chosen their top three movies of the year to hail from abroad. Some were festival world premieres, some have made the International Feature Oscar shortlist — and some have not (not all were put forth by their country of origin…
‘Io Capitano’ Review: A Gritty, Heartbreaking Study Of Migrant Dreams From Italy’s Matteo Garrone – Venice Film Festival
Even if the critical reactions have been mixed, Italian films have proven much stronger than usual at this year's Venice Film Festival, with a notable resurgence of genre filmmaking in the likes of Adagio and Enea. Ironically, Matteo Garrone, the one…
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By Damon Wise
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‘The Hypnosis’ Review: Norwegian Satire Skewers Start-Up Culture – Karlovy Vary Int’l Film Festival
Norwegian cinema has been enjoying a moment lately, what with Joachim Trier's crowdpleasing The Worst Person in the World pulling up to Drive My Car in the Oscar race and Kristoffer Borgli's Sick of Me carving out a rep on the festival circuit. The Hypnosis, Ernst de Geer's feature debut, sits…
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By Damon Wise
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Sundance Review: Vuk Lungulov-Klotz’s Remarkable Trans Drama ‘Mutt’
Although trans rights are now the subject of a simmering culture war in America and the UK, that conflict is largely predicated on the increasing visibility of trans women at a time where self-ID is controversially becoming the norm. Stories of trans men, however, tend to go under the radar, and this…
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By Damon Wise
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Sundance Review: Kitchen-Sink Whimsy In Charlotte Regan’s ‘Scrapper’
The cost of living crisis has hit the U.K. hard, but you wouldn't guess from the trio of films screening in the official selection at Sundance. Rye Lane, in Premieres, is a goofy love story set in south London; Girl, in World Dramatic, is a tender parent-child drama set in Glasgow; and Scrapper, also…
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By Damon Wise
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Sundance Review: Andrew Bowser’s ‘Onyx The Fortuitous And The Talisman Of Souls’
Genre comedies are a mixed bag, and for every cult gem like 2010's Tucker and Dale vs. Evil, the Sundance Midnight strand has been known to throw in a bomb or two. In its opening moments, Andrew Bowser's fourth feature threatens to be such a write-off, with achingly broad comic strokes and jokes that…
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By Damon Wise
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Sundance Review: The Weird World Of Eddie Alcazar’s ‘Divinity’
There's a certain type of dystopian sci-fi that turns up in Sundance every few years, a kind of 'EPCOT on acid' that causes a big ripple then rapidly fades away (see Escape From Tomorrow, a paranoid conspiracy thriller shot, guerrilla-style, in Disneyworld). Divinity, screening in the Next section…
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By Damon Wise
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