As a music fan, I'm always interested in seeing what the old foggies at the Grammy Awards are including in their annual nominee list. This year, I find my jaw-dropping by some of their selections:
1. M.I.A.'s "Paper Planes" nominated for record of the year. This is the kind of thing that everyone believes should happen, but never actually does. I'm totally shocked. Also, the Jay-Z and T.I. collaboration "Swagga Like Us" (which samples "Paper Planes") is also nominated twice.
2. Hot Chip's "Ready For The Floor" nominated best dance recording (along with Madonna, Rihanna, Daft Punk and ... Lady Gaga???). Sam Sparro is also in there, but I never warmed up to him.
3. Robyn's self-titled album nominated for best electronic/dance album. If she wins this, what a triumph. Kylie Minogue's X is in there too, but that album was definitely hit/miss for me.
Grammy stalwarts like Beck, Radiohead and Coldplay are all nominated. And who is this Adele? I have never heard this "Chasing Pavements" song. In any case, it's not a perfect list but I'm rather impressed that Grammy voters are being slightly more progressive about their choices.
I got the recession special two weeks ago when I joined my new gym in NYC. They not only honored my SF rate, but they gave me loads of benefits. Perfect!
The past few months had me losing lots of weight, much to my horror. The skinny jeans Williamsburg hipster thing is not my aesthetic at all. So I'm trying more weight training.
I'm sharing a mix I've been listening to on my iPod using 8tracks, this new 8-song online mix maker. It's definitely in its prototype stages, as I found a whole handful of frustrations just by trying to make a simple mix. But the builders have been very proactive about addressing my issues.
From Morrissey and M.I.A. to dance mixes from Fabric and DJ Kicks, I’ve often found myself forgetting the entire mix and focusing on just one or two songs that quickly grab my attention.
Santogold’s collaboration with Diplo on Top Ranking has a few of these moments, but the stand-out track for me has to be Trouble Andrew’s “Run - Hide.”
When this came on after the laugh-inducing skit with Mark Ronson, I literally stopped everything I was doing and wondered what artist I was listening to. “Run - Hide” is a drowsy, lo-fi electro hit.
It immediately reminded me of the more pop leanings of the hyped Berlin labels of the early 00’s, yet with a more fresh, hip-hop edge.
It starts off with creepy organs, then Diplo’s beats kicks in and we get the smooth chorus and the crisp, vintage synths. Everything about it is outstanding.
After listening to Trouble Andrew’s less interesting songs on his MySpace, I truly believe Diplo must have worked wonders to produce this track. Complete kudos to him, but also to Trouble Andrew for his great vocal delivery and overall sex appeal.
This track is available as a free download on Trouble Andrew’s MySpace, so please go there and have a listen.
Listening to "Shove It" on Santogold's new album, I am taken back to 2005 when a lot of music fans had an investment in grime and British hip-hop, thinking it would breakthrough to American audiences in no time. I was definitely a believer, completely fascinated by everything I heard from Dizzee Rascal, Kano, Wiley, Lady Sovereign and all the young MC's on Run The Road.
Santogold is from New York, but Switch, a remixer and producer of the track, is British although I don't think he has any ties to the grime scene (M.I.A. is not considered a grime artist). "Shove It" has an East London dub sound that makes you smell the doner kebabs and see the track suits and trainers. I know she's really singing about the pride of poor creatives in NYC, but it drives my imagination. The song overall reminds me of Riko and Target's "Chosen One" from Run The Road.
Spank Rock makes an appearance on the track and for once, he keeps his rhymes relatively clean. He changes his flow on here as well, and I had to check the liner notes to make sure it was him.
Listening to Madonna's Hard Candy where she finally delivers on the promise of a completely disco, dance pop album that Confessions On a Dance Floor was supposed to be, I wonder what the queen of pop could have done by filtering the East London sound.
Hard Candy 's got the beep-beep's and whistles from Donna Summer's "Bad Girl", sweeping strings and lots of funky bass. I'm a fan of "Heartbeat," "Miles Away," and "Beat Goes On," especially when Kanye sings the pre-chorus after doing his rap. "Incredible" brings back her debut album singing voice.
After over a week of listening, I realize Hard Candy doesn't have the return listens of Confessions, the album with "Get Together," one of my favorite Madonna songs of all time. I understand her motives for making the album, but I'm not satisfied.
Kali Arulpragasam is M.I.A.'s very talented sister who designs jewelry under her brand Super Fertile.
Her summer collection depicts the cultural bright spots of countries currently affected by war and terrorism.
The New York Times did a brief about her jewelry this past weekend. You can see more of her excellent work at the Super Fertile website, including better close ups and more countries.
I was hoping for a necklace of Iran, but didn't see one. I totally dig the Iraqi muscle men earrings.
These pieces are so lovely. They remind me of vintage children's encyclopedias. They're priced from $800.
Panda Bear Person Pitch Astonishingly beautiful. Never mind 2007, Person Pitch will go in the history books as one of the best albums of the 00's. My absolute favorite part of this record is in "Bros" from 7:59 to 8:58. This album for me defines the incredible year that I had (a rebound from a fairly awful 2006).
Sally Shapiro Disco Romance I didn't even know italo disco was a genre until hearing this album. Beautiful synth washes, simple pop compositions and a mysterious, soft-spoken singer. I love every minute of this Disco Romance. Also, producer/songwriter Johan Agebjorn has introduced me to a handful of artists through his musical inspirations.
M.I.A. Kala Even I was surprised how much I ended up listening to this album, especially after disliking the prep singles, "Bird Flu" and "Boyz." M.I.A. is one of the few artists with views on globalization, imperialism and poverty that people are listening to. She's a complete treasure. "Hustle," "Paper Planes" and "Roadrunner" are my favorite tracks.
Jens Lekman Night Falls of Kortedala I have a deep appreciation for storytellers, especially when they have touches of humor and sadness in their stories. This is one of the very Iranian things about me. Jens has this quality, and also a really great ear for sampling and arranging. Musically, the album veers from tropical disco to traditional folk. He's sensitive and funny and never too precious.
Simian Mobile Disco Attack Decay Sustain Release An amazing dance album with its gloopy, sci-fi hip-hop electronics. While Daft Punk and bands like Justice weigh heavy on many minds, the music from this British duo is what I will remember from 2007. Although A-Trak's "Hustlin' Hustler" is my definitive version of "Hustler," the rest of the tracks are mighty fine without any remix treatment.
Of Montreal Hissing Fauna, Are You The Destroyer? My jaw just about dropped when I first heard this album. I can't believe this is the same band that used to sing about P.P. Icycles and Lamar. It's almost a psychedelic experience to hear Kevin Barnes becoming so painfully honest. "She's A Rejector" is my favorite.
Britney Spears Blackout I'm not even shitting you. I really liked this album. "Break The Ice" is one of my favorite songs of the year. Great production, completely upbeat all the way through and still pretty sexy. Most people hock shit albums, but for once a mega star has a hot album that's not being shoved down our throats. What is wrong with the world today?
Patrick Wolf The Magic Position The latest in a long line of great British eccentrics. This album has a whole lot of a drama and even more fun. I think it's Patrick's voice and his strange, uncomplicated productions that keep me coming back. He's very talented and there are some beautiful songs here.
Kanye West Graduation Although I really liked this album, I was surprised by the amount of laid back, mellow jams. I thought the whole album would innovations like "Stronger." Still, songs like "Good Life" and "Flashing Lights" didn't let me down. I also count "Can't Tell Me Nothing," Kanye's mix tape, as part of this favorites deal.
LCD Soundsystem Sound of Silver This album took a very long time to warm up to me. I thought it was too masculine -- I just didn't get excited about it like the last album. Soon enough, "Get Innocuous!", "Someone Great," became increasingly infectious. I still really dislike "North American Scum." Must be big with the foreign contingent.
Overall, kinda of a weird list for a weird year. The first 6 or 7 albums were easy for me to decide. The last few were a challenge, only because I wondered if I bought enough new music this year. Then I looked at my collection, and saw albums from Animal Collective, Caribou, Arcade Fire, The Shins, Modest Mouse, Devendra Banhart, The White Stripes, Interpol, Bloc Party, Dizzee Rascal, Bjork, Chromeo, Maximo Park .. all bands I cherish. I could easily name 2-3 songs off each one that I really enjoyed, but not a favorite as a whole.
Also, this is my list of my favorite collection/mix tape/remix albums.
1. Ce Soir, On Danse, Chromeo Incredible mix. Introduced me to "Put The Freeze On", early 80's space disco/R&B and some sweet soul jams.
2. We Go All Night Long + Crying on the Dancefloor, Johan Agebjorn Amazing italo disco mixes. Introduced me to Mr. Flagio's "Take a Chance" and Nicolas Makelberge's "Dying in Africa." You can download them here and here.
3. Dirty South Dance, A-Trak Kanye's DJ and Kid Sister's partner in crime came up with the hottest dance mix. The word "mash up" makes me vomit, but when A-Trak mixes Kavinsky and M.I.A., or Gwen Stefani and LCD Soundsystem, it's a whole different ballgame.
4. I Like Turtles, Diplo Also known as the free mix he did for Pitchfork (although no longer available). This is the mix I would play walking to the gym on Saturday mornings. A great way to start the day .. lots of hot beats on this. I think Diplo is a great producer.
5. Fabric Live 33, Spank Rock An sensitive mix of old school jams and new dance from a band obsessed with sex. This mix was fresh to my ears when it first came out, and introduced me to Simian Mobile Disco, Uffie, Bonde Do Role and Para One.
Animal Collective member Panda Bear'sPerson Pitch album has been one of my top listens this year. A filmmaker named Mike (I couldn't find his last name) documented his three only shows in the U.S. earlier this year, and put them on a DVD called People Party. At first, the DVD was unbelievably offered for free. Naturally, the popularity of the deal got way out of hand, and now you can pay a measly $5 for a multimedia experience. I went for the $13 package, which comes with recordings of all live shows. You can learn more about it here.
I purchased a ticket today to see Animal Collective on Sept. 17 at The Fillmore. They're one of my favorite bands, and I've loved their live shows. I'm really looking forward to the new album.
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I know I write a lot about M.I.A. She has an album coming out in a few weeks and I just really admire her. She has a new video for "Jimmy," which is a re-imagining of a disco song from a Bollywood film called Disco Dancer.
The music has sweeping Euro disco strings, and a melody a bit like ABBA's "Gimmie Gimmie Gimmie." The whole video production brings to mind the music videos I grew up watching on Nima TV on Sunday afternoons. This song has massive remix potential.
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Sunday's travel section of the New York Times did a feature on my neighborhood. They call it the NOPA district, which still bothers me -- it will always just be "the panhandle." It's kinda strange to see everything all mapped out. Where I live feels like home, and not "a kind of cultural bridge between hippie Haight Street and the rest of the city." The round-up of stores around Divisadero is fairly accurate, except for a few cringe-worthy moments: on Cookin' Recycled: "a glorified antiques store that is just outside Nopa (but with a Nopa feel)."
It's completely ridiculous that they didn't mention Club Waziema. Maybe because the Times thought it was in Nopa (but without a Nopa feel)?
This Saturday was my third time seeing M.I.A. The Rickshaw Stop is a tiny venue, especially after seeing her at the Independent, and the slightly larger Grand Regency a year or so ago.
1. After this show, I'm slightly more excited about her new album Kala. The songs and videos floating around right now, "Boys," "XR2" and "Bird Flu," haven't impressed me. A little too tribal for my liking. But the new songs she played live were really incredible. I liked the first of the batch, and this one big pop/club track that sounded like a companion piece to "10 Dollar."
2. She looked a bit more focused and serious. There wasn't that fun, crazy, neon explosion of the first album promo tour. Maybe it's because she's testing out the new material for a bigger tour? Maybe it's her shorter hair cut? Or the "DARFUR" t-shirt, or the military headwear? She's becoming a pop star .. and sticking to her guns, so to speak. It's very exciting to see.
3. The show was very loud. My ears are still ringing, and I truly regret not bringing plugs. I had a similarly loud experience when I saw Clinic earlier in the year. Apparently, I didn't learn my lesson.
4. She was more on-time than usual. The show started at 9 p.m. and she was on by 11:30 (one opener, and a bunch of DJs). This was better than the last few shows when she was late, played short sets and pissed off a lot of people. She's been in SF since Thursday I think (she DJ'd at Popscene that night, and played a record store show earlier on Saturday .. both of which I missed). However, I read she was 3 hours late (!) at a show in Brooklyn earlier this week.
5. The audience didn't seem that into it. Lots of random people. LOTS of people taking photographs. I know she's incredibly photogenic .. but it was non-stop. It took me no time to find the photo above from last night's show on Flickr (which I very much appreciated).
Overall, I had a good time. I hope the ringing in my ear will stop. Next up: Clipse in September. Hip-hop shows are always hit or miss for me -- the audience has really gotta be there. This should be a cool show.
Kavinsky died in 1986 when his Ferrari mysteriously went over a cliff. Twenty years later, he's back as a zombie ready to get revenge. That's the story as so far.
If you played arcade games in the 80's, this French artist mimics a lot of the noir-ish theme songs of those favorites. There's a nightmarish, L.A. apocalypse quality to his sound. These days, Kavinsky takes advantage of better technology; the bass is thicker, the beats are bigger.
The reviews have not been very generous to Kavinsky, I think mostly because his music might appear to be so overtly referential. But I like it. It reminds me of being 10, a time when wearing big sunglasses and getting to the next video game round at the Round Table Pizza arcade made me feel instantly cool.
The NY Times ran an article two weekends ago about how the new school of French electronic music has more in common with fist-pumping rock than ambient music for "genteel soundtracks" and "design-conscious restaurants." They cite Daft Punk as the forefathers of this revival, which I agree with. Although I haven't seen him perform live (he's actually on tour with Daft Punk right now), Kavinsky uses the Daft Punk image/sound/performance template to produce an interesting backstory.
Other bands in this French revival include Justice, who I haven't really gotten into. "D.A.N.C.E." got old really fast for me, and I haven't liked any of their remixes. I'm hoping their album will have some good surprises. There's also Simian Mobile Disco, who I've enjoyed a lot of their remixes, but haven't heard much of their own music.
My favorite Kavinsky track is this incredible bootleg remix by A-Trak. It's got police sirens, Scarface samples and M.I.A.'s vocals from "XR2." It's perfect. Talking about being 10 years old, Scarface totally reminds me of my uncle, who's "hey mang" I can still hear. Pacino might have been Cuban in the film, but he was definitely Iranian to all the mafioso-wannabee Iranians. I guess that's why "The World Is Yours" is still inspiring to so many minorities.
Kavinsky's EPs appear to be out of print, but you can buy them on iTunes here. Also, I just purchased the "Kavinsky vs. M.I.A." remix from A-Trak "Dirty South Dance" bootleg. You can buy it here.
I joined a gym last October, which was sort of a big deal for me. Oh the anxieties .. body identity, looking puny to all the regulars, not knowing how to use the machines, and on and on. But I still felt it was good time to start living healthy.
I started simple with cardio, and then weightlifting, and then organizing some schedule between both. I guess the motivation at the beginning was 75% cosmetic, 25% health, but now it's become such a routine, I don't really have a focused goal. Overall, it's had a good effect on my well-being.
When I began, I didn't know how to integrate music into the gym lifestyle. I didn't want to burn calories listening to awful house music on my iPod like most folks at my gym.
It's interesting -- they say the iPod has changed the way people listen to music, but I think going to the gym has changed the way I listen to music more than the device itself.
At first I didn't bring my iPod because I didn't mind what the gym sound system was playing. From Kelis's "Bossy" to Bloc Party's "Banquet," it was all good .. except for Neneh Cherry's "Buffalo Stance," which they still play as some sort of hip nostalgic radio staple.
After about two or three weeks, I realized the same songs were playing again and again, and I guessed this had something to do with music licensing. That's when I started to bring my iPod.
For a good 20 minute run on the treadmill, I started with some pop music. I had a period of running to Beyonce's B'Day , and then for a good 2 months to Justin Timberlake's FutureSex/LoveSounds. More recently, it was Of Montreal's Hissing Fauna, Are You The Destroyer? and Clipse's Hell Hath No Fury. With the Of Montreal album, nothing is quite as encouraging as Kevin Barnes singing "I'm in a crisis" on "Heimdalsgate Like a Promethean Curse."
For high-speed runs in the 10-15 minute range, I have a special playlist. It's usually very remix-oriented and dance friendly. Sometime it can be a little outrageous, sometimes it makes me laugh, but I never allow it to be monotonous.
It's usually music from various blogs that are introducing new artists and act as a taste-tester if I want to checkout the album when it comes out or buy it if it's already out.
Here are some of my recent favorites (not in sequential order):
Cut Copy, "Hearts on Fire (Joakim Remix)" (via iPop) This remix takes me on the Star Trac treadmill from 4.0 to 6.8 to 7.5 in a matter of minutes. I know I said I don't really do the house thing, but this has so many familiar melodic elements. Cut Copy have a FabricLive album coming out, which I will definitely check out. Hear the original "Hearts on Fire" on their MySpace.
Kid Sister, "Damn Girl" (via Pitchforkmedia) Holy Moses! She's cute, has a sassy Chicago accent and uses "percolate" like some common verb. The Too $hort sample from "Bossy" is simply effortless, and I love the swift production. I heard "Control" on her MySpace site -- I'm getting this shit on vinyl, but you can also find it oniTunes. I'll be writing more about her soon.
M.I.A., "Bird Flu (Diplo Remix)" (via I Guess I'm Floating) To be honest, "Bird Flu" kind of creeped me out when I first saw the video. This Diplo remix transforms it from its voodoo weirdness to a sacrificial singalong to King Kong.
Rihanna, "Lemme Get That" (via FluxBlog) Should I buy her album? This song is really hot, but I still haven't been able to understand Rihanna's appeal. She just looks and sounds so young and her star status seems so forced. I'm not a fan of "Umbrella." If the next single is good, I'll check it out.
There's about a dozen more. I figure I can report new favorites in a few weeks. Ultimately, going to the gym has had a great impact on my appreciation for the remix or dance single. Never before would I have actively hunted for hot tracks for the sole purpose of staying fit. Cardio days have become the days I look forward to. They're my run-to-the-beat days. Whatever works, I guess.
Spank Rock makes an appearance on the track and for once, he keeps his rhymes relatively clean. He changes his flow on here as well, and I had to check the liner notes to make sure it was him.
My favorite Kavinsky track is this incredible 
It's interesting -- they say the iPod has changed the way people listen to music, but I think going to the gym has changed the way I listen to music more than the device itself.
For a good 20 minute run on the treadmill, I started with some pop music. I had a period of running to Beyonce's 
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