Looking Back at “Puss Gets the Boot”
A salute to the beginnings of Tom & Jerry.
A salute to the beginnings of Tom & Jerry.
The third part of Thad’s look at the Tom & Jerry blu-ray set.
A look at a Hollywood legend’s imaginative immersions into live-action and animated filmmaking with Bill Hanna and Joe Barbera.
An idea so obvious it’s surprising Warners hadn’t already done this years ago.
After MGM closed their home grown animation department, they chose Gene Deitch, and later Chuck Jones, to keep Tom & Jerry alive on the big screen.
Fred Quimby departed from the reins, and Hanna and Barbera were forced to take over production on much tighter budgets.
The MGM cartoon division’s response to television was mostly derisive. Scott Bradley was now more willing to mine the classics – via the public domain.
The early 50s saw Scott Bradley increasingly writing his own scores, and not incorporating MGM’s own published songs.
I have attached the most representative images of Avery’s output to some of Poe’s best-remembered sentences. The results speak for itself.
MGM’s cartoon unit was humming during this period – including continuing to use tunes from various MGM musicals.
