Showing posts with label Composer. Show all posts
Showing posts with label Composer. Show all posts

Thursday, November 3, 2011

Kelly Hall-Tompkins & Bridget Kibbey in 'three short duos for violin and harp' of Jeffrey Mumford Nov. 13, 4 pm


[Jeffrey Mumford, Kelly Hall-Tompkins]

Composer Jeffrey Mumford (b. 1955) was born in Washington, D.C. His prolific composing has led to numerous awards and commissions. Mumford's works have been widely performed in the U.S. and abroad. His composition three short duos for violin & harp will be performed by Kelly Hall-Tompkins, violin, and Bridget Kibbey, harp, on Sunday, November 13, 2011 at the Phillips Collection, a prominent art museum in Washington, D.C.

"Encounter superb works of modern art in an intimate setting at The Phillips Collection, an internationally recognized museum in Washington's vibrant Dupont Circle neighborhood."

Program
Kelly Hall-Tompkins, violin
Bridget Kibbey, harp
November 13, 2011 at 4 pm
Jeffrey Mumford (b. 1955)
three short duos for violin & harp

Sebastian Currier (b.1959)
Night Time
Dusk
Sleepless
Vespers
Nightwind
Starlight

Ástor Piazzolla (1921-1992)
History of the Tango

Camille Saint-Saëns (1835-1921)
Fantasie for violin and harp, Op.124

Kelly Hall-Tompkins is one of New York City’s most in-demand violinists, with a career that spans solo, chamber, and orchestral performance. In 2002 she released her debut CD recording. Hall-Tompkins released her second CD, In My Own Voice, in 2008 and was subsequently presented by Barnes and Noble Lincoln Triangle in New York and in Orlando, Florida. Her live performance broadcasts include Chicago on WFMT’s Jewel Box Series, New York and worldwide on New York City’s WNYC and BBC, and historic Trinity Church at Wall Street. She has performed at Bargemusic, live on WNYC’s Soundcheck, and at Raleigh Chamber Music Guild. Her performances in recital have been featured on several occasions on the McGraw-Hill Young Artist Showcase, broadcast in New York by WQXR.

Hall-Tompkins has been a soloist with the Dallas, Western Piedmont, Greenville, Monmouth, and Atlantic University orchestras, as well as the Chamber Orchestra of New York, the Gateways Festival Orchestra, and the Festival of the Atlantic Orchestra. In the winter of 2007, she was invited by actress Mia Farrow and conductor George Matthew to be a soloist in Carnegie Hall for a benefit for the victims of Darfur. On stage behind her was an orchestra comprised of musicians from every major orchestra in the world.

Hall-Tompkins’s distinguished orchestral career has included extensive touring in the United States and internationally with the renowned Orpheus Chamber Orchestra, including performances in Carnegie Hall, Lincoln Center, Japan, Singapore, Scotland and a recording with countertenor Andreas Scholl. She has also performed over 150 performances as a substitute with the New York Philharmonic, under conductors including Kurt Masur, Leonard Slatkin, Andre Previn, Charles Dutoit, and Valery Gergiev. In 2007, she became the concertmaster of the Chamber Orchestra of New York, which performed its debut concert in Carnegie’s Zankel Hall that fall with Hall-Tompkins as soloist.

A native of Greenville, South Carolina, Hall-Tompkins began her violin studies at age nine. She earned a bachelor of music degree with honors in violin performance and a minor in French from the Eastman School of Music, where she studied with Charles Castleman. While at Eastman she won the school’s prestigious Performer’s Certificate Competition and several scholarship awards from the New York Philharmonic and was invited to perform chamber music in the school’s Kilbourn concert series with members of the faculty. She earned a master’s degree from the Manhattan School of Music under the mentorship of Glenn Dicterow, concertmaster of the New York Philharmonic. While there, she was concertmaster of both school orchestras. Hall-Tompkins studies and speaks seven languages in conjunction with her active international performance career. She lives in New York City with her husband Joe and their dog Billy.

Wednesday, November 2, 2011

'Hopefully, through your efforts the works of these composers will become more accessible'

[Cleophas R.E. Adderley]

On Oct. 31, 2011 AfriClassical posted a comment of the music of Cleophas R.E. Adderley, a composer in The Bahamas: Michael S. Wright: “I was most impressed with the excerpt from 'Sanctus' in ‘Missa Caribe.’” Cleophas R.E. Adderley has responded:

“Dear Mr.Zick,
Your blog is amazing for the breadth and depth of information it gives on a subject matter that is seldom covered and is difficult to research, viz. art music of peoples of the African diaspora. I feel so privileged that you refer to some of my contributions on your site. Hopefully, through your efforts the works of these composers will become more accessible as publishers and performers become more aware and interested.
Best wishes,
Cleophas R.E. Adderley”

Monday, July 25, 2011

'Divertimento Notte blu (for String Orchestra and friends)' of Renée Baker Performed by Chicago Sinfonietta May 22 & 23

[Renée Baker Conducting]

Today AfriClassical received a press release concerning the role of Renée Baker, composer and conductor of Divertimento Notte blu (for String Orchestra and friends), in the Women in Classical Music concert of the Chicago Sinfonietta on May 22 & 23, 2011. An article published in Chicago.BroadwayWorld.com on April 20, 2011 and a review of the concert in the blog ChicagoClassicalMusic.org were also received. We present excerpts from all three:

CHICAGO SINFONIETTA TO PERFORM WORLD PREMIERE COMPOSITION BY RENÉE BAKER
Divertimento Notte blu (for String Orchestra and friends) will be conducted by Mei-Ann Chen as part of Sinfonietta’s Women in Classical Music concert May 22 & 23, 2011

CHICAGO – Divertimento Notte blu (for String Orchestra and friends), composed by Renée Baker, will receive its World Premiere in two Chicago Sinfonietta concerts, Sunday, May 22 at 2:30 pm at Lund Auditorium of Dominican University, 7900 W. Division Street in River Forest, and Monday, May 23 at 7:30 pm at Orchestra Hall of Symphony Center, 220 S. Michigan Avenue in Chicago. It will be included in the orchestra’s Women in Classical Music concert along with other notable works by women composers, including blue cathedral by Jennifer Higdon, An American Concerto by Gwyneth Walker, and the Pulitzer Prize winning Symphony No. 1 by Ellen Taaffe Zwilich.

The “friends” of the title are six of the most respected names in the world of jazz and improvised music: saxophonists Mwata Bowden and David Boykin, flutist Nicole Mitchell, vibist Bruce Nelson, cellist Teddy Rankin-Parker, and bassist Karl EH Siegfried.

Ms. Baker will conduct the orchestra and ‘friends’ in these premiere performances.Ms. Baker, in describing the concept behind Divertimento Notte blu, says “I envisioned the depths of the human condition and the melancholy that the examination nurtured led me to explore the face of human nature… In framing the human condition through sound, I have tried to touch both our conscious and unconscious states.” She continues, “Divertimento Notte blu beckons the listener to focus on the party of our lives awakened and to imagine the full randomness of our dream episodes.” It consists of eleven movements, but Baker advises listeners “Don’t try to follow the movements. That would equal the experience of trying to document your dreams every minute in the notebook on your nightstand.”

Renée Baker is founder/leader of thirteen contemporary music performance entities, including Chicago Modern Orchestra Project, FAQ tet, Mantra Blue Free Orchestra, Connoisseur Musica String Ensemble, the Renée Baker Trio, and several more. She has created eclectic chamber festivals for Adler Planetarium, Shedd Aquarium, Joffrey Ballet Chamber Series, Norris Cultural Arts Center and Classical Symphony Hall. She programs and conducts the Chicago Sinfonietta Chamber Ensemble.

As a composer, Ms. Baker has penned compositions for her own groups, as well as the Chicago Sinfonietta Chamber Ensemble and Great Black Music Ensemble/AACM. In 2009, Ms. Baker’s compositions premiered in Umbria, Italy and also have been performed at Suoni Per Il Popolo in Montreal. Baker has presented her compositions in over twenty concerts for the Chicago State University Student Afternoon Recital Series. She has premiered over ten works on the Chicago Sinfonietta Chamber Series. Ms Baker was accepted into the Jazz Composers Orchestra Institute at Columbia University in July 2010. Renée Baker currently has over 900 compositions to her credit. She is currently working on commissions from the Gaudete Brass Quintet, the Harnegra Chamber Orchestra and a chamber opera commissioned by Chicago Modern Orchestra Project entitled Clarity of Job. In October 2010, her orchestral composition Sundown’s Promise for Taiko and Orchestra received its World Premiere with the Chicago Sinfonietta.

As a violinist/violist, she is the principal violist in the Chicago Sinfonietta, of which she is a founding member. Ms. Baker is one of the most sought after instrumentalists for chamber music as well as recitals. She has performed in major music festivals all over the world, including the Aspen Music Festival and the Classical Music Festival (Eisenstadt). As a soloist, she has performed with John Sharp (Chicago Symphony) making her Ravinia debut in Don Quixote as well as with YoYo Ma and many other luminaries.


Chicago.BroadwayWorld.com
April 20, 2011
“Chicago Sinfonietta Bids Farewell to Founder Paul Freeman”
“Pulitzer Prize-winner Ellen Taaffe Zwilich's organic and accessible Symphony No. 1 is next on the jam-packed program, followed by an original composition by Sinfonietta principal violist Reneé Baker, titled Divertimento Notte blu (for String Orchestra and Friends), featuring the Sinfonietta and an ensemble comprised of some of Chicago's most exciting jazz musicians, including Nicole Mitchell on flute, David Boykin on tenor saxophone, Bruce Nelson on vibraphone, Mwata Bowden on baritone saxophone and Karl E.H. Siegfried on bass.”


“Chicago Sinfonietta – a fond farewell to Maestro Paul Freeman”
Kathryn J Allwine Bacasmot
ChicagoClassicalMusic.orgMay 27, 2011
“Following the intermission, and a video presentation documenting the career of Maestro Freeman, came the premiere of the commissioned work Divertmento Notte blu by Renée Baker (who also took to the podium to conduct her piece). Comprised of eleven brief movements 'for String Orchestra and friends,' to be performed without pause, one was instructed via the Ms. Baker’s program notes: 'Don’t try to follow the movements. That would equal the experience of trying to document your dreams every minute in the notebook on your nightstand.' I took her advice, and very much enjoyed the ride through her dreamscape 'ranging from inconsolable desolation to shuckin’ and jivin’ joy' – which included a terrific didgeridoo solo.”

Justin Holland, African American Composer for Classical Guitar, Born July 26, 1819

[Justin Holland]

AfriClassical.com features classical guitarist, composer and teacher Justin Holland (1819-1887), who was born July 26, 1819. As a music teacher in Cleveland, he was considered the city's first African American professional. Many customers may not have realized he was an African American, but his sheet music for the guitar was sold nationally.

Since the last anniversary of his birth, Justin Holland has been featured on AfriClassical several times. On August 3, 2010 we posted: “SoupGreens.com: Justin Holland's 'Spanish Fandango, classical/blues nexus.'” On August 8, 2010 AfriClassical posted: “Sheet Music of Justin Holland (1819-1887), African American Composer for Classical Guitar.” We noted that a visitor had asked for assistance in obtaining sheet music for Justin Holland's compositions for guitar. Here is a quote from our reply to the visitor:

“I am happy to hear of your interest! Amaranth Publishing offers sheet music of Justin Holland:

“Our associate Suzanne Flandreau has excellent resources at her disposal. She is Head Librarian and Archivist at the Center for Black Music Research of Columbia College Chicago, 600 S. Michigan Ave., Chicago, Illinois 60605. Telephone: 312-369-7346. Fax: 312-369-8029. http://www.colum.edu/cbmr.”

Tuesday, July 12, 2011

Amadeo Roldán, Afro-Cuban Composer of Classical Works With Percussion, Born July 12, 1900


[Rítmicas; Tambuco Percussion Ensemble; Dorian 90245 (1997). Centenario Natalicio de Amadeo Roldan (Centennial of Birth of Amadeo Roldan) Cuba Stamp 2000

Amadeo Roldán (1900-1939) was an Afro-Cuban composer, violinist, conductor and professor. He was born in Paris to Cuban parents on July 12, 1900, we learn from Prof. Dominique-René de Lerma, Professor at Lawrence University, whose website is http://www.CasaMusicaledeLerma.com. Prof. De Lerma has compiled the complete works of Amadeo Roldán, which are featured at AfriClassical.com. He points out that Roldán's full name was Amadeo Roldán y Gardes. He also tells us Roldán was only 5 years old when he began studying the violin.

Roldán graduated from the Madrid Conservatory in 1916 after studying music theory and violin. He later took private lessons in composition from Conrado el Campo, according to Prof. De Lerma. The young musician also played the violin on tour in Spain. Prof. De Lerma continues: “He moved to Havana in 1919 and became a student of Pedro Sanjuan. In 1924 he became concertmaster of Havana's Orquesta Filarmonica and, following the death of Sanjuan, its conductor.”

Roldán was promoted to conductor of the Orquesta Filarmonica in 1932. Suite de La Rebambaramba (8:56) and Rítmica V (2:42) were recorded on CD by the New World Symphony, conducted by Michael Tilson Thomas, Argo 436 737 2 (1993). In the liner notes Simon Wright appraises Amadeo Roldán's role in the classical music of Cuba: “An enthusiastic conductor and composer, Roldán put 'serious' Cuban music on the map by primarily bringing Afro-Cuban rhythms and sounds to the concert hall. They were the inspiration behind the ballet La Rebambaramba (1827-28), based on a scenario by Alejo Carpentier depicting Havana's low-life on the day of Epiphany in 1830.”

Carol J. Oja writes in her book “Making Music Modern: New York in the 1920s”, Oxford University Press (2000), that the Pan American Association of Composers performed works of Amadeo Roldán and other Latin American composers at its March 1929 concert in New York. The Tambuco Percussion Ensemble has recorded Roldán's Rítmica V (2:14) and Rítmica VI (2:00), both composed in 1930, on the CD Rítmicas, Dorian 90245 (1997). The liner notes compare these to Edgar Varése's Ionisation.

Thursday, June 23, 2011

“Toot That Flute Tour” presented by Cheryl Lynne Skinner


[Cheryl Lynne Skinner; Watercolor CD (2001)]

Composer Cheryl Lynne Skinner,
who also plays the flute,
sends this news to
AfriClassical:

Louisville, KY---Not to be missed!
Composer-Musician

Cheryl Lynne Skinner

will be featuring contemporary flute music
in several unique and intimate venues
in the Louisville area on the
"Toot That Flute Tour"
during the month of July 2011.
Skinner a triple threat performing
on keyboard, flute and vocals
presents an inspirational program
of contemporary

M.U.S.E.

(music unleashed from soul experience).
Skinner's compositions defy classification
as she combines a myriad of styles,
including Jazz, R&B, Latin-American,
African and Classical to achieve
her unique smoother inspirational
contemporary sound. For more
information please visit the Marquee Section:


ENJOY!
Elinez Music
P.O. Box 4773
Louisville, KY 40204

Comment by email:
Thanks so much Bill for the shout out on the blog "Africlassical" I like that. Peace, Cheryl

Saturday, June 4, 2011

'Which world-renowned ODU faculty member has composed music that has been performed by the Philadelphia Orchestra...and others?'


[Adolphus Hailstork]

A Trivia Question appeared on the Facebook page of Old Dominion University at 6:03 a.m. Tuesday, May 31:

Good morning campers!!! Anyone up for some trivia? Two tickets to Homearama, including the incredible ODU-themed house, are up for grabs: Which world-renowned ODU faculty member has composed music that has been performed by the Philadelphia Orchestra, the Detroit Symphony, the Chicago Symphony, the New York Philharmonic and others?

Selected Answers:
6:06 a.m. Adolphus Hailstork (2 people)
6:08 a.m. Dr. Adolphus Hailstork
6:09 a.m. Adolphus Hailstork
6:10 a.m. Adolphus Hailstork (4 people)
6:11 a.m. Adolphus Hailstork?

Answers continued to pour in until nearly noon. Sample comments:

knew about Dr. Hailstork = worked with him in the Music Dept. =)

I didn't know the philharmonics have played his music! wow that so cool!!

can't wait to work with him next semester!

He's quite something and we are very proud of him!

[Adolphus C. Hailstork is an African American composer and professor who was born on April 17, 1941 and is profiled at AfriClassical.com]

Sunday, May 8, 2011

HamptonRoads.com: JoAnn Falleta records 'works by the prominent Virginia Beach composer Adolphus Hailstork'

[Adolphus Hailstork]

HamptonRoads.com
By Teresa Annas
The Virginian-Pilot
© May 8, 2011
NORFOLK
“JoAnn Falletta has signed a new contract with the Virginia Symphony Orchestra that extends her tenure as music director for three more seasons, with an option to renew for two additional years. Falletta is finishing her 20th year with the symphony.

“Since being hired in 1991, Falletta has transformed the orchestra into a highly respected group with a national reputation. She led the symphony at Carnegie Hall in New York in 1997 and three years later at the Kennedy Center in Washington, D.C. She has conducted the symphony for 14 recordings. Later this month, she will lead the symphony in a program of works by the prominent Virginia Beach composer Adolphus Hailstork to be recorded by Naxos, the world's leading classical music label.” [Adolphus C. Hailstork is an African American composer and professor who was born on April 17, 1941 and is profiled at AfriClassical.com]

Sunday, May 1, 2011

Vesper Chorale: Music of H.T. Burleigh at 'Unity Through the Arts' Concert, Mishawaka, Indiana May 14

[Deep River: Songs and Spirituals; Oral Moses, bass-baritone; Ann Sears, piano; Troy 332 (1999)]

Vesper Chorale
Saturday, May 14, 2011
“Auditorium
Everest-Rohrer, Bethel College
1001 Bethel Circle, Mishawaka”

VesperChorale.org
Sponsored by the African-American Arts Association
We all bring varied gifts and perspectives to the world, and when we lend them to musical collaboration, something special is born. As part of Musical Arts Indiana's Diverse Journeys concert series, Vesper Chorale and the Children's Choir of Michiana welcome the Voices of Mt. Carmel and the Angels of Christ Youth Choir from Mt. Carmel Missionary Baptist Church of South Bend in an event celebrating the traditions of African-American music.”

“As we gather in unity through the arts, the concert will feature Ringwald's setting of God's Trombones, as well as works by H. T. Burleigh and Richard Smallwood.” [Henry “Harry” Thacker Burleigh was born Dec. 2, 1866 and is profiled at AfriClassical.com, which features a complete Works List by Prof. Dominique-René de Lerma of Lawrence University Conservatory]

Wednesday, January 19, 2011

Errollyn Wallen: 'Some dates for your diary – whether you're in London, New York or Milton Keynes.'

[Errollyn Wallen]

Errollyn Wallen's Newsletter, January & February 2011:
Happy New Year!

Warm wishes,
Errollyn

THE GIRL IN MY ALPHABET
SATURDAY 22 JANUARY 2011

Marc Peloquin & Roberto Hidalgo, pianos
Tenri Cultural Institute
3A West 13 Street, NYC, USA
keyedupmusicproject.com

FAULTLINE
SATURDAY 22 JANUARY 2011

Shobana Jeyasingh Dance Company
The Wapping Project
Hydraulic Power Station,
Wapping Wall,
London, E1W 3ST
2.30 min extract from Faultline to be performed at the The Wapping Pump House as part of Dancing The Decade. The music extract will run from 20.39 to 23.10 approximately.
Composer - Scanner
Composer for live voice - Errollyn Wallen
Soprano - Patricia Rozario
Concept and choreography - Shobana Jeyasingh
Dancers - Nicola Monaco and Emily Absalom
Costume - Ursula Bombshell
Phone: 020 7680 2080
www.thewappingproject.com

DAEDALUS (world premiere of new arrangement by Ian Belton)
DERVISH for cello and piano

MONDAY 24 JANUARY 2011 8pm
Sophie Harris (cello) Melanie Pappenheim (voice) Ian Belton (piano)
Kings Place
90 York Way
London N1 9AG
http://www.kingsplace.co.uk/music/out-hear/sophie-harris-and-friends

SONGS: Of Crumpling Rocks; North; My Feet May Take a Little While
WEDNESDAY 26 January 2011 1pm

Angela Caesar (soprano)
Allyson Devenish (piano)
Open University Club Lunchtime Concert
The Open University
Walton Hall
Milton Keynes

YES
3-5 FEBRUARY 2011 7:30pm

Excerpts from YES, new opera commissioned by Royal Opera House
Librettist Bonnie Greer
EXPOSURE series
Royal Opera House
Linbury Studio Theatre
Covent Garden
London WC2E 9DD
www.roh.org.uk/whatson/production.aspx?pid=15106

ERROLLYN WALLEN, PIANO & VOICE
MONDAY 21 FEBRUARY 2011 4:00-5:30pm

Symphony Space
2537 Broadway
New York, NY 10025, United States
(212) 864-5400
www.symphonyspace.org/event/6470-the-music-of-now

Thursday, January 21, 2010

'Twenty-Four Studies in African Rhythms' of Fred Onovwerosuoke Jan. 25 by Peter Henderson, Piano


[Fred Onovwerosuoke]

Dr. Fred Onovwerosuoke of African Musical Arts, Inc. brings this news to the attention of AfriClassical:

http://fredomusic.com
Composer Fred Onovwerosuoke’s diverse background has given rise to a varied compositional style. Born in Ghana to Nigerian parents, Onovwerosuoke grew up in both countries and eventually naturalized in the United States. 'FredO,' as friends call him, has traveled in more than thirty African countries doing field work and analyzing some of Africa’s abundant music traditions.”

Maryville.edu
Faculty Recital
Peter Henderson, piano
Monday, January 25, 2010; 7:00 pm
Maryville University Auditorium
St Louis, Missouri USA
“The program features Peter Henderson, DM, assistant professor of music and frequent pianist with the Saint Louis Symphony Orchestra.”

Selected Études, Frédéric Chopin Étude in C-sharp minor, op.10 no.4 (1810-1849)
Ballade No.3 in A-flat major, op.47, Frédéric Chopin

Twenty-Four Studies in African Rhythms, Vol. I, Fred Onovwerosuoke
1. Okoye (1987, rev. 2007) (b. 1960)
2. Edo (1986, rev. 2006)
3. Udje (1990, rev. 2007)
4. Tunis (1990, rev. 2006)
5. Jali (1997, rev. 2006)
6. Iroro (1988, rev. 2007)
7. Herero Wedding Dance (2007)
8. Ayevwiomo Dance I (2007)
9. Ayevwiomo Dance II (2007)
10. Barka (2007)
11. Ayevwiomo Dance III (2007)
12. Agbadza (2007)

Carnaval, op.9, Robert Schumann