VAM 221 | Breaking Behavior Patterns – How Serendipity Makes You A Better Actor
Welcome to episode 221 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
In this episode, I’d like to expand on some of the ideas I explored at the end of the previous episode, Part 2 of my interview with Jamieson Price. If you haven’t listened to it already, I would suggest you check out both parts of his interview, as well as episode 204 of the podcast entitled, “Go Hunting for the Best Acting and Storytelling”. While those episodes are not required for you to appreciate this one, they can offer you important context for the concepts I’m going to address here.
One of the big pieces of advice that Jamieson gives to his acting students is to go out and live life. In the previous episode, I defined “living life” as maximizing the interactions you have with other human beings by participating in their emotional lives as well as engaging with their ideological beliefs. These life experiences are what an artist draws upon in order to bring authenticity and believability to their artistic creations. Having diverse and enriching life experiences can help broaden your expressive capabilities as a creative in any field.
In the past, living life usually meant getting out of your house and interacting with people and with the world around you. The further away from home you got, the more likely it would be for you to have new and unique experiences that you hadn’t encountered before. It was as if reality was a random experience generator that increased in novelty the more you explored it, like opening up new areas on a map in a video game.
While this can still be the case, a new factor has been added to modern life, the world of online algorithms. Platforms like social media sites and even media streaming services like Netflix, YouTube, or Spotify, analyze your behavior online and try to guess what you might like next based on your clicks, likes, comments, watch time and other points of data. The ultimate goal of these platforms is to keep you engaged with them in order to fully monetize your attention. It’s even been revealed that certain dating apps can employ algorithms whose goal is not always to find you the perfect match, but instead to provide slight mismatches so that you’ll stay engaged with their platform longer, as you continue to look for a more satisfying romantic partner. The financial pressure on these algorithms to curate your experiences so that you won’t leave their respective platforms is immense.
These algorithms also affect real life interactions and shape society in ways we still don’t fully understand. Social media sites can affect not only who we believe we are and who we choose to interact with both online and in real life, but also how we behave when interacting with them. Online algorithms have changed dating and relationships, and also how we relate to family, friends, and perceived foes. We form opinions based on repeated impressions gathered from social media, and algorithms influence the frequency of exposure to certain mindsets. We may believe or disbelieve anything we see online, which then can affect our behavior not only socially, but politically as well. Online interactions can and often do set the tone for in-person interactions. The online world and the real world are no longer separate territories. They overlap constantly and cross-pollinate, in an ever-shortening news cycle of action and reaction, feeding off one another and often spiraling into absurdity. It’s a constant challenge just to maintain one’s equilibrium in the online battle for our attention spans and engagement.
As our lives are managed more and more by algorithms tuned to maximize this engagement, randomness in our everyday interactions is greatly reduced. The algorithm wants to give us something just slightly different from what we had before, but not too different or it risks losing our attention. It wants to keep us on its treadmill so it can make money off of us, and this diminishes the possibility of truly random experiences.
I want to suggest that it’s time to add some randomness back into our lives, both as artists, and as human beings! One of the best ways to do this is to break out of your habitual patterns of behavior. We can become so lulled into submission by the algorithms that provide us with entertainment and other inputs, that we can lose the personal impetus to reach for something new and different. One way to break this pattern of hypnosis is to make a decision that is completely the opposite of what you would normally choose. Do you always go left at a certain intersection? Why not go right this time, and find out what’s down that street you always skip? Do you always pick the same thing off the menu at a certain restaurant? Why not choose something radically different this time, and see what you think? Have you always watched or listened to a certain show, piece of music, or even the same podcast you always go to? Why not explore the kind of entertainment that you might normally ignore or even avoid? What would be the harm in that? If you try an episode of a show that is completely foreign to you, and you don’t like it, you don’t have to keep watching it, but if something in it does intrigue you, you may develop an appreciation for something the algorithm would never have chosen for you, if you hadn’t decided to be different on purpose.
Breaking your habitual patterns of behavior brings an important element back into your life, and it’s called “serendipity”. The serendipitous experience is the one that you were not expecting, and never could’ve planned for, but somehow turns out to be extremely enlightening or beneficial in some way. Our online algorithms tend to limit the chances for a true serendipitous experience, and I’m going to take this episode to explain why I think breaking out of your habitual patterns, and inviting serendipity back into your life is so very important for you at this time, both as a person and as an artist.
VAM 220 | Interview with Jamieson Price, Part 2
Welcome to episode 220 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome to the second and final part of my interview with the man with the amazing voice, Jamieson Price! You may be familiar with his work in anime shows like Gurren Lagan, Fate/Zero, Witch Hunter Robin, and Gankutsuou: The Count of Montecristo. In games he’s worked on World of Warcraft, Persona 5, and the .hack//G.U. series. Jamieson has extensive theater experience and even played a part in Mel Gibson’s film, the Patriot.
In the previous episode, Jamieson shared with me how he got started as an actor. He fell in love with acting in elementary and high school, and eventually majored in theater in college. After working as a theater actor in regional theater for many years, he decided to go to graduate acting school to advance his skills. He got a Master’s degree from the California State University at Long Beach. Right after graduating, he got cast in a show where he met an actress, Dorothy Fahn, who was working on the anime Digimon and suggested that Jamieson audition for parts in the show. Jamieson started booking smaller parts, which led to larger parts, which eventually prompted him to choose voice acting as his primary occupation since it allowed him to spend more time with his family and still be an actor.
In this episode, Jamieson shares with me what inspired him to pursue acting in the first place. It turns out, he was naturally attracted to acting because he so enjoyed playing pretend in imaginary worlds. Immersing himself in a story and in a character was appealing to him, even at a very young age. A pivotal experience for him when he was in middle school was seeing a production of Shakespeare’s play, The Taming of the Shrew, done in the style of Commedia dell’arte Italian mask theater. This performance piqued his fascination with acting specifically, and he started participating in plays himself.
When he went to college, he decided to major in psychology because he thought it would be a more financially reliable career path than pursuing acting. When he became disillusioned with psychology, he decided to follow his inspiration and embraced an acting career whole-heartedly. Once he made that mindset shift, the universe started presenting opportunities for him that he made sure to take advantage of.
Even with all that early inspiration and later theatrical success, he was still motivated to continue improving his acting skills. While grad school was a useful place for him to advance his abilities, his wife actually turned out to be one of his best acting coaches. She helped him understand the true effect his behavior had on others, both on stage, and in real-life. This helped Jamieson become more aware of his own demeanor, which in turn allowed him to become a more nuanced actor.
After discussing this, Jamieson and I wrap up this interview with his advice for the aspiring voice actor. He stresses three topics that voice actors should focus on. First: establishing solid, fundamental acting skills. Second: developing a strong imagination in order to immerse yourself fully in a scene, and Third: developing good vocal health routines so you can maintain your vocal instrument over time. We also talk about how important it is to be able to express yourself with emotional abandon, while also having good technical vocal production skills supporting your acting. This will allow your performances to feel both immediate, and masterful at the same time. It’s the kind of acting discussion I always love to have and I’m so glad we get to share it with you.
VAM 219 | Interview with Jamieson Price, Part 1
Welcome to episode 219 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
This is the first part of my interview with a man who was seemingly born with a voice acting sound, Jamieson Price! As of the release of this episode, he has over 500 credits on IMDb! You may be familiar with his work in anime where he’s played Lordgenome in Gurren Lagan, Rider in Fate/Zero, Zaizen in Witch Hunter Robin, and The Count Edmund Dantes in Gankutsuou: The Count of Montecristo. He’s also played parts in such classic anime as Akira, Appleseed, Lupin III: Castle of Caligostro, and Perfect Blue. In games he’s played Blaine Bloodhoof in World of Warcraft, Sojiro in Persona 5, and Ovan in the .hack//G.U. series of games. Jamieson worked extensively in the theater before he began his voice acting journey, and even played a part in Mel Gibson’s film, the Patriot which was released in the year 2000. Jamieson’s voice was one of the first that I heard when I came to Los Angeles to start working as a voice actor back in 2001 and it’s a pleasure to speak with him about his lengthy career.
Jamieson fell in love with acting as a young student. In 4th grade he participated in a school play. When a piece of the set fell over, he showed the amazing presence of mind to fix the set and keep on going with his performance. That’s when his parents knew he might just be an actor. When his 8th grade teacher introduced him to Shakespeare, Jamieson was immediately hooked. He participated in plays in both high school and college, but he planned to pursue a degree in psychology because he thought it was a more stable and reliable career path at the time.
Halfway through his college experience, he became disillusioned with psychology and decided that he would pursue an acting career instead. He was fortunate that his college required their theater majors not only to act in mainstage productions at the school, but also to work backstage in technical jobs. This technical theater training served Jamieson very well since it meant he was qualified to work as a technician at theaters, even when he wasn’t being hired as an actor!
After working in theater for many years including on some famous outdoor theater productions in Ohio, Jamieson felt like he had plateaued as an actor and decided he needed to go to graduate acting school to improve his skills. He was accepted at the California State University at Long Beach and earned his Master of Fine Arts degree there. Right after he graduated, he got cast in a play at the Long Beach playhouse, and happened to meet Dorothy Fahn, an actress who was working in anime at the time. Dorothy thought Jamieson might be a good fit for some of the characters on Digimon which both she and her husband Tom were working on. Jamieson started booking parts in anime dubs, which eventually lead to roles in video games and other voice over work as well.
While Jamieson had been pursuing on-camera work in addition to voice work after grad school, he quickly realized that voice over afforded him the opportunity to spend more time at home with his family, while still working as an actor. He decided to do his best to maximize his voice over opportunities and worked technical theater jobs for additional income.
Jamieson is one of those people who was born with a distinctive voice, which you’re about to experience in this interview! However, even gifted with such a resonant instrument, Jamieson still had to put in the time and effort to make sure his acting skills were professionally competitive in the Los Angeles marketplace. He started off playing smaller roles, and didn’t expect to land larger characters without proving himself first. By patiently applying himself, developing a reputation for being reliable and easy to work with, and constantly improving his acting skills, Jamieson has been able to carve out an impressive voice over career for himself, working on hundreds of projects. But I’ll let him fill you in on the details!
VAM 215 | Interview with David Errigo Jr., Part 2
Welcome to episode 215 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
I’m back with the second part of my interview with the ridiculously talented David Errigo Jr.! David has worked on animated shows like Tiny Toons Looniversity, X-men ’97, Phineas and Ferb, and Ridley Jones where he was nominated for an emmy for his performance as the character Dudley! In video games, he’s been in Disney Speedstorm, Disney Dreamlight Valley, Harry Potter: Quidditch Champions, and Shin Megami Tensei V and V: Vengeance. In anime he’s worked on Yu-Gi-Oh, Pokemon, Tezuka’s anime Pluto, and the new production of Ranma 1/2!
In the previous episode, David shared with me how he got started as a voice actor. In Middle School he began taking acting classes and singing in his school choir. He studied acting in college, taught acting at a Children’s theater company after college, did a tour as an actor on a Disney Cruise Ship, and worked at regional theaters around the country acting and singing in plays and musicals. When he finally got to New York to pursue a career on Broadway, he discovered his love for voice acting in animation and realized that’s what he was meant to do in life. He knew then that he would need to move to Los Angeles in order to work on the kinds of animated shows and games that fascinated him. By 2016 he had arrived in LA and was making as many connections as he could to further his voice acting goals. With his prodigious talent, his breadth of experience, and the connections he had developed in the entertainment industry during his time as a stage actor, it didn’t take long before he signed with an agency and was working on some of the most high profile projects in Hollywood.
In the second part of our talk together, I ask David what inspired him to become a performer in the first place. He refers again to his experience watching his father’s face light up at a Bruce Springsteen concert and how that made David want to bring that level of satisfaction to as many people as possible through performance. I dig a little deeper to try and discover why it was so important to him to inspire that level of delight in others. This opens up a number of fascinating topics about how rewarding it can be to bring joy to other people, as well as how David’s father taught him values that helped shape who David is as a person and as an artist. We then discuss David’s fascination with mimicking the voices he heard in the cartoons from his childhood. He considers exposure to those shows to be vital to his voice acting education.
David has said in previous interviews that his brain is “beautifully broken”. I ask him to explain what he means by that. He tells me that he feels compelled to study, classify, and internalize cartoons and the voice acting performances in them. He just can’t help himself. He knows that the brains of many of his colleagues work the same way and the knowledge they’ve amassed is invaluable when they’re portraying their own characters. After I ask David for his advice for aspiring voice actors, he then actually applies his extensive knowledge of cartoons, by combining it with his impressive acting skills, to demonstrate in real time the difference between simply imitating the voice of a character, and actually embodying that character and portraying them in an authentic way. Listen closely, because’s David’s performance is not only an impressive display, but it’s also a mini-master class in professional voice acting. I’m truly honored that I get to share it with you!
VAM 214 | Interview with David Errigo Jr., Part 1
Welcome to episode 214 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
I’m eager to share with you the first part of my interview with a voice actor who has played many iconic characters in animation, video games, and anime: the super talented and emmy-nominated, David Errigo Jr.! His roles in animation are numerous including Hampton J. Pig, Plucky Duck, and Arnold the Pit Bull in Tiny Toons Looniversity, Mojo, Leach, Gladiator, and Banshee in X-Men ’97, Ferb in Phineas and Ferb, and he was nominated for an emmy for his portrayal of Dudley in Ridley Jones! In video games, he’s played Oswald the Lucky Rabbit in Disney Speedstorm and Disney Dreamlight Valley, Victor Krum in Harry Potter: Quidditch Champions, and both Gustav and Oberon in Shin Megami Tensei V and V: Vengeance. In anime he’s played several characters in Yu-Gi-Oh and Pokemon, Detective Henry in Tezuka’s anime Pluto, and Boy Ranma in the new production of Ranma 1/2!
In this episode, we begin our conversation with David telling me how he got started as a voice actor. He recounts to me the story of when he was working as a theater actor in New York City, and he had an interview with a Theatrical agent. During the interview David expressed interest in voice over and the agent decided to introduce David to a voice over agent in the same office. David and the voice over agent hit it off, and David was ecstatic to begin auditioning for voice over work.
I then ask David to go back in time a bit in order to explain to me how he began pursing acting in the first place. When David was young, he was not initially interested in performing. He thought he might become a visual artist, but while attending a Bruce Springsteen concert with his Dad, he glanced over and noticed the immense joy and excitement that he saw on his father’s face. David wanted to inspire that same kind of joy in others and he believed the best way he could that was by becoming a performer.
So he immediately started taking acting classes at his school and also joined his school choir. He continued to study acting and to perform in shows throughout college. After graduating, he worked numerous acting jobs including: a 6 month tour with a Children’s Theater company, he did summer stock theater, he performed at the Arizona Broadway Theater, and he even did a tour performing on a Disney cruise ship! All of this theater work inspired David to eventually move to New York City to pursue his acting career in the Big Apple.
While he was in New York, he not only had the opportunity to meet with a voice over agent because of his theater experience, but he also was able to audition for animated projects that were being recorded in the city. Going on his first voice over animation audition was so exciting for David that he called up his father afterwards and told him that he believed that he had found what he was meant to do in life. All of his hard work and passion had lined up with his fascination and he knew deep down that he wanted to be a voice actor.
He realized that moving to LA was a necessity, especially since his obsession was animation. Through serendipitous means, he was finally able to move to the west coast and pursue a voice acting career in Hollywood, where he has succeeded admirably. David is a fantastic combination of both wild enthusiasm and rigorous discipline. He can be playful and practical at the same time, and his ability to combine these seemingly disparate aspects into a cohesive whole has contributed greatly to his success. His journey is a wonderful lesson for all of my listeners, and I hope you learn just as much from him as I did!
VAM 213 | Interview with Nancy Linari, Part 2
Welcome to episode 213 of the Voice Acting Mastery podcast with yours truly, Crispin Freeman!
As always, you can listen to the podcast using the player above, or download the mp3 using the link at the bottom of this blog post. The podcast is also available via the iTunes Store online. Just follow this link to view the podcast in iTunes:
http://www.voiceactingmastery.com/podcast
Welcome back to the second part of my interview with an actress who has worked in almost every different kind of acting environment you can think of: the talented and versatile Nancy Linari! She’s worked on animated shows like Hanna-Barbera’s version of the Addams Family, as well as Animaniacs, Sonic the Hedgehog, and Ben 10. In the world of video games, she’s worked on Marvel: Ultimate Alliance, Legends of Runeterra, and Dungeons and Dragons: Dark Alliance. She’s also working with yours truly on the new Pokemon Horizons anime series! However, Nancy is probably most famous for playing Aunt May in both the Disney XD Spider-man animated series, as well as the Sony Playstation series of Spider-Man games from 2018 and 2023.
In the previous episode, Nancy shared with me how she got started as a voice actor and how it grew organically out of her pursuit of an acting career in Chicago. After graduating college with a degree in theater, she started working at a theme park in the Chicagoland area while also pursuing theater and commercial work. One of her theater shows toured the country with one of their stops being in Los Angeles. This allowed Nancy to explore the acting marketplace in LA and to make some industry connections. She eventually decided to move to Los Angeles in order to grow her acting career there.
As she booked theater work in LA, she began to meet influential people in the entertainment industry including Gordon Hunt, who was the head voice director at Hanna-Barbera. He started auditioning her for animated projects, and this led to her booking some smaller roles in animation, and eventually booking a lead role as Morticia in the Addams Family animated series. Nancy also became curious about performance capture work for video games. She started taking classes for it and eventually booked the part of Aunt May for the Playstation Spider-man video games, which just happened to be her very first performance capture audition! Nancy’s journey is one of curiosity, versatility, and resiliency. She knew that to survive as an actress, she would need to be able to act well in a variety of different performance environments. This has allowed her to continue working in various fields of the entertainment industry whenever there’s a slow down in other areas.
In this episode, as we continue our discussion, I ask Nancy what inspired her to become a performer in the first place. She shares with me a story about the first time she got laughs from an audience. She found the experience exhilarating, especially since she was only 7 years old at the time! That moment instilled a love of comedy in her that has served her well throughout her career. It also helped her understand what her strengths were as a performer. She realized that her archetype as an actor was more comedic, and less serious. That didn’t mean she couldn’t play serious roles, just that her competitive advantage was that she could “find the funny” in whatever project she was working on. That’s a very valuable skill to have as a performer!
After that, Nancy and I talk about European clowning, a style of acting that I also discussed in my interview with Darin De Paul. While Nancy has never done European clowning personally, she did study it academically in school. European clown training can really help an actor discover what their inherent nature is as a performer, as well as how to embrace one’s essential archetype. Nancy also talks about how important it is to become proficient with recording technology as an actor, since so often these days actors are expected to be their own engineers and camera operators.
And then, to conclude our conversation, Nancy shares her advice for the aspiring voice actor. Like so many before her, she says that believable acting skills should be a voice actor’s highest priority, so I ask her how she learned acting. While she is a self-admitted acting class junkie, she also acknowledges that she’s often learned the most about acting from actually doing it. She compares it to an athlete having to continually train physically in order to be in peak condition to perform. There’s no substitute for experience, and as an actor, the more opportunities you have to practice your skills, the better you will become at them. This is also why Nancy enjoys doing theater so much. It allows her to practice and test her skills night after night. Each time she gets up to act, she may try something a little different to see what works and what doesn’t. This iterative process of curiosity, exploration, and discovery, is what has helped her sustain such a long and varied career. I hope my listeners can benefit from her mindset and I’m so glad I get to share her wisdom with all of you!