DAVID CARRADINE AND ROBERT CARRADINE DRIVING 'CANNONBALL'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRAQfpmHFQHLEu0SXorm69coBMJj0UVjOwyRW6BP1F-iDa6VQJOxhx8tdP9ugKTitmQLQg1r8X5y1rSSjOYTKi3wuLEGksc6pQmGsRYYns3pN_uNgq1ztV0qRGOoLZg-Mjm8G-qM7xTZiU6xyql8k1aWVW72HOcJLQjC2-fPMmegnXb2aiEPn1Oe1ShdoC/s2474/Screen%20Shot%202026-02-24%20at%206.29.04%20AM.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1528" data-original-width="2474" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgRAQfpmHFQHLEu0SXorm69coBMJj0UVjOwyRW6BP1F-iDa6VQJOxhx8tdP9ugKTitmQLQg1r8X5y1rSSjOYTKi3wuLEGksc6pQmGsRYYns3pN_uNgq1ztV0qRGOoLZg-Mjm8G-qM7xTZiU6xyql8k1aWVW72HOcJLQjC2-fPMmegnXb2aiEPn1Oe1ShdoC/s16000/Screen%20Shot%202026-02-24%20at%206.29.04%20AM.png"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: CANNONBALL Year: 1976 Rating: ****</u></td></tr></tbody></table><p>It would be as surprising if roughshod stuntman director Hal Needham made a sophisticated Shakespeare adaptation as classy/gentlemen Paul Bartel being one of the best high-octane car-race/chase auteurs in the grungy 1970's and, following the popular dystopian-future dark-comedy <a target="_top" href="/newspapers?url=http://www.cultfilmfreaks.com/2025/08/DR2000.html">DEATH RACE 2000</a>, he made the first and least known action-flick based on the genuinely real and extremely illegal no-rules cross-country <i>Cannonball</i>...<br><br>Created and manned by Brock Peters, who only appeared in the famous 1981 Needham ensemble with superstar Burt Reynolds, making <a target="_top" href="/newspapers?url=http://www.cultfilmfreaks.com/2022/09/burt-reynolds-in-hal-needhams.html">THE CANNONBALL RUN</a> the only legitimate showcase... </p><span></span>

belinda balaski, bill mckinney, david carradine, exploitation, garrit graham, hangout, mary woronov, paul bartel, race car, robert carradine, seventies, sylvester stallone, veronica hamel

DAVID CARRADINE AND ROBERT CARRADINE DRIVING 'CANNONBALL'

Title: CANNONBALL Year: 1976 Rating: **** It would be as surprising if roughshod stuntman director Hal Needham made a sophisticated Shakespe...

MONTSERRAT PROUS & KALI HANSA 'SINNER: DIARY OF A NYMPHO'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhceUCPhQcxe46TyFbRtsSpI_twql-Z_pWd1pu1vB0c5cxrnTlEQRNyx4LVa1Tvlj0F2lAyIW8cwnI38gizz4EQT_xWsKD91bQE98IRKUFH4BCxHddpulB-qelBu2rzvUAtZC8QCxBPwIoxn21byraLEYQbbVJxFrrrAuT90G1VDeK22W3NmymH8AVMLThy/s2102/11.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1338" data-original-width="2102" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhceUCPhQcxe46TyFbRtsSpI_twql-Z_pWd1pu1vB0c5cxrnTlEQRNyx4LVa1Tvlj0F2lAyIW8cwnI38gizz4EQT_xWsKD91bQE98IRKUFH4BCxHddpulB-qelBu2rzvUAtZC8QCxBPwIoxn21byraLEYQbbVJxFrrrAuT90G1VDeK22W3NmymH8AVMLThy/s16000/11.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Montserrat Prous in SINNER: THE SECRET DIARY OF A NYMPHOMANIAC Rates: *</u></td></tr></tbody></table><p>Spanish horror auteur <a target="_top" href="/newspapers?url=http://www.cultfilmfreaks.com/search/label/jes%C3%BAs%20franco">Jesús Franco's</a> regular starlets <a target="_top" href="/newspapers?url=http://www.cultfilmfreaks.com/search/label/montserrat%20prous">Montserrat Prous</a> and <a target="_top" href="/newspapers?url=http://www.cultfilmfreaks.com/search/label/kali%20hansa">Kali Hansa</a> were battling for inheritance in his crime/slasher <a target="_top" href="/newspapers?url=http://www.cultfilmfreaks.com/2026/02/orloff.html">THE SINISTER EYES OF DR. ORLOFF</a>, were stuck on a murderous island in the mystery/thriller <a target="_top" href="/newspapers?url=http://www.cultfilmfreaks.com/2026/02/prou.html">THE SILENCE OF THE TOMB</a>... </p><p>And in SINNER: THE SECRET DIARY OF A NYMPHOMANIAC they pose together sexually (for seductive Anne Libert providing a backstory to Lacqueline Laurent)... but without sharing any deep lesbian kisses and with zero chemistry, it's a complete waste of two of Franco's hottest starlets... a shame since the wide-eyed brunette Prous deserved much better. <br></p><p><span></span></p>

anne libert, exploitation, jacqueline laurent, jesús franco, kali hansa, lesbian, montserrat prous, seventies, thriller

MONTSERRAT PROUS & KALI HANSA 'SINNER: DIARY OF A NYMPHO'

Montserrat Prous in SINNER: THE SECRET DIARY OF A NYMPHOMANIAC Rates: * Spanish horror auteur Jesús Franco's regular starlets Montserra...

ELISA VELA WITH LINA ROMAY IN 'MANSION OF THE LIVING DEAD'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheMKbmwaXR6VbwWF344OZSKlTQ4p9mjH1C7Qtc3n5W8VEFm9A9tdwkSbOyGnGfS5gv7AkyKMCVXysl5cJGw2D7G3rLaR88oESigeW8gLrDcyAii4GmxEj0PWoognr6gUrqzc6Rd3Fd1JXaLpjvy3M7pi4-Lw9FXyld6ZUQoLvNEuEH6OUzfmhOkzU7hQhr/s1674/Screen%20Shot%202026-01-28%20at%201.00.31%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1014" data-original-width="1674" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEheMKbmwaXR6VbwWF344OZSKlTQ4p9mjH1C7Qtc3n5W8VEFm9A9tdwkSbOyGnGfS5gv7AkyKMCVXysl5cJGw2D7G3rLaR88oESigeW8gLrDcyAii4GmxEj0PWoognr6gUrqzc6Rd3Fd1JXaLpjvy3M7pi4-Lw9FXyld6ZUQoLvNEuEH6OUzfmhOkzU7hQhr/s16000/Screen%20Shot%202026-01-28%20at%201.00.31%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Elisa Vela in Mansion of the Living Dead/La mansión de los muertos vivientes Year: 1983 Rates: ***</u></td></tr></tbody></table><p>Infamously campy Spanish Exploitation-Horror director Jesús Franco's MANSION OF THE LIVING DEAD is really a rural beachfront hotel where four beautiful women... two chunky-hot blondes and two perfect-bodied model brunettes... check into two different rooms, two at a time: each of the blondes kissing their own brunette — until the token first-girl wanders off alone...</p><p></p><p>As Mari Carmen Nieto far too quickly dies after happening upon a nearby monastery, which happens off-screen... providing looser blonde Albino Graziani an anticipated sacrifice/encounter with the titular medieval knight zombies straight from <a target="_top" href="/newspapers?url=http://www.cultfilmfreaks.com/2026/01/blinddead.html">Amando de Ossorio's 1970's BLIND DEAD franchise</a> (here resembling cheap skeleton mannequins created for a last-minute Halloween party)...</p><p><span></span></p>

antonio mayans, eighties, elisa vela, eva león, exploitation, fantasy, jesús franco, lesbian, lina romay, mari carmen nieto, spanish horror

ELISA VELA WITH LINA ROMAY IN 'MANSION OF THE LIVING DEAD'

Elisa Vela in Mansion of the Living Dead/La mansión de los muertos vivientes Year: 1983 Rates: *** Infamously campy Spanish Exploitation-Hor...

MERCEDES MOLINA & PAUL NASCHY 'EXORCISM' WITH MARÍA KOSTY

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNM2uvIRQkOywxW8D0Axvixsm0RXTpnwIElYWvUvDYxuuh2nSZHPz0E4J_4vEgWPtUjXEa6Ig1SzUA07wVcTENeC_LFosA4AVAgbmh6ND61UiUBnEW07TdzOzWMvU7PXOHuANefQs3TYGinT26E2W5LBLan0w3yUHLO4eSAS6fHhJIhyaU0xzNL4osuhVj/s1142/Screen%20Shot%202026-02-08%20at%203.33.08%20PM%202.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="590" data-original-width="1142" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNM2uvIRQkOywxW8D0Axvixsm0RXTpnwIElYWvUvDYxuuh2nSZHPz0E4J_4vEgWPtUjXEa6Ig1SzUA07wVcTENeC_LFosA4AVAgbmh6ND61UiUBnEW07TdzOzWMvU7PXOHuANefQs3TYGinT26E2W5LBLan0w3yUHLO4eSAS6fHhJIhyaU0xzNL4osuhVj/s16000/Screen%20Shot%202026-02-08%20at%203.33.08%20PM%202.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Mercedes Molina in EXORCISM/EXORCISMO Year: 1975 Rating: ***</u></td></tr></tbody></table><p>Blonde-haired, full-lipped, wide-eyed, girl-next-door starlet María Kosty's second EXORCIST clone from 1975 where she has a bigger part than the cameo from Amando de Ossorio's DEMON WITCH CHILD, here as the slightly older sister of the token possessed girl who's no child this time, but tall, lithe and lovely ingenue Mercedes Molina...<br><br>She gets possessed during an opening sequence orgy that seems like the rudimentary beach party in JAWS only with naked hippies worshiping idols... the inner demon mimicking her late father, a wealthy scoundrel who wasn't friendly with classy-hot mom Maria Perschy, even prettier than her extremely pretty daughters... <br></p><p><span></span></p>

exploitation, maría kosty, maria perschy, marta avilés, mercedes molina, paul naschy, seventies, spanish horror

MERCEDES MOLINA & PAUL NASCHY 'EXORCISM' WITH MARÍA KOSTY

Mercedes Molina in EXORCISM/EXORCISMO Year: 1975 Rating: *** Blonde-haired, full-lipped, wide-eyed, girl-next-door starlet María Kosty's...

MARÍA KOSTY GUESTING THE POSSESSED 'DEMON WITCH CHILD'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnZs6bID1bufV6Skvu_R5vJgdUIa4C9FPt9mYfJKeoUskqVOYLWfHlbHLlBE3j3Xn1XLTWxymJIJbkPHwxTfkuEZU7Uk7wGXTWb9yrduHSCdw5H37PLnaSh69Rh4FG0eRI5QKhCTo-fhRdRSJsk5S2UDsY2yUXuStA7qv_Iya0NzNK3qFAdRYSn_mMw-kE/s1122/2.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="592" data-original-width="1122" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgnZs6bID1bufV6Skvu_R5vJgdUIa4C9FPt9mYfJKeoUskqVOYLWfHlbHLlBE3j3Xn1XLTWxymJIJbkPHwxTfkuEZU7Uk7wGXTWb9yrduHSCdw5H37PLnaSh69Rh4FG0eRI5QKhCTo-fhRdRSJsk5S2UDsY2yUXuStA7qv_Iya0NzNK3qFAdRYSn_mMw-kE/s16000/2.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: Demon Witch Child/The Possessed/ La endemoniada Year: 1975 Rating: ***1/2</u></td></tr></tbody></table><p>Two years after the groundbreaking horror THE EXORCIST, Spanish director Amando de Ossorio used the William Friedkin classic as more of a jumping off point than remake, providing the central pre-teen girl not only a reason for possession, but an actual character whose ghost creeps inside her... <br><br>Which would sort of become the future plot of Stephen King's THINNER, involving a grotesque old gypsy woman's death providing an ongoing curse... here through sexy gypsy daughter Kali Hansa, leading a sacrifice that includes a dead abducted baby's blood adding to targeted Marián Salgado's soul-binding transition... <br></p><p><span></span></p>

amando de ossorio, exploitation, julia saly, julián mateos, kali hansa, lone fleming, maría kosty, montserrat prous, remake, seventies, spanish horror

MARÍA KOSTY GUESTING THE POSSESSED 'DEMON WITCH CHILD'

Title: Demon Witch Child/The Possessed/ La endemoniada Year: 1975 Rating: ***1/2 Two years after the groundbreaking horror THE EXORCIST, Spa...

LORETA TOVAR NECKS MARÍA KOSTY IN 'NIGHT OF THE SORCERERS'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9VCJw0Jr3nRcK-oYJACz0YnTlAXXsCrfq5B74WHDnaN0CWUkkeULeo-oldyvUWV_2YsbVwxGz849rpNcViNGbtPiY6jgime2UB1CmPLWsgAqpO67Iy2pRs92O0yJCB2bux6NpQhVzC8-W7CLgICZ3I4HQeRHsPOqnCGif89GJpgHzOFu0XnMbrjxgQ0Aw/s2092/1.png" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1038" data-original-width="2092" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9VCJw0Jr3nRcK-oYJACz0YnTlAXXsCrfq5B74WHDnaN0CWUkkeULeo-oldyvUWV_2YsbVwxGz849rpNcViNGbtPiY6jgime2UB1CmPLWsgAqpO67Iy2pRs92O0yJCB2bux6NpQhVzC8-W7CLgICZ3I4HQeRHsPOqnCGif89GJpgHzOFu0XnMbrjxgQ0Aw/s16000/1.png"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Loreta Tovar in NIGHT OF THE SORCERERS/LA NOCHE DE LOS BRUJOS Year: 1973 Rating: ***1/2<br></u></td></tr></tbody></table><p>Spanish director Amando de Ossorio brings back <a target="_top" href="/newspapers?url=http://www.cultfilmfreaks.com/2026/01/LGrasp.html">THE LORELEY'S GRASP</a> flirtatious schoolgirl Loreta Tovar as a safari photographer in NIGHT OF THE SORCERERS... and while she was the last hot ingenue to be attacked there, here she's the present-time first girl, making the reliable mistake of wandering out alone...<br><br>Beginning with gorgeous red-haired missionary Bárbara Rey killed by an African native zombie tribe in 1910, we cut to modern times where Loreta Tovar's part of a safari including another gorgeous blonde María Kosty, coveted by handsome guide Simón Andreu's voluptuous brunette girlfriend Kali Hansa...</p><p><span></span></p>

amando de ossorio, bárbara rey, body count, exploitation, horror, jungle, kali hansa, loreta tovar, maría kosty, seventies, simón andreu, slasher, spanish horror, vampire, zombie

LORETA TOVAR NECKS MARÍA KOSTY IN 'NIGHT OF THE SORCERERS'

Loreta Tovar in NIGHT OF THE SORCERERS/LA NOCHE DE LOS BRUJOS Year: 1973 Rating: ***1/2 Spanish director Amando de Ossorio brings back THE L...

ANNE FRANCIS AND ANNE JACKSON BREAKOUT IN 'SO YOUNG, SO BAD'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL0_bq7yAzh9XW39mI3TT3RwQXAHNjPHRsiD8VDIENfVCM0Ju3XwmESY4IV5sJnl8tEXCoIKYOu5G4R66AYxC1ArJvjQFdqXR-XtM0djdAC_bDIGG-08_XUXo8Iv12zBVnWkBbtQICSyV5lbxS_Rf6915pt5tw6DBt2XOs88jWWOj1ZXZKSbKTJMeITRi3/s2086/Screen%20Shot%202025-12-27%20at%2010.27.38%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1238" data-original-width="2086" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjL0_bq7yAzh9XW39mI3TT3RwQXAHNjPHRsiD8VDIENfVCM0Ju3XwmESY4IV5sJnl8tEXCoIKYOu5G4R66AYxC1ArJvjQFdqXR-XtM0djdAC_bDIGG-08_XUXo8Iv12zBVnWkBbtQICSyV5lbxS_Rf6915pt5tw6DBt2XOs88jWWOj1ZXZKSbKTJMeITRi3/s16000/Screen%20Shot%202025-12-27%20at%2010.27.38%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Anne Francis in SO YOUNG, SO BAD Year: 1950 Rating: ****</u></td></tr></tbody></table><p>A decade after CASABLANCA, nice guy Paul Henreid was still somewhat of a box office draw, or at least a recognizable name... and he took a risk to work for a low-budget production company that, yet another decade past, made the British teenage-girl-reform-school vehicle <a target="_top" href="/newspapers?url=http://www.cultfilmfreaks.com/2025/10/evilyoung.html">SO EVIL, SO YOUNG</a>, basically a remake of the American SO YOUNG, SO BAD that's far superior, particularly since Henreid's psychologist character is pushed up front...</p><p><br>In most teen-prison programmers, the friendly shrink contrasting to the abusive warden/guards is peripheral: as most of the action takes place with the girls and their captors... which still happens here, but since the motivating plight's in check with Henreid (alongside pretty/uptight social-worker Catherine McLeod), there are less soapy elements and more character-driven suspense relying on how to stop the in-house tyranny... <br></p><p><span></span></p>

anne francis, anne jackson, catherine mcleod, enid rudd, exploitation, fifties, lesbian, melodrama, mike kellin, paul henreid, rita moreno, women in prison

ANNE FRANCIS AND ANNE JACKSON BREAKOUT IN 'SO YOUNG, SO BAD'

Anne Francis in SO YOUNG, SO BAD Year: 1950 Rating: **** A decade after CASABLANCA, nice guy Paul Henreid was still somewhat of a box office...

CHRISTINA GREGG RIDING ROGER CORMAN'S 'THE YOUNG RACERS'

<p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhskYDTYU1LHatBfFbs_yFBBsY-IEHHQhptfDyj1eA_jN8IcOSPut72ukEUH1zim2_68l0xhMGdOXg6HogTN-JRrwVIz9-qOUVLbwy9fHWLR9SLKIMBxB4JC4vcskqXIfj5Iq7MabW6inoHo-k8JiksjwVSVPWaREp_2MzGNAwCIRfspzwXvU5vhL-KjZ2E/s1612/Screen%20Shot%202025-01-13%20at%2011.04.54%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="838" data-original-width="1612" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhskYDTYU1LHatBfFbs_yFBBsY-IEHHQhptfDyj1eA_jN8IcOSPut72ukEUH1zim2_68l0xhMGdOXg6HogTN-JRrwVIz9-qOUVLbwy9fHWLR9SLKIMBxB4JC4vcskqXIfj5Iq7MabW6inoHo-k8JiksjwVSVPWaREp_2MzGNAwCIRfspzwXvU5vhL-KjZ2E/s16000/Screen%20Shot%202025-01-13%20at%2011.04.54%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Christina Gregg with Mark Damon in THE YOUNG RACERS Year: 1963 Rates: ** </u></td></tr></tbody></table><p>There are bad b-movies that are still entertaining, and then there are those that simply don't work — as is the case of Roger Corman's THE YOUNG RACERS,<i> that does use</i> genuine European Monte Carlo Grand Prix racing locations that don't resemble stock footage thrown into the melodramatic romance sequences, which this has far too much of...</p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p></p><p>Howard Hawks fared much better (though not financially) with what this picture seems a precursor of, RED LINE 7000, following womanizing racers and their female conquests, some stronger than others, in particular Luana Anders as the central ingenue, stuck between THE YOUNG RACERS... </p><p><span></span></p>

action, christina gregg, exploitation, luana anders, marie versini, mark damon, melodrama, race car, roger corman, romance, sixties, sport, william campbell, william shatner

CHRISTINA GREGG RIDING ROGER CORMAN'S 'THE YOUNG RACERS'

Christina Gregg with Mark Damon in THE YOUNG RACERS Year: 1963 Rates: ** There are bad b-movies that are still entertaining, and then there ...

LIZA GREER & ROBIN GREER IN GREYDON CLARK'S 'ANGELS' BRIGADE'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1mc7Xm9YingPhDDvUf4nTsSp8ny9m1wd_nzkE8WGb9UFtBLzS205f5ka8SfrkKG-xCEzBu7ADX9j5KCgDl1LI1nC18UIYAJWdlhABrueQlXWNjXa6JBFAOYs7IQhVAwQu-pvibfHl4Qud93gNuW8sLOxbBZKD954xL0oYO-iOwUGEPl9Oj_r4YkTCJlMO/s1600/Screen%20Shot%202025-10-21%20at%209.08.15%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1008" data-original-width="1600" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1mc7Xm9YingPhDDvUf4nTsSp8ny9m1wd_nzkE8WGb9UFtBLzS205f5ka8SfrkKG-xCEzBu7ADX9j5KCgDl1LI1nC18UIYAJWdlhABrueQlXWNjXa6JBFAOYs7IQhVAwQu-pvibfHl4Qud93gNuW8sLOxbBZKD954xL0oYO-iOwUGEPl9Oj_r4YkTCJlMO/s16000/Screen%20Shot%202025-10-21%20at%209.08.15%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Liza Greer in ANGELS' BRIGADE Year: 1979 Rating: ***1/2</u></td></tr></tbody></table><p>Thank goodness that in 1979, no one told low-budget director Greydon Clark that this kind of crime-centered, revenge-driven, van-cruising exploitation had gone out of style since blaxploitation and kung fu flicks waned in popularity, but, with the then-popularity of CHARLIE'S ANGELS on television, Clark's ANGEL'S BRIGADE really hit the spot... and with more than three beautiful women... <br><br>One a lanky-cute, pig-tailed teenager, played by Liza Greer (seeming primed for her own movie), trained by real life sister Robin Greer, a cop who also helps shape tough black chick Sylvia Anderson, athletic Asian Lieu Chinh, tall blonde showgirl (and technically leading actress) Susan Kiger, spicy Latina Noela Velasco and Clark's wife Jacquelin Cole, an idealistic high school school teacher who has, not surprisingly, the best part herein...</p><p><span></span></p>

alan hale jr., exploitation, greydon clark, jack palance, jacqulin cole, jim backus, liza greer, neville brand, peter lawford, robin greer, seventies, susan kiger, sylvia anderson

LIZA GREER & ROBIN GREER IN GREYDON CLARK'S 'ANGELS' BRIGADE'

Liza Greer in ANGELS' BRIGADE Year: 1979 Rating: ***1/2 Thank goodness that in 1979, no one told low-budget director Greydon Clark that ...

DEFENDING THE INFFAMOUS CAMP OF 'THE HORROR OF PARTY BEACH'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1G48r4kEzhKfVFyXv8UkDplCXhcaOGMw9igjiCvwuGBg-0zdjkWSj2l75C-iTJ92ibZLv4uWYzByqxzi8wlOHYx7u4DlLpJ41WFbIuARv4hUGyBhilZzRHFgyGDgbzQliafOdmiuNJt_EuFpEIC2B9RmQFa5GueBmgiJ0QjEhPNPEWLLFi-H_wmpSI4-Z/s1886/Screen%20Shot%202025-10-20%20at%208.37.55%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1106" data-original-width="1886" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1G48r4kEzhKfVFyXv8UkDplCXhcaOGMw9igjiCvwuGBg-0zdjkWSj2l75C-iTJ92ibZLv4uWYzByqxzi8wlOHYx7u4DlLpJ41WFbIuARv4hUGyBhilZzRHFgyGDgbzQliafOdmiuNJt_EuFpEIC2B9RmQFa5GueBmgiJ0QjEhPNPEWLLFi-H_wmpSI4-Z/s16000/Screen%20Shot%202025-10-20%20at%208.37.55%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: THE HORROR OF BLOOD BEACH Year: 1964 Camp Value: ***1/2</u></td></tr></tbody></table><p>Starting out one of those town-crashing 1960's biker flicks, quickly transforming into a WEST SIDE STORY rumble before blasting into a BEACH BLANKET BINGO musical, the camp-driven drive-in HORROR AT PARTY BEACH has flirtatious brunette Marilyn Clarke causing good guy local John Lyon and angry biker Agustin Mayor to fight... </p><p></p><p>She's like Janet Leigh from PSYCHO, seeming like the main character before foreshadowing Crissie Watkins in JAWS, quickly murdered in the water (actually a rocky atoll) by one of the goofiest looking monster-costume-antagonists ever...</p><p><span></span></p>

cult, del tenney, exploitation, horror, music, science-fiction, sixties, slasher, surf, thriller, wayne tippit

DEFENDING THE INFFAMOUS CAMP OF 'THE HORROR OF PARTY BEACH'

Title: THE HORROR OF BLOOD BEACH Year: 1964 Camp Value: ***1/2 Starting out one of those town-crashing 1960's biker flicks, quickly tran...

JUNE KENNEY MANIPULATED BY SUSAN CABOT AS 'SORORITY GIRL'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiokiFSdoL344fSw0wLQzDKsGVgCwU7he5gNOUyShAktBQVvQqHtz1lxfX3VhqPYuMiEKzlsnQZPyGsT_zcjlsLAd8Er39qPGr7b1llqy0WA_6QDT3NM_1IYXipkCePrepxi3MvuEOMv9WtybS1_44qh5Bte2O-n3AToIPeOK07Gy8EKNrDBmDEnGZRBjwa/s1696/Screen%20Shot%202025-10-07%20at%205.22.03%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1004" data-original-width="1696" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiokiFSdoL344fSw0wLQzDKsGVgCwU7he5gNOUyShAktBQVvQqHtz1lxfX3VhqPYuMiEKzlsnQZPyGsT_zcjlsLAd8Er39qPGr7b1llqy0WA_6QDT3NM_1IYXipkCePrepxi3MvuEOMv9WtybS1_44qh5Bte2O-n3AToIPeOK07Gy8EKNrDBmDEnGZRBjwa/s16000/Screen%20Shot%202025-10-07%20at%205.22.03%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>June Kenney in SORORITY GIRL Year: 1957 Grade: C+</u></td></tr></tbody></table><p>Whether playing Charles Bronson's tough moll in MACHINE GUN KELLEY or a beauty queen mogul turned monstrous WASP WOMAN, Susan Cabot was b-movie director Roger Corman's greatest leading lady, combining a raw, formidable prowess with brooding melancholy, often within the same character... <br><br>With dark hair and full lips, she was pretty, even beautiful, but only when she needed to be... until morphing into a bitter scowl as intense as any comparably well-known character actress... <br><span></span></p>

barbara cowan, barboura morris, dick miller, drama, exploitation, fifties, joan lora, june kenney, roger corman, susan cabot

JUNE KENNEY MANIPULATED BY SUSAN CABOT AS 'SORORITY GIRL'

June Kenney in SORORITY GIRL Year: 1957 Grade: C+ Whether playing Charles Bronson's tough moll in MACHINE GUN KELLEY or a beauty queen m...

JUNE KENNEY, FAY SPAIN AND JOHN BRINKLEY IN 'TEENAGE DOLL'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuKOUmVvHuhtFWBTh-BFNIacNwYq22MV23500ZBEHH9EJPffr0sYCmuaFtUYp_DHOsxL5_XyinL0KdS6fncrkKSJuTgOLVg8WJKDd4eGDmy4P5czF-Y-LB_nYM5JRBy0RGiR2v2lKwlkEGgjmQh6vl0yKAnP1vh9NGQ1fa01oiLoeacM4BJZpFoki_Mfrf/s1818/1%202.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1102" data-original-width="1818" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuKOUmVvHuhtFWBTh-BFNIacNwYq22MV23500ZBEHH9EJPffr0sYCmuaFtUYp_DHOsxL5_XyinL0KdS6fncrkKSJuTgOLVg8WJKDd4eGDmy4P5czF-Y-LB_nYM5JRBy0RGiR2v2lKwlkEGgjmQh6vl0yKAnP1vh9NGQ1fa01oiLoeacM4BJZpFoki_Mfrf/s16000/1%202.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: TEENAGE DOLL Year: 1957 Rating: ***1/2</u></td></tr></tbody></table><p>The opening scene in Roger Corman's 1957 girl-gang melodrama TEENAGE DOLL feels like you walked in ten minutes late... as The Black Widows leader Fay Spain is explaining to her underlings about what happened to one of their own girls, lying already dead outside a dark warehouse... </p><p></p><p>Turns out it was an uptight goody-goody who somehow committed the murder, and, hiding in the shadows, June Kenney's listening to the conversation, knowing these tough young locals are now after her...  </p><p><span></span></p>

barbara wilson, barboura morris, colette jackson, exploitation, fay spain, fifties, gang, jay sayer, john brinkley, june kenney, richard devon, roger corman, sandra smith, ziva rodann

JUNE KENNEY, FAY SPAIN AND JOHN BRINKLEY IN 'TEENAGE DOLL'

Title: TEENAGE DOLL Year: 1957 Rating: ***1/2 The opening scene in Roger Corman's 1957 girl-gang melodrama TEENAGE DOLL feels like you w...

JUNE KENNEY WITH JOAN LORA AND ROBERT REED IN 'BLOODLUST!'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7MJSQHeF0kjZ_84Db6x1tjcXcfLJr0eobdX8JPhuCx8ySIEw-8DXGAFH2G3VEQvyBIyGm286Hzp8Z8EFwd1EfbDlHVF-QdbYX3Po1IahQdwkHjI7DO5RxtnaC3vm9Wv-6z_L7BL1E4JuTVe0KaJCDLnDKm8T1l8r_YMpM8ECVkob7UMQgXOLa-LH3vo4I/s1838/Screen%20Shot%202025-10-08%20at%201.25.55%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1146" data-original-width="1838" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7MJSQHeF0kjZ_84Db6x1tjcXcfLJr0eobdX8JPhuCx8ySIEw-8DXGAFH2G3VEQvyBIyGm286Hzp8Z8EFwd1EfbDlHVF-QdbYX3Po1IahQdwkHjI7DO5RxtnaC3vm9Wv-6z_L7BL1E4JuTVe0KaJCDLnDKm8T1l8r_YMpM8ECVkob7UMQgXOLa-LH3vo4I/s16000/Screen%20Shot%202025-10-08%20at%201.25.55%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: BLOODLUST! Year: 1961 Rating: ***</u></td></tr></tbody></table><p>Novelist Richard Connell's THE MOST DANGEROUS GAME has been adapted countless times... about a reclusive island-owning hunter who stalks and kills humans instead of the big game he grew tired of... the best known version filmed alongside the original KING KONG and featuring Fay Wray and Robert Armstrong... <br><br>Unlike 1961's infamous BLOODLUST!, there was creative camerawork built into the suspense, particularly during the action-packed second half... while here the camera's stagnant on the four 20-something's that, having chartered a boat for a sightseeing vacation, decide to venture off onto a nearby island... <br></p><p><span></span></p>

action, adventure, bobby hall, eugene persson, exploitation, joan lora, june kenney, lilyan chauvin, robert reed, sixties, thriller, troy patterson, walter brooke, wilton graff

JUNE KENNEY WITH JOAN LORA AND ROBERT REED IN 'BLOODLUST!'

Title: BLOODLUST! Year: 1961 Rating: *** Novelist Richard Connell's THE MOST DANGEROUS GAME has been adapted countless times... about a ...

JUNE KENNEY AND JOHN AGAR IN 'ATTACK OF THE PUPPET PEOPLE'

<p></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjErLIp6miW_2uL0Mcb_TE_fmb_7Azuu3FHjMgIbxrOgTyjo1dUXG5ulDkgeZ3qplmF_zzSIu5KxyjECOvc4HVOynsJKC4krhQVpbwXR6qHzJpVp2i7Cyjh_I_0_sjxooVla0yUjXVeqEo98TGYhNFoOOL70CSYbLSTJ91BsOSfZS9HLNaukNbhWYNjRt4/s1160/Screen%20Shot%202025-10-06%20at%209.01.36%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="626" data-original-width="1160" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjErLIp6miW_2uL0Mcb_TE_fmb_7Azuu3FHjMgIbxrOgTyjo1dUXG5ulDkgeZ3qplmF_zzSIu5KxyjECOvc4HVOynsJKC4krhQVpbwXR6qHzJpVp2i7Cyjh_I_0_sjxooVla0yUjXVeqEo98TGYhNFoOOL70CSYbLSTJ91BsOSfZS9HLNaukNbhWYNjRt4/s16000/Screen%20Shot%202025-10-06%20at%209.01.36%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>June Kenney in Attack of the Puppet People Year: 1958 Rates: ****</u></td></tr></tbody></table><p>A better-suited title for ATTACK OF THE PUPPET PEOPLE would be A CASE OF DOLLS and <i>literally</i> as dollmaker John Hoyt places real people, from strangers to former employees to, as tiny hero  John Agar goes, an employee's fiance, into sealed packages, and all with one thing in common...</p><p></p><p></p><p>Their last mistake was entering the dollmarker's backroom where a sci-fi genre laser-cannon awaits; and although director Bert I. Gordon — aptly nicknamed Mr. Big since his forte was either extra large/small protagonists in a normal sized world — is known as being campy and silly, he can tell a pretty decent story, and this is one of his best, save for that vapid title since they're NOT Puppets and never attack anyone, being totally harmless as the best sequence has the passive ensemble realizing they're all stuck together in a world that consists of a huge dial-up telephone and a phonograph... </p><p><span></span></p>

bert i. gordon, cult, exploitation, fifties, horror, jack kosslyn, john agar, john hoyt, june joceyln, june kenney, ken miller, science-fiction

JUNE KENNEY AND JOHN AGAR IN 'ATTACK OF THE PUPPET PEOPLE'

June Kenney in Attack of the Puppet People Year: 1958 Rates: **** A better-suited title for ATTACK OF THE PUPPET PEOPLE would be A CASE OF D...

CHARLIE SHEEN, SHERILYN FENN & NICK CASSAVETES 'THE WRAITH'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5NTzHk6YJcLfS1r8Lw8bM-FSVVOLnNKb1zAAkCws1kMKK_PyE3SnJdLprYHaUi4M_b3eraRRpsqU6ymqzTzITCYmcqtSOFmvCcjbuYDfu2FFcVibTRr3zuDsnS2TKj-VDjB7NlZRrUwfOA-rWzM7ep2l-dLhBlq8imoKwUZxnPJxhcktoNnuQH82iqcl2/s1866/Screen%20Shot%202025-09-21%20at%2010.42.57%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1034" data-original-width="1866" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj5NTzHk6YJcLfS1r8Lw8bM-FSVVOLnNKb1zAAkCws1kMKK_PyE3SnJdLprYHaUi4M_b3eraRRpsqU6ymqzTzITCYmcqtSOFmvCcjbuYDfu2FFcVibTRr3zuDsnS2TKj-VDjB7NlZRrUwfOA-rWzM7ep2l-dLhBlq8imoKwUZxnPJxhcktoNnuQH82iqcl2/s16000/Screen%20Shot%202025-09-21%20at%2010.42.57%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Sherilyn Fenn, Charlie Sheen, Nick Cassavetes & Matthew Barry in THE WRAITH Year: 1986 Rating: ***</u></td></tr></tbody></table><p>Right before Oliver Stone flew overseas to begin filming his game-changing PLATOON, he had heard about the kind of b-movie he probably grew up watching... a small town gang of ruffians race cars along winding desert roads... <br><br>All for pink slips to own the losing vehicle, but there's a twist since one black car seems to have come from outer space... and Stone's Vietnam-opus leading man, Charlie Sheen, could have possibly ruined his potential star-power...</p><p><span></span></p>

charlie sheen, clint howard, desert, eighties, exploitation, griffin o'neal, nick cassavetes, randy quaid, science-fiction, sherilyn fenn, small town

CHARLIE SHEEN, SHERILYN FENN & NICK CASSAVETES 'THE WRAITH'

Sherilyn Fenn, Charlie Sheen, Nick Cassavetes & Matthew Barry in THE WRAITH Year: 1986 Rating: *** Right before Oliver Stone flew overse...

CHARLIE SHEEN & MAXWELL CAULFIELD IN 'THE BOYS NEXT DOOR'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwshiTobRKfBCjX7_9BbYfZciHgVjezyYTlRm_YCKl-apuHPYXyZCUNGXlApA1QwCk9qWEUCW3uanUj_Qihe3xMrPauLveb-Y9v8_jEZBVKcGR3-WFf0UqHSafU2kMHVKQTeo9Otb9oe2oiVuT8lpHk6e0RJ_3HTVsoKj4T2GR198Z9zPbpe4pOShMKaq2/s1834/Screen%20Shot%202025-09-20%20at%203.27.12%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1066" data-original-width="1834" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiwshiTobRKfBCjX7_9BbYfZciHgVjezyYTlRm_YCKl-apuHPYXyZCUNGXlApA1QwCk9qWEUCW3uanUj_Qihe3xMrPauLveb-Y9v8_jEZBVKcGR3-WFf0UqHSafU2kMHVKQTeo9Otb9oe2oiVuT8lpHk6e0RJ_3HTVsoKj4T2GR198Z9zPbpe4pOShMKaq2/s16000/Screen%20Shot%202025-09-20%20at%203.27.12%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Charlie Sheen and Maxwell Caulfield in THE BOYS NEXT DOOR Year: 1985 Rating: ***1/2</u></td></tr></tbody></table><p>Penelope Spheeris, cult film director who has depicted the legendary Hollywood nightlife in both fictional and non-fictional vehicles, has an opening credit montage of various statewide serial killers, which is misleading for THE BOYS NEXT DOOR, more of a 1970's-stlye violent exploitation semi road movie made during the mid-80's...<br><br>Beginning with two friends who are not only far too old for high school, but way too perfect-looking to be ostracized outsiders: as Maxwell Caulfield and Charlie Sheen are older and younger Roy and Bo, who crash a post-graduation party, steal a rich kids' poodle, and take off to Los Angeles...</p><p><span></span></p>

body count, charlie sheen, christopher mcdonald, crime, eighties, exploitation, hank garrett, maxwell caulfield, neo noir, road movie, thriller

CHARLIE SHEEN & MAXWELL CAULFIELD IN 'THE BOYS NEXT DOOR'

Charlie Sheen and Maxwell Caulfield in THE BOYS NEXT DOOR Year: 1985 Rating: ***1/2 Penelope Spheeris, cult film director who has depicted t...

PATRICK WAYNE AND LINDSAY BLOOM DRIVING 'TEXAS DETOUR'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjPKyQ0Z-PKoaDSaDIp96Q_hjz3gF-DdvFPGDicJ8yIdVwCviGABTKlK7Qylu4vY-NC0pJ6a7qOXSzzBBT1ubJ6ZhgI4Ycgvgup_rBFfNItdsiTyBtR0f2DbWA7XOGGa6Eal9QJ-RuJ-3MGe_8H3PAjY1IJJjXtj6k_lg6ZawoaosMlGPURnfiD5igjggt/s1732/Screen%20Shot%202025-09-02%20at%201.07.25%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1732" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgjPKyQ0Z-PKoaDSaDIp96Q_hjz3gF-DdvFPGDicJ8yIdVwCviGABTKlK7Qylu4vY-NC0pJ6a7qOXSzzBBT1ubJ6ZhgI4Ycgvgup_rBFfNItdsiTyBtR0f2DbWA7XOGGa6Eal9QJ-RuJ-3MGe_8H3PAjY1IJJjXtj6k_lg6ZawoaosMlGPURnfiD5igjggt/s16000/Screen%20Shot%202025-09-02%20at%201.07.25%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Title: TEXAS DETOUR Year: 1978 Rating: ***</u></td></tr></tbody></table><p>In the 1970's there was what's called <i>Vanspoitation</i> films... young people cruising in groovy vans... but for TEXAS DETOUR, that aspect is a jumping-off point, beginning with would-be Memphis musician family Patrick Wayne, Mitch Vogel and Lindsay Bloom driving across the titular Lone Star State before their beloved vehicle's stolen in a one-horse town... with the usual rich guy who runs the town, and a sheriff forced to appease him...<br><br>While the lanky and aesthetically-formidable BURNT OFFERINGS chauffeur Anthony James is that important town-owner's spoiled, wild-card son, instantly smitten with the spunky Bloom after they're stranded without wheels...</p><p><span></span></p>

anthony james, comedy, exploitation, lindsay bloom, mitch vogel, patrick wayne, priscilla barnes, r.g. armstrong, seventies

PATRICK WAYNE AND LINDSAY BLOOM DRIVING 'TEXAS DETOUR'

Title: TEXAS DETOUR Year: 1978 Rating: *** In the 1970's there was what's called Vanspoitation films... young people cruising in gr...

CHERI CAFFARO IN THE MANILA EXPLOITATION 'TOO HOT TO HANDLE'

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilUIcXRMtxRxNwCBD92L-vL5xaQv3Bl7r2JGYpfZ-E_0cItBIjnT7Rnmj6cixXkaHAHRLucPl3EXnuASObcG_8YskfH7PpWq5hRb-3rl6BW0XwsJvpCmsLrdlvXWZEcMgpM7z_x386Kj4UMXcM9aM18yC4unRg5Z4Ejtqt2OU_Oa7ci682kqMjQS1gc48n/s1854/Screen%20Shot%202025-09-03%20at%2012.06.53%20AM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1176" data-original-width="1854" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEilUIcXRMtxRxNwCBD92L-vL5xaQv3Bl7r2JGYpfZ-E_0cItBIjnT7Rnmj6cixXkaHAHRLucPl3EXnuASObcG_8YskfH7PpWq5hRb-3rl6BW0XwsJvpCmsLrdlvXWZEcMgpM7z_x386Kj4UMXcM9aM18yC4unRg5Z4Ejtqt2OU_Oa7ci682kqMjQS1gc48n/s16000/Screen%20Shot%202025-09-03%20at%2012.06.53%20AM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Cheri Caffaro in TOO HOT TO HANDLE Year: 1977 Rating: ***1/2</u></td></tr></tbody></table><p>An exploitation shot in the Philippines that doesn't take the usual Roger Corman device of sending American girls over to be strangers in a strange land... instead, low-budget director Don Schain's wife and multi-collaborator Cheri Caffaro plays an assassin who's already right at home...<br><br>As is the police investigator investigating her... that she quickly falls in love with... bringing together two great-looking people with genuine chemistry, almost seeming like a mainstream kind of windswept romance...</p><p><span></span></p>

action, aharon ipalé, body count, cheri caffaro, exploitation, john van dreelen, roger corman, seventies, vic diaz

CHERI CAFFARO IN THE MANILA EXPLOITATION 'TOO HOT TO HANDLE'

Cheri Caffaro in TOO HOT TO HANDLE Year: 1977 Rating: ***1/2 An exploitation shot in the Philippines that doesn't take the usual Roger C...

PAT ANDERSON AND LENORE KASDORF IN ROGER CORMAN'S 'FLY ME'

<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitk1mfsTtA6XcJktN7L1nnKG7NHF5RBSSGOg1Rx0JAmnOwi2mNhS8yJ00SD16Pec2h4-KPBZbbTbw6by7_3kg1Dumhhr7m0RuS0VptEd5q8LWVAibErQKM0r5pCkZUDwd3pWoGaWi-aNIdHH9mBfOuybkP4BaFtk1Vo8XqOy12fb3U6f57pdleuJhv1XKy/s1926/Screen%20Shot%202025-09-02%20at%2010.32.22%20PM.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="1926" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitk1mfsTtA6XcJktN7L1nnKG7NHF5RBSSGOg1Rx0JAmnOwi2mNhS8yJ00SD16Pec2h4-KPBZbbTbw6by7_3kg1Dumhhr7m0RuS0VptEd5q8LWVAibErQKM0r5pCkZUDwd3pWoGaWi-aNIdHH9mBfOuybkP4BaFtk1Vo8XqOy12fb3U6f57pdleuJhv1XKy/s16000/Screen%20Shot%202025-09-02%20at%2010.32.22%20PM.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Pat Anderson in FLY ME</u><u> Year: 1973 Rating: **1/2</u></td></tr></tbody></table><p></p><p>The controversial National Airlines ad-campaign of beautiful young stewardesses with the tagline "Fly Me" made the perfect title for a 1970's Roger Corman production... <br><br>Another shot in the Philippines only here, instead of using harsh jungle terrain, it's more of a city-wide travelogue, including a gorgeous fortress where one of the three main stewardesses does karate... <br><span></span></p>

action, comedy, exploitation, karate, lenore kasdorf, lyllah torena, naomi stevens, pat anderson, richard young, roger corman, seventies, vic diaz

PAT ANDERSON AND LENORE KASDORF IN ROGER CORMAN'S 'FLY ME'

Pat Anderson in FLY ME Year: 1973 Rating: **1/2 The controversial National Airlines ad-campaign of beautiful young stewardesses with the ta...

LINDSAY BLOOM STARRING AS 'SIXPACK ANNIE' WITH JANNA BELLAN

<p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a target="_top" href="/newspapers?url=https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYdpMB4KX_DMCPvvwmfuDryDHFXr72DiCr22CckgkRglFugG0hIewSFzPNTfeYo9VR0WV9ZUoiUqu1ykqWGEzL_2eShAGux3rsfFPojpl0LSt3f7udO5pwCgUH3liEBVKu3QVxaAqL60oaqenQhjrCikivjq69EjZiv_qrmA5CNtUNRzDYdjXaIdroTtkv/s2292/Screen%20Shot%202025-09-02%20at%2012.09.25%20AM%202.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1242" data-original-width="2292" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgYdpMB4KX_DMCPvvwmfuDryDHFXr72DiCr22CckgkRglFugG0hIewSFzPNTfeYo9VR0WV9ZUoiUqu1ykqWGEzL_2eShAGux3rsfFPojpl0LSt3f7udO5pwCgUH3liEBVKu3QVxaAqL60oaqenQhjrCikivjq69EjZiv_qrmA5CNtUNRzDYdjXaIdroTtkv/s16000/Screen%20Shot%202025-09-02%20at%2012.09.25%20AM%202.jpeg"></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><u>Lindsay Bloom in SIXPACK ANNIE Year: 1975 Rating: **1/2</u></td></tr></tbody></table><p>In a career neatly balancing mainstream episodic television like THE DUKES OF HAZZARD and exploitation cinema such as <a target="_top" href="/newspapers?url=http://www.cultfilmfreaks.com/2025/09/cgmodels.html">COVER GIRL MODELS</a>, Lindsay Bloom is by far the cutest starlet to appear in the latter: providing a girl-next-door innocence within the infamously risque guilty-pleasure-driven super-low-budget cinema...<br><br>Herein an aesthetically perfect fit for the rural hangout romp SIXPACK ANNIE, where her titular character realizes a plot-line halfway through... to find a sugar daddy with enough cash to help her aunt pay for the family diner, where she waitresses with <a target="_top" href="/newspapers?url=http://www.cultfilmfreaks.com/2013/07/american-graffiti-theatrical-experience.html">AMERICAN GRAFFITI</a> carhop Jana Bellan, a cherubic brunette to Bloom's adorable blonde...</p><p><span></span></p>

bruce boxleitner, comedy, exploitation, janna bellan, lindsay bloom, louisa moritz, ray danton, rural, seventies, vince barnett

LINDSAY BLOOM STARRING AS 'SIXPACK ANNIE' WITH JANNA BELLAN

Lindsay Bloom in SIXPACK ANNIE Year: 1975 Rating: **1/2 In a career neatly balancing mainstream episodic television like THE DUKES OF HAZZAR...