Object Mentor Blog: What's all this nonsense about Katas?

What's all this nonsense about Katas?

Uncle Bob — Sat, 21 Nov 2009 04:32:00 -0600

There has been an increase in interest in Software Katas of late. What is all this buzz about, and why might it be important?

Several years ago (Pragmatic) Dave Thomas started a special blog about coding katas. The idea was simple: Professionals practice.

This thought might not have occurred to you before; but it’s self-evidently true. Professional musicians practice. Professional dancers practice. Doctors practice. Soldiers practice. Indeed, any kind of professional craftsman or artisan must practice their adopted trade in order to execute it well when it counts.

Dave’s point was that professional programmers need to practice like any other professional. He set forth a number of simple exercises and problems that programmers could solve during their practice time. He also suggested that practice time needs to be scheduled and protected as part of the normal routine of a software developer.

At XP2005 in Shefield, UK, I attended Laurent Bossavit’s and Emmanuel Gaillot’s Coding Dojo session. I blogged about it at the time. I left that session with a different view of what a Kata might be. In Dave Thomas’ view a kata is an exercise to solve. Each time you solve it you try a different approach. Dave’s notion is that a kata is a way to explore the solution space of a problem. But in Martial arts a kata is something different; it is a set of motions that one memorizes in minute detail. A martial arts kata is a precisely executed dance. I left Sheffield with the idea that a coding kata could be more like a martial arts kata.

About a year ago, Corey Haines (our wandering minstrel of code) stopped by and told me about some mini-conferences that had adopted the notion of coding kata. What he described sounded more like a group dance than a bunch of people independently solving a given problem. This got me thinking. So at the next Software Craftsmanship meeting at 8th Light (Which, not coincidentally, takes it’s name from a martial arts philosophy) I conducted a simple kata session in dojo style.

I, acting as the Sen Sei, had everyone file in to the room as they would to a dojo. I had them put their green bands on their wrists (mine was black!). I bade them to sit, and then gestured for silence. For the next 15 minutes I led them through the Prime Factors Kata in Java without uttering a word (well, almost). I would write a simple test case, then gesture for them to do the same. Then I would make the test pass, and again gesture for them to repeat my moves.

Then, this Fall, I attended Programming with the Stars at Agile 2009. As I watched the contestants perform their programming sessions, I realized that they were not simply demonstrating programming prowess; indeed they were competing in how well they performed their session. That’s when it struck me. This was a performance art!

It seems absurd to think of programming as a performance art. And yet watching those people up on stage working through routines that they had clearly practiced over and over again, was delightfully entertaining to me, and to the crowd. There were cheers and applause when a performing pair did something especially well. There was laughter when a pair executed a clever joke in code, or in behavior. For programmers, watching other programmers perform well practiced routines was fun!

Now I had seen martial arts katas executed as performance art during competitions. Indeed, it is a beautiful thing to watch a skilled and well practiced martial artist peform a kata. And that started me thinking. Why would a martial artist practice these forms so intensely that they could be performed as an art?

The goal of martial arts is not to perform on stage. The goal of martial arts is self defense! And yet, when a martial artist is at the peak of his skill, his practice takes on the quality of a performance art. When you watch a skilled martial artist perform, you know you don’t want to fight him. The performance is a demonstration, and a realization, of mastery.

And yet the performance is not the goal. No martial artist practices his art so that they can perform on stage. A martial artist practices to achieve personal perfection in the art of self defense. The fact that the practice can be performed is a (pleasant) side effect.

Could it be that these coding kata that we’ve been dabbling with for the last few years could be performed? Is there a benefit to practicing them so much that performance is an option? Is there really any reason for a programmer to create and then memorize a routine down to the level of individual keystrokes? Is there profit to be gained from practicing that routine so thoroughly that you can do it at high speed with virtually no errors? This August I decided to find out.

I started with the Prime Factors Kata in Java, and set it to music inspired by this video of dancing kites. The piece is about 4 minutes long, and I figured I’d need about twice that, so I found two different version of the music and played them back to back. But working in Java is ponderous, and I could not complete the kata before the two pieces had finished. So I switched to Ruby. Using Ruby and Rspec I was able to finish the Kata with plenty of time to spare.

Thereupon began an evolution. Since I had time, I added more features to the kata. As I improved in my practice I found I had even more time, so I added even more features. I refined and polished. I refactored my refactorings. I trimmed keystrokes, and learned many new keyboard shortcuts in the process. I completely abandoned the mouse; and then later reacquired it for flourishes and highlights (but never for actual coding).

Week after week, I set aside 30 minutes or so every day to practice, and practice, and practice—just the way I used to practice my Jiu Jitsu Katas. I would practice on airplanes while flying to clients. I would practice in bed with my laptop in my lap. I would practice late at night in hotel rooms after a long day consulting for clients. I would practice early in the morning before shower and breakfast. And the practice started to pay off.

Ten weeks later I finally decided I was ready to create a screencast. I reduced my screen resolution to 1024X768. I configured SnapZ ProX to record the whole screen at 80% size. And I began to record.

Performing a coding kata in time to music is a very difficult thing to do. Maintaining the timeline is critical. There are very few errors that you can effectively recover from. If you miss a stroke, the whole sequence melts down. And melt down it did. Over and over and over again. I spent weeks trying to record a reasonably good session. I must have done hundreds of takes. It was very frustrating.

But day by day I got better and better at it. Finally, after weeks of trying, I got what I consider to be a recording that, though not perfect, is good enough to present. You can watch that recording here.

Has this paid off in the regular programming I do? I think it has. My mouse usage is much less than it used to be. I know a much larger number of keyboard shortcuts than I used to, and I can use them almost instinctively. My typing and accuracy have improved quite a bit, and I now type more punctuation and number keys without looking. So, yes, I think the effort has paid off; though I’m not at all sure the payoff compensates for the effort.

But something else compensates for the effort. Making this recording was fun—it was a lot of fun. And that’s probably the real answer to the question posed in the title of this blog.

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